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:hi:
:hi:
Thanks to my friends :D
King Crimson - 1974 Starless and Bible Black. 30th Anniversary HDCD Jp Remastered
Riper EAC 095pb4 Read mode: Secure with NO C2, accurate stream, disable cache
Codec Flac 1.11
Covers Complet
Cue, Log, CDImage
WinRar 3.30 Store 287MB
Review by Bruce Eder
Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring, elegant, and delicate violin and Mellotron parts scattered throughout its 41 minutes, often all in the same songs. The album was on the outer fringes of accessible progressive rock, with enough musical ideas explored to make Starless and Bible Black more than background for tripping the way Emerson, Lake & Palmer's albums were used. "The Night Watch," a song about a Rembrandt painting, was, incredibly, a single release, although it was much more representative of the sound that Crimson was abandoning than where it was going in 1973-1974. More to that point were the contents of side two of the original LP, a pair of instrumentals that threw the group's hardest sounds right in the face of the listener, and gained some converts in the process. This album was remastered again for CD in the summer of 2000, in significantly improved sound that brought out the details (and surprising lyricism) of much of the material in far greater detail. The booklet included with the remastered version is not as impressive as some of the rest of the series entries in terms of information, but has great photos.
1 The Great Deceiver Fripp, Palmer-James, Wetton 4:03
2 Lament Fripp, Palmer-James, Wetton 4:02
3 We'll Let You Know Bruford, Cross, Fripp, Wetton 3:41
4 The Night Watch Fripp, Palmer-James, Wetton 4:42
5 Trio Bruford, Cross, Fripp, Wetton 5:41
6 The Mincer Bruford, Fripp, Palmer-James ... 4:09
7 Starless and Bible Black Bruford, Cross, Fripp, Wetton 9:14
8 Fracture Fripp 11:17
Bill Bruford Percussion, Drums
David Cross Violin, Keyboards, Viola
Robert Fripp Guitar, Keyboards, Mellophonium, Mellotron, Devices
John Wetton Bass, Voices
King Crimson - 1974 Starless and Bible Black. 30th Anniversary HDCD Jp Remastered
Riper EAC 095pb4 Read mode: Secure with NO C2, accurate stream, disable cache
Codec Flac 1.11
Covers Complet
Cue, Log, CDImage
WinRar 3.30 Store 287MB
Review by Bruce Eder
Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring, elegant, and delicate violin and Mellotron parts scattered throughout its 41 minutes, often all in the same songs. The album was on the outer fringes of accessible progressive rock, with enough musical ideas explored to make Starless and Bible Black more than background for tripping the way Emerson, Lake & Palmer's albums were used. "The Night Watch," a song about a Rembrandt painting, was, incredibly, a single release, although it was much more representative of the sound that Crimson was abandoning than where it was going in 1973-1974. More to that point were the contents of side two of the original LP, a pair of instrumentals that threw the group's hardest sounds right in the face of the listener, and gained some converts in the process. This album was remastered again for CD in the summer of 2000, in significantly improved sound that brought out the details (and surprising lyricism) of much of the material in far greater detail. The booklet included with the remastered version is not as impressive as some of the rest of the series entries in terms of information, but has great photos.
1 The Great Deceiver Fripp, Palmer-James, Wetton 4:03
2 Lament Fripp, Palmer-James, Wetton 4:02
3 We'll Let You Know Bruford, Cross, Fripp, Wetton 3:41
4 The Night Watch Fripp, Palmer-James, Wetton 4:42
5 Trio Bruford, Cross, Fripp, Wetton 5:41
6 The Mincer Bruford, Fripp, Palmer-James ... 4:09
7 Starless and Bible Black Bruford, Cross, Fripp, Wetton 9:14
8 Fracture Fripp 11:17
Bill Bruford Percussion, Drums
David Cross Violin, Keyboards, Viola
Robert Fripp Guitar, Keyboards, Mellophonium, Mellotron, Devices
John Wetton Bass, Voices
Браво!!!
P.S. Лог покажи!!!! :lol: :lol:
P.S. Лог покажи!!!! :lol: :lol:
retro ща как покажу чево-то - ты и упадёшь!... со смеху, натюрлих :fear2:
Лучший и самый внятный альбом Кримсон...Понимаю, что затронул вопросы преференций...Добавлю -ИМХО :)
О, Сатирыч, попался весьма кстати :)
надыбал я пару бутлегов Магмы - звук, кажется, нормальный, но полная невнятность в музыке! Добавлю -ИМХО :lol:
а как твои преференции насчет Мохавишны оркестра без Мохавишны?
и аудио лосслесс с ДВД Лусиер в Дрезденской кирхе живьём 2004? :rolleyes:
мнение всех тоже интересно мне :D
надыбал я пару бутлегов Магмы - звук, кажется, нормальный, но полная невнятность в музыке! Добавлю -ИМХО :lol:
а как твои преференции насчет Мохавишны оркестра без Мохавишны?
и аудио лосслесс с ДВД Лусиер в Дрезденской кирхе живьём 2004? :rolleyes:
мнение всех тоже интересно мне :D
Мнение высказываю (раз просили...):
1) Магму очень уважаю и желаю, нет ничего, хорошо бы с номерных начать, но если нет, так нет...
2) Лусиера не понимаю совсем, очевидно не дорос еще (или перерос), ну совсем не понимаю...
3) "насчет Мохавишны оркестра без Мохавишны?" не представляю... наоборот, конечно, а вот так... не знаю.
Итог: Магма! Искал, кстати, совсем недавно.
1) Магму очень уважаю и желаю, нет ничего, хорошо бы с номерных начать, но если нет, так нет...
2) Лусиера не понимаю совсем, очевидно не дорос еще (или перерос), ну совсем не понимаю...
3) "насчет Мохавишны оркестра без Мохавишны?" не представляю... наоборот, конечно, а вот так... не знаю.
Итог: Магма! Искал, кстати, совсем недавно.
The Mahavishnu Project launches directly from where the original band abruptly left off. In 2001, this incendiary unit from New York City began performing their unique renditions of music from classic Mahavishnu discs such as Birds of Fire, Inner Mounting Flame and Between Nothingness & Eternity and Visions of the Emerald Beyond while remaining true to the cutting edge improvisations of the original band, and to McLaughlin’s stunning compositions. Their take on the music must be quite special, as they have received the seal of approval from Maestro McLaughlin himself!
The Mahavishnu Project is led by extraordinary drummer/composer Gregg Bendian, widely known for his work with Pat Metheny, Ornette Coleman, & John Zorn. Bendian has received rave reviews for his and Nels Cline’s Interstellar Space Revisited: The Music of John Coltrane (Atavistic), his band Interzone’s Requiem for Jack Kirby (Atavistic, 2001) and his sterling drum and vibes work on the long-awaited We Saw A Bozo Under The Sea (ZHR, 2001) by former Beefheart guitar whiz, Zoot Horn Rollo. Bendian’s talents are uniquely suited to the daunting challenge of another shining icon of creative music - The Mahavishnu Orchestra.
Bendian is joined by new guitarist Rocco Zifarelli -who's worked with Bob Mintzer, Kenny Kirkland and Ennio Morricone, long-time Allan Holdsworth & Billy Cobham keyboardist Steve Hunt, bassist Chris Tarry (John Scofield and Metalwood) and violinist Rob Thomas, who’s worked with Andy Summers and Tito Puente.
Это состав The Mahavishnu Project :
Gregg Bendian—Drums
Pete McCann—Guitars
Steve Hunt—Keyboards
Rob Thomas—Violins
Chris Tarry-Bass
Это сам John McLaughlin сказал:
Just a little note of appreciation for what you are bringing back to life. This musical period was the beginning of finding my own way in music, and to hear you guys playing those tunes in such an unbelievable way is quite amazing. Great job!! Keep up the good work
The Mahavishnu Project is led by extraordinary drummer/composer Gregg Bendian, widely known for his work with Pat Metheny, Ornette Coleman, & John Zorn. Bendian has received rave reviews for his and Nels Cline’s Interstellar Space Revisited: The Music of John Coltrane (Atavistic), his band Interzone’s Requiem for Jack Kirby (Atavistic, 2001) and his sterling drum and vibes work on the long-awaited We Saw A Bozo Under The Sea (ZHR, 2001) by former Beefheart guitar whiz, Zoot Horn Rollo. Bendian’s talents are uniquely suited to the daunting challenge of another shining icon of creative music - The Mahavishnu Orchestra.
Bendian is joined by new guitarist Rocco Zifarelli -who's worked with Bob Mintzer, Kenny Kirkland and Ennio Morricone, long-time Allan Holdsworth & Billy Cobham keyboardist Steve Hunt, bassist Chris Tarry (John Scofield and Metalwood) and violinist Rob Thomas, who’s worked with Andy Summers and Tito Puente.
Это состав The Mahavishnu Project :
Gregg Bendian—Drums
Pete McCann—Guitars
Steve Hunt—Keyboards
Rob Thomas—Violins
Chris Tarry-Bass
Это сам John McLaughlin сказал:
Just a little note of appreciation for what you are bringing back to life. This musical period was the beginning of finding my own way in music, and to hear you guys playing those tunes in such an unbelievable way is quite amazing. Great job!! Keep up the good work
а Магма есть, например, такая:
MAGMA
06-02-74 КStudio F, Bremen, Germany (Radio Broadcast)
Lineage : FM broadcast > reel-to-reel > ? > wav > flac
1. Soi Sowiloi
2. Mekanink Destruktiw Kommandoh
3. Ptah (drum solo)
4. Theusz Hamtahk
Line-Up :
Klaus BLASQUIZ - vocals, percussions
Claude OLMOS - guitar
Michel GRAILLIER - key
GЋrard BIKIALO - key
Jannik TOP - bass
Christian VANDER - drums, vocals
MAGMA
06-02-74 КStudio F, Bremen, Germany (Radio Broadcast)
Lineage : FM broadcast > reel-to-reel > ? > wav > flac
1. Soi Sowiloi
2. Mekanink Destruktiw Kommandoh
3. Ptah (drum solo)
4. Theusz Hamtahk
Line-Up :
Klaus BLASQUIZ - vocals, percussions
Claude OLMOS - guitar
Michel GRAILLIER - key
GЋrard BIKIALO - key
Jannik TOP - bass
Christian VANDER - drums, vocals
OlCh
a u tebia est' Jap. Remasters HDCD bitlov?
a u tebia est' Jap. Remasters HDCD bitlov?
| QUOTE (yury_usa @ 28-06-2005, 15:23) |
| OlCh a u tebia est' Jap. Remasters HDCD bitlov? |
а чо есть официальные?
аль ты о таких?:
аль ты о таких?: