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Looking In (39:35)
01 Gypsy (01:01)
02 Poor Girl (04:09)
03 Money Can't Save Your Soul (05:32)
04 Sunday Night (05:24)
05 Looking In (05:19)
06 Take It Easy (05:44)
07 Sitting An' Thinking (02:54)
08 Leavin' Again (08:30)
09 Ramanoff (01:02)
Log:
01 Gypsy (01:01)
02 Poor Girl (04:09)
03 Money Can't Save Your Soul (05:32)
04 Sunday Night (05:24)
05 Looking In (05:19)
06 Take It Easy (05:44)
07 Sitting An' Thinking (02:54)
08 Leavin' Again (08:30)
09 Ramanoff (01:02)
Log:
CODE |
EAC extraction logfile from 19. October 2005, 1:07 for CD Savoy Brown / Looking In Used drive : PIONEER DVD-ROM DVD-116 Adapter: 1 ID: 0 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 0 Overread into Lead-In and Lead-Out : No Used output format : C:\Program Files\EAC\mac.exe (Monkey's Audio Lossless Encoder) Extra High Lossless Compression Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface Range status and errors Selected range Filename C:\EAC.APE\Looking In.wav Peak level 98.6 % Range quality 99.8 % CRC A4339859 Copy OK No errors occured End of status report |
Year 1970 Label Parrot.
Type CD Catalog # 844 017-2
Year 1990 Label Deram.
Savoy Brown's blues-rock sound takes on a much more defined feel on 1970's Looking In and is one of this band's best efforts. Kim Simmonds is utterly bewildering on guitar, while Lonesome Dave Peverett does a fine job taking over lead singing duties from Chris Youlden who left halfway through the year. But it's the captivating arrangements and alluring ease of the music that makes this a superb listen. The pleading strain transformed through Simmonds' guitar on "Money Can't Save Your Soul" is mud-thick with raw blues, and the comfort of "Sunday Night" is extremely smooth and laid back. "Take It Easy" sounds like it could have been a B.B. King tune as it's doused with relaxed guitar fingering. The entire album is saturated with a simple, British blues sound but the pace and the marbled strands of bubbly instrumental perkiness fill it with life. Even the Yardbirds-flavored "Leaving Again" is appealing with its naïve hooks, capped off with a heart-stopping guitar solo. This album along with Street Corner Talking best exemplify Savoy Brown's tranquilizing style.