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The son of a semi-pro clarinet and sax player, Cole trained classically, first on the clarinet before switching to the sax in high school. He continued his musical studies at Northwestern University and was among the winners of the annual Chicago Symphony Orchestra's Young Artists competition. Even while earning a degree in economics and later an M.B.A., he switched his musical focus to his truer loves, R&B and jazz, and became a staple on Chicago's club scene.
He's kept great company over the years, starting with Junior Wells and pianist Bob Mamet. Cole's smooth jazz breakthrough was his several-year side gig with Brian Culbertson, which led to his working with the keyboardist (also a Windy City native) on tracks that evolved into Stay Awhile, one of smooth jazz's biggest sensations of 1998. The success of his debut and its three hit radio singles also ensured Cole's success at the 2000 Oasis Smooth Jazz Awards, where he won the Prism Award for Best New Artist.
In between Stay Awhile and 2002's Between Us (also produced by Culbertson), Cole kept busy playing with his own band and as a sideman with Dave Koz, Marc Antoine and Peter White (on a U.K. tour), Rick Braun, and Larry Carlton. Between Us featured the hit singles "Got It Going On" and "From the Start," as well as a snazzy cover of TLC's "Waterfalls." Cole's most enduring relationship is the one with Culbertson, and his sax graces three of the keyboardist's hit recordings. Culbertson helms some tracks on NY LA, but Cole expands beyond his usual sonic edges by also working with fellow saxman David Mann and the tandem Sonic Soul, who introduce vocals to the Cole mix for the first time. NY LA was recorded in both cities with top sidemen like bassist Will Lee, guitarist Paul Jackson Jr., percussionist Lenny Castro, and former Miles Davis keyboardist Darren Johnson. Rather than simply repeat the creative ideas of Cole's first two hits, the album effortlessly bridges the gap between instrumental virtuosity, seamless ensemble playing, and a high-caliber creative chemistry that runs the stylistic gamut. ~ Jonathan Widran, All Music Guide
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