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:hi:
thanks to my friends :)
Review by Lindsay Planer
After circulating on a variety of budget-conscious packages, Live in Boston (2003) now includes nearly an hour of never-before-issued material spread over three CDs with faultless audio quality derived directly from the first-generation multi-track master tapes. Additionally, the discs have been configured to more accurately replicate a typical Fleetwood Mac set circa February 1970. The concerts captured them at the venerable Boston Tea Party in support of their concurrent effort Then Play On (1969). The lineup had expanded from Mick Fleetwood (drums), Jeremy Spencer (guitar/vocals), John McVie (bass), and Peter Green (guitar/vocals) to include the talents of Danny Kirwan (guitar/vocals). As these performances bear out, this quintet could produce extended and incendiary psychedelic jams that rivalled that of Quicksilver Messenger Service, or the bluesy-fused battles of the Allman Brothers' Duane Allman (guitar) and Dickey Betts (guitar/vocals). The languid and jazzy "Black Magic Woman" is without question among the finest available as the melody wafts through Green's shimmering runs. "Only You" is a dark and edgy boogie, notable as only one of two Kirwan compositions on this installment. Another focal point is the thoroughly harrowing 12-minute ride on "Green Manalishi." Here again is an example of an epochal reading that succumbs to the otherwise familiar studio version. At the center of Live in Boston, Vol. 1, is the double-barrel onslaught of the previously unreleased "Rattlesnake Shake," which clocks in at close to a half hour, yet remains criminally incomplete. However, before the dreaded fade-out are 26 of the most musically exhilarating minutes in the entire package. The blues-based improvisations tread consistently new territory as Green and Kirwan feed off of the other's respective inspiration. Taken on its own, these bright moments are truly and unequivocally worth the price of admission. The incorporation of High Definition Compact Disc (HDCD) playback technology further enhances the listening experience, undeniably revealing nuance after subtle nuance in the timbre of the instruments. Live in Boston, Vol. 1 is a suggested starting point for interested parties and an essential selection for serious enthusiasts.
Review by Lindsay Planer
After circulating on a variety of budget-conscious packages, Live in Boston (2003) now includes nearly an hour of never-before-issued material spread over three CDs with faultless audio quality derived directly from the first-generation multi-track master tapes. Additionally, the discs have been configured to more accurately replicate a typical Fleetwood Mac set circa February 1970. The concerts captured them at the venerable Boston Tea Party in support of their concurrent effort Then Play On (1969). The lineup had expanded from Mick Fleetwood (drums), Jeremy Spencer (guitar/vocals), John McVie (bass), and Peter Green (guitar/vocals) to include the talents of Danny Kirwan (guitar/vocals). As these performances bear out, this quintet could produce extended and incendiary psychedelic jams that rivalled that of Quicksilver Messenger Service, or the bluesy-fused battles of the Allman Brothers' Duane Allman (guitar) and Dickey Betts (guitar/vocals). The languid and jazzy "Black Magic Woman" is without question among the finest available as the melody wafts through Green's shimmering runs. "Only You" is a dark and edgy boogie, notable as only one of two Kirwan compositions on this installment. Another focal point is the thoroughly harrowing 12-minute ride on "Green Manalishi." Here again is an example of an epochal reading that succumbs to the otherwise familiar studio version. At the center of Live in Boston, Vol. 1, is the double-barrel onslaught of the previously unreleased "Rattlesnake Shake," which clocks in at close to a half hour, yet remains criminally incomplete. However, before the dreaded fade-out are 26 of the most musically exhilarating minutes in the entire package. The blues-based improvisations tread consistently new territory as Green and Kirwan feed off of the other's respective inspiration. Taken on its own, these bright moments are truly and unequivocally worth the price of admission. The incorporation of High Definition Compact Disc (HDCD) playback technology further enhances the listening experience, undeniably revealing nuance after subtle nuance in the timbre of the instruments. Live in Boston, Vol. 1 is a suggested starting point for interested parties and an essential selection for serious enthusiasts.
информция к размышлению :laugh:
REM GENRE Blues
REM DATE 1999
REM DISCID 74104408
REM COMMENT "ExactAudioCopy v0.95b2"
PERFORMER "Fleetwood Mac"
TITLE "Live In Boston Volume 1 [HDCD 2003]"
FILE "_CDImage.wav" WAVE
TRACK 01 AUDIO
TITLE "Black Magic Woman"
PERFORMER "Fleetwood Mac"
INDEX 00 00:00:00
INDEX 01 00:00:32
TRACK 02 AUDIO
TITLE "Jumping At Shadows"
PERFORMER "Fleetwood Mac"
INDEX 00 06:45:70
INDEX 01 06:54:45
TRACK 03 AUDIO
TITLE "Like It This Way"
PERFORMER "Fleetwood Mac"
INDEX 01 11:43:32
TRACK 04 AUDIO
TITLE "Only You"
PERFORMER "Fleetwood Mac"
INDEX 00 16:10:32
INDEX 01 16:17:50
TRACK 05 AUDIO
TITLE "Rattlesnake Shake"
PERFORMER "Fleetwood Mac"
INDEX 00 20:41:70
INDEX 01 21:25:32
TRACK 06 AUDIO
TITLE "I Can't Hold Out"
PERFORMER "Fleetwood Mac"
INDEX 01 46:04:32
TRACK 07 AUDIO
TITLE "Got To Move"
PERFORMER "Fleetwood Mac"
INDEX 01 52:40:20
TRACK 08 AUDIO
TITLE "The Green Manalishi"
PERFORMER "Fleetwood Mac"
INDEX 00 56:04:32
INDEX 01 56:28:45
OlCh
огромное спасибо!!!
а vol2 тоже будет?
огромное спасибо!!!
а vol2 тоже будет?
и даже vol3 :)
Шпасибо! ;)