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01. Honeysuckle Rose [0:03:38.58]
02. In The Still Of The Night [0:05:06.62]
03. Taking A Chance On Love [0:03:19.41]
04. Bill [0:05:16.44]
05. I Won't Dance [0:03:36.17]
06. Too Late Now [0:05:21.57]
07. Why Can't You Behave? [0:04:08.53]
08. Do I Love You? [0:04:53.06]
09. I Should Care [0:03:43.68]
10. Love Me Or Leave Me [0:03:35.02]
11. Embraceable You [0:03:47.66]
12. Dancing In The Dark [0:05:06.37]
13. Over The Rainbow [0:03:55.14]
14. I Wish I Were In Love Again [0:02:54.43]
Label:Sony Music
Genre:Vocal Jazz
Compression:EAC+APE
Covers:Yes
Size: 316.92 MB
02. In The Still Of The Night [0:05:06.62]
03. Taking A Chance On Love [0:03:19.41]
04. Bill [0:05:16.44]
05. I Won't Dance [0:03:36.17]
06. Too Late Now [0:05:21.57]
07. Why Can't You Behave? [0:04:08.53]
08. Do I Love You? [0:04:53.06]
09. I Should Care [0:03:43.68]
10. Love Me Or Leave Me [0:03:35.02]
11. Embraceable You [0:03:47.66]
12. Dancing In The Dark [0:05:06.37]
13. Over The Rainbow [0:03:55.14]
14. I Wish I Were In Love Again [0:02:54.43]
Label:Sony Music
Genre:Vocal Jazz
Compression:EAC+APE
Covers:Yes
Size: 316.92 MB
| QUOTE |
| Editorial Reviews Amazon.com On her fourth album, Taking A Chance On Love, singer Jane Monheit makes her leap to the majors and the fit is a good one. As she's proven on past efforts, Monheit is a traditional stylist who expertly mines American standards by balancing pop's accessible sensibility and jazz's rich complexity. The material could be, and has been, in worse hands than Monheit's--her exceptional technique again brings these songs to life without taking liberties with structure, melody or odd arrangements. It's her exceptional execution, tonal palette, and phrasing that gives these songs a sense of artistry. She also gets subtle support from an impressive cast of sidemen (including guest singer Michael Buble, bassists Ron Carter and Christian McBride, and guitarist Romero Lubambo) in a variety of contexts, ranging from jazz combos to orchestra to vocal-and-single-instrument duets. Highlights include the tender "Embraceable You," the lushly orchestrated "Dancing in Dark" and the jaunty bebop version of "Honeysuckle Rose." –-Tad Hendrickson |