Черт, набрал огромное письмо, а оно куда-то пропало, по новой придется.
Хочу сделать передачу на радио о необычных вариантах исполнения песен Битлз. Набрал несколько, нужно еще. Вот что у меня есть:

George Benson - The Long and Winding Road
Diana Krall - And I Love Her
Gregorian - Imagine
Spyro Gyro - In My Life
Helloween - All My Loving
Jeff Healey Band - While My Guitar Gently Weeps

Кроме этого есть много инструментальных версий, но это не совсем то, что надо.

Нужно еще 5-6 композиций. Может кто посоветует, а еще лучше поделится? Мне не нужны полностью альбомы, как я уже сказал, всего 5-6 композиций в Mp3, 192 CBR, вытянуть особо сложно не будет. Заберу как будет удобно.
Эфир у меня в четверг, 30-го октября, буду благодарен за помощь.

А мне Хелп от ДП сильно нравился когда-то, да и We Can Work It Out ничего. :punk:

joe cocker - let it be.you've got tohide your love away.и моя
любимая-with a little help from my friends

Насколько я понял надо нетрадиционное исполнение песен Битлз.
А мне на ум приходят только более- менее традиционные варианты , ну например U2 Helter Skelter :)

Могу предложить две весьма оригинальных и обалденных, ИМХО, интертрепации. :D
Первая - Taxman в исполнении отличной и знаменитой созернроковой групы Black Oak Arkansas,
вторая - I Saw Him Standing There от "перпловской" девочки Maggie Bell.
Обе, ИМХО, супер. Если нужно, могу рассказать об исполнителях подробней.
Содраны в нужном тебе формате. Могу слить на ФТП.

Оба файла выложил с приоритетом "релиз".
О Black Oak Arkansas:
Нижеследующий текст скопирован из веб-страницы 26.10.2003 23:53:34
All Music Guide: Black Oak Arkansas
http://www.allmusic.com/cg/amg.dll
Скопированный текст:
Southern rock veterans Black Oak Arkansas never quite achieved the level of success enjoyed by contemporaries like Lynyrd Skynyrd and the Allman Brothers, but have remained a cult band thanks to their raw, primitive energy and the testosterone-fueled antics of lead vocalist/showman James "Big Jim Dandy" Mangrum. Named for Mangrum's hometown, Black Oak Arkansas eventually built up a solid following through incessant touring and enjoyed a run of ten charting albums between 1971 and 1976. The band also found itself with a Top 30 single in their raunchy cover of a LaVern Baker R&B hit called "Jim Dandy to the Rescue," which became Mangrum's signature song. When album sales dried up, Mangrum re-formed the band with more musically skilled veteran players and continued to tour, although the group's glory days were past.
Black Oak Arkansas dates back to the mid-'60s, when a group of young, long-haired misfits headed by Jim Mangrum, unable to find work, turned to rock & roll. However, the group was unable to purchase equipment and ended up being arrested for grand larceny after stealing items from the local school in order to get money. They were nearly run out of town and went to live in the nearby hills, locating and borrowing equipment where they could. The band moved to New Orleans in 1969 and called itself Knowbody Else, with a lineup of vocalist Mangrum; guitarists Ricky "Ricochet" Reynolds, Stanley "Goober" Knight, and Harvey "Burley" Jett; bassist Pat Daugherty; and drummer Wayne Evans. Knowbody Else recorded a self-titled album for Stax, which went nowhere; rethinking their approach, the band became interested in psychedelia and Eastern spirituality, which they filtered through their Southern Baptist upbringing. Changing their name to Black Oak Arkansas, the band secured a deal with Atlantic after several trips to Los Angeles and released its self-titled debut in 1971. While it wasn't a hit, the band toured extensively, building a reputation as a raw, incendiary live act that made up for occasional musical deficiencies with energy and the explicit sexuality of Mangrum, who flaunted his body at every opportunity and became known for such antics as miming sex with the washboard he used for musical accompaniment. The band's second album, Keep the Faith, was a noticeable improvement, as the band had honed its sound and material through numerous live gigs; If an Angel Came to See You, Would You Make Her Feel at Home? followed the same year, featuring new drummer Tommy Aldridge, but it was 1973's Raunch 'N' Roll Live that established the group as a commercial force. That year, High on the Hog became their most commercially successful album, reaching number 52 on the charts. It was buoyed by the Top 30 cover version of "Jim Dandy to the Rescue," which featured female vocalist Ruby Starr trading innuendoes with Jim "Dandy" Mangrum. Several more albums followed before the group parted ways with Atlantic in 1976; Jett left the band in 1975 and was replaced by Starr cohort James Henderson. Lineup shifts were rampant as the group switched to MCA; Aldridge left and was replaced by Joel Williams, while the guitar/bass axis was gutted and rebuilt around Greg Reding, Jack Holder, and bassist Andy Tanas. This lineup released Race With the Devil in 1977, after the band had one last taste of success with the "Strong Enough to Be Gentle" single. Following several lackluster, straightforward Southern rock albums, the band called it quits in 1980. After recovering from a heart attack, Mangrum reunited with Reynolds in 1984 for a solo album, Ready as Hell; The Black Attack Is Back followed two years later. In 1999, BOA reunited to release The Wild Bunch.

О Meggie Bell:
Нижеследующий текст скопирован из веб-страницы 26.10.2003 23:55:38
All Music Guide: Maggie Bell
http://www.allmusic.com/cg/amg.dll?p=amg&u...l=Bqns9kezt7q7b
Скопированный текст:
Scottish soul-rock singer Maggie Bell first gained prominence singing with Stone the Crows, which released its first album in 1970 and broke up in June 1973. Bell went solo with Queen of the Night (featuring the U.S. number 97 "After Midnight") in 1974, followed by Suicide Sal, both of which charted in the U.S. Her only U.K. chart singles came with "Hazell" (number 37) in 1978, and a duet with B.A. Robertson, "Hold Me" (number 11), in 1981.
От себя добавлю, что её с голосищей может только Satirium 4 сравниться. :)
Оба её сольных альбома спонсировались Роджером, нашим, Гловером, да и сама девочка на всех, практически, его сольных альбомах появлялась. Ну и на Хардиновских "Wizard's Convention" тоже, плюс её работа со "Stone The Crows", ИМХО, супер.

Roxette - Help!!! :help: (Abbey Road version)

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