Фсе диски покупные, внешние аттрибуты лицензии присутствуют
так шта и будем их шитать таковыми. Т.е. лицензионными.
Ковры и скан диска не прилагаются - т.к. нет сканера.
что уже было?
А что в первую очередь?
может кто планирует сам закачать?
Если будут попадаться двд5 - то закачивать не буду.
Если хотите чтобы всеже закачивалось - то на вам самим придется
организовать все по правилам (опрос и все такое).
Инфу буду предоставлять только о запрашиваемых дисках.
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Deep Purple - Live Encounters
What we get on the DVD is an almost complete show from The Spodek, Katowice, June 3rd 1996, recorded quite early on in the Purpendicular tour by Polish television. When I first saw a copy of the broadcast in 1996/97 (recorded from Czech television) I was a tad disappointed. Seeing it now with better picture and sound quality (though still not particularly good) has changed my mind, but just a bit. The cameras generally keep a distance from the stage, instead preferring spectacular swooping shots over the audience from cameras mounted on cranes (wheeeee!!!... ). Although the crowd are all partying their hearts out, the intensity which permeated the shows I'd attended a few months earlier is not captured, leaving a rather unengaging 100 minutes or so of video material.
The show kicks off with a wonderfully fierce version of 'Fireball', the drums and keyboards punching cleanly through the mix, and emphasising great work from Messrs Paice and Lord. It's also immediately noticeable that the accompanying pictures are not up to scratch. Forget any comparisons with Total Abandon here, or Perihelion, or perhaps even Bombay Calling. The overhead cameras sweep around enjoying themselves and not being much use throughout, leaving it to cameras in the audience to try and show what's happening on stage, with zoom lenses pushed to their limit. The resulting visuals are often soft, murky, and grainy. Still, the music cuts through, and though the soundtrack is less than perfect it has an appealing rough edge, with the band on song despite big Ian sounding at bit hoarse. It all makes for a decent official bootleg in the same vain as Live At The Olympia '96, in fact I marginally prefer this one.
The music is fresh and energetic, way above some of the uninspiring performances presented on the 2001 'Soundboard Series' shows. However, compared to some of the piledriving renditions of vintage material on the 2004 UK tour, tracks on 'Live Encounters' such as 'Black Night' seem a little polite. The one track from the original broadcast that's missing is 'No One Came', which even then lacked the explosive strobe sequence, so it's no big loss, especially as the track is on one of the CDs.
Of real interest is that the set includes soon to be discarded Purpendicular tracks such as 'Rosa's Cantina', which inside a month had gone for good. Other notables are 'Cascades / I'm Not Your Lover', and 'Hey Cisco' (the latter complete with godawful backing vocals) which all receive their debut on DVD. 'Sometimes I Feel Like Screaming' features Morse and Glover's acoustic intro, which I admit I'd completely forgotten about! Unfortunately 'Somebody Stole My Guitar' was already history by the time Deep Purple reached Poland.
A plus point for the DVD, and one which came as something of a surprise, is the interview material. It wasn't exactly pushed to the fore of the pre-publicity, but would make for a worthwhile bonus release on its own. The four interviews, with Gillan, Glover, Paice and Morse, all date from 2004 (which explains Lord's absence), and weigh in at 20-30 minutes each. All four give some interesting answers, even making something of the occasional mandatory "what's it like to be in Poland" types of enquiries. In the main each interviewee is kept on his toes with questions posed by knowledgable interviewers such as Roland Bury from the Polish DPAS. I particualrly enjoyed Ian Paice's very straightforward responses. It's certainly not the three or four minutes of standard TV questioning that I expected.
The packaging has a very sparse merchandise release quality about it (with 2001 era Purple adorning the cover), and lacks details such as the sound options on the DVD, and if it is PAL or NTSC (mine turned out to be NTSC). The card and case are less flimsy than some earlier efforts however.
All in all 'Live Encounters' is a good 1996 era show, bulked out by two hours of enjoyable interview material. Good value for money as long as you don't expect much in the way of picture quality in particular.
Tracklist
01. Fireball
02. Maybe I'm a Leo
03. Ted the Mechanic
04. Pictures of Home
05. Black Night
06. Cascades I'm Not Your Lover/Steve Morse's solo
07. Sometimes I Feel Like Screaming
08. Woman from Tokyo
09. Rosa's Cantina
10. Smoke on the Water
11. Jon Lord's solo
12. When a Blind Man Cries
13. Speed King
14. Perfect Strangers
15. Hey Cisco
16. Highway Star
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Deep Purple - Machine Head
Deep Purple - Machine Head (2002)
A musical biography telling the incredible story of the making of the Deep Purple album "Machine Head". The album that prduced the rock masterpiece "Smoke On The Water" and in 1972 brought worldwide superstardom to Deep Purple putting them at the pinnacle of seventies hard rock. After the success of "In Rock" and "Fireball" the band decided on a European location to record their next album. They chose the Casino in Montreux in Switzerland only to see it burn down the night before recording was due to begin. Out of the ashes of the Casino however was to come their most memorable song and their most successful album ever. With smoke literally wafting over the water of Lake Geneva the band took up residence in the Grand Hotel and in the swiftly converted corridors and cupboards of the deserted hotel recorded the album that was to become their tour de force. In exclusive interviews with Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice we take a track by track look at the making of the album. Martin Birch the orginal engineer and Roger Glover lead us through the original multitrack tapes. Ritchie, Jon and Roger demonstrate riffs and licks form the songs and explain the genesis of the songwriting. The programme is illustrated by archive footage from Deep Purple in concert including very rare American footage of "Smoke On The Water" and "Space Truckin", TV performances and promotional videos, and provides a unique insight into the making of a record which is universally claimed as one of the most influential and successful hard rock masterpieces of the early seventies. A true Classic Album.
Featuring cuts from: Highway Star - Smoke On The Water - Space Truckin - Never Before - Pictures of Home - When a Blind Man Cries - Black Night.
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Toronto Rocks (2003)
DVD Review
In what was billed as the "largest ticketed single day event in history", the July 30, 2003 Toronto Rocks concert held in-brace yourself-Toronto was put together to help rejuvenate tourism there after the SARS outbreak became big news. The headliners were none other than The Rolling Stones, who have been know to sell out a concert or two, and a broad spectrum of 13 other bands and performers filled out the bill, including AC/DC, Rush, The Guess Who, The Isley Brothers, The Flaming Lips, Justin Timberlake, and a gaggle of homegrown Canadian groups.
This single-disc release from Rhino tries to condense that long hot day into a two-hour "best of", so it features only two or three songs from each of the main supporting acts (except for Timberlake, who gets just one), with the headlining Stones represented by six tunes. Completists will want to know that there is also a two-disc Canadian version available that includes a second disc devoted to performances by the less well-known bands that opened the show, like Sam Roberts, Blue Rodeo (truly underrated, in my opinion), Kathleen Edwards, La Chicane, The Tea Party, and Sass Jordan. It's a shame we didn't get that two-disc version in the States, because the brief clips of these groups that show up in the extras are outstanding, and in some cases far more captivating and exciting than a couple of the so-called main acts.
With that said, there's nary a bad performance to be found here, but it is The Flaming Lips who uncork probably the finest moment here with a joyously dead-on version of Do You Realize?, and who share the stage with an army of dancing costumed characters. Other standout moments include Ernie Isley doing a wild guitar solo behind his back during The Isley's Who's That Lady?, and Rush's take on Freewill is completely invigorating. The weakest links are Dan Ackroyd and Jim Belushi, here embarrassing themselves horribly as the in-between acts filler, performing under the banner of their oldies act The Have Love Will Travel Revue. Their own shining moment-yes, everyone has one-is a rendition of Time Won't Let Me that somehow manages to make their flat karaoke vocals sound appealing, but they are buttressed by a very tight back up band that does the unimaginable and makes them almost sound decent for a few minutes.
The Stones performance is full of typically well-crafted and methodical rock gyrating and strutting, and it is clear that they have the whole rock star thing down to a tee. Personally, I was never really a huge Stones fan, but there is something about hearing that opening guitar lick to Satisfaction-even for the umpteenth time-that just screams "I am rock and roll and you are my bitch." No one has ever come close to personifying the sheer essence of what a "rock star" is like the death-defying Keith Richards, and that is coming from someone who never really gave two hoots about the band. The guy is pure rock cool to the infinite-no doubt about it.
Rhino has included a couple of Stones "duets", one featuring Justin Timberlake helping out on Miss You, and AC/DC sharing remanufactured blues riffs on Rock Me Baby. The slightly out of place Timberlake had an admittedly rough day all around, and during his solo set was repeatedly pelted by water bottles and boos, though on this disc's clip of his Señorita, where he channels the ghost of Stevie Wonder admirably, the editing has kept the verbal and physical harassing to a minimum. Yet during his appearance with the Stones, Timberlake still receives a surprising onslaught of trash from the crowd, enough so that at one point a pissed off Keith Richards can be seen furiously signaling bouncers who the upfront culprits were.
This is a nicely assembled concert disc full of able-bodied strong rock and roll performances, but it begged to be much, much longer.
Set List:
The Have Love Will Travel Revue
Intro
The Flaming Lips
Race For The Prize
Do You Realize?
The Have Love Will Travel Revue
Dig Myself A Hole
The Isley Brothers
Who's That Lady?
Shout
Justin Timberlake
Senorita
The Have Love Will Travel Revue
Time Won't Let Me
The Guess Who
American Woman
No Time
Rush
Limelight
Freewill
Paint It Black/The Spirit of Radio
AC/DC
Back In Black
Thunderstruck
Rolling Stones
Start Me Up
Ruby Tuesday
Miss You w/Justin Timberlake
Rock Me Baby w/AC/DC
Satisfaction
Jumpin' Jack Flash
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Aerosmith: The Making of Pump (1990)
This Aerosmith release is a revealing record of the six-month creative process that resulted in their triple-platinum smash album, PUMP. Unedited conversations between the band and their production team, exclusive musical jams, and personal interviews accompany uncensored versions of "The Other Side" and "What It Takes."
Tracks include: "The Other Side" "What It Takes"
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Rolling Stones - At the Max
The film, The Rolling Stones: Live at the Max comes to DVD with a standard full-frame transfer that does a decent job with the clarity of the original IMAX image, but obviously is not as imposing. The English soundtrack does a strong job of capturing the Stones sound. Although there are no supplemental materials of any consequence, fans of the band will enjoy the performances of "Paint it Black", "Mixed Emotions", "Ruby Tuesday", and many other classic tunes
1. Opening Logos [:00]
2. Continental Drift [2:09]
3. Start Me Up [4:00]
4. Sad Sad Sad [3:24]
5. Tumbling Dice [4:22]
6. Ruby Tuesday [3:46]
7. Rock And A Hard Place [4:57]
8. Honky Tonk Woman [5:01]
9. You Can't Always Get What You Want [7:17]
10. Happy [4:20]
11. Paint It Black [4:17]
12. 2,000 Light Years From Home [5:41]
13. Sympathy For the Devil [6:38]
14. Street Fighting Man [6:06]
15. It's Only Rock 'N' Roll [4:59]
16. Brown Sugar [5:12]
17. (I Can't Get No) Satisfaction [10:12]
18. End Credits [1:57]
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GLENN HUGHES - Soulfully Live In The City Of Angels (DVD)
Song Title
1. Can't Stop The Flood
2. Higher Places
3. Written All Over Your Face
4. First Step Of Love
5. seafull
6. Medusa
7. Mistreated
8. Getting' Tighter
9. You Keep On Moving
10. wherever you go
11. coast to coast
With a strong musical background as the bassist and lead vocalist for the rock acts Trapeze, Deep Purple, and Black Sabbath, Glenn Hughes was already an experienced artist by the time he released his solo debut PLAY ME OUT in 1978. More than two decades later, with many successful solo efforts behind him, Hughes is back with SOULFULLY LIVE IN THE CITY OF THE ANGELS, a concert recorded in January 2004 in Los Angeles. Featuring tracks spanning his career, including songs from his Deep Purple days, SOULFULLY LIVE features 11 tracks, as well as an interview with the man himself. The concert also includes guest performances by drummer Chad Smith of the Red Hot Chili Peppers, and vocalist Kevin DuBrow of Quiet Riot
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Led Zeppelin - The Song Remains the Same (1976)
Bombastic, pretentious and narcissistic, Led Zeppelin's The Song Remains the Same is also one of the best concert films of the 1970s, capturing the greatest rock band of the decade in full flight at Madison Square Gardens in 1973. The notorious "fantasy sequences" punctuate the musical action but don't, fortunately, interrupt it. Playing true to their self-indulgent rock & roll personas, each band member has his own segment, as does legendary larger-than-life manager Peter Grant. Only John Bonham's is reasonably down-to-earth: during his mammoth drum solo ("Moby Dick") he is seen driving his custom car, his Harley chopper, and a drag racer at Santa Pod, as well as inspecting bulls and doing a bit of building work. Well, what else would a working-class lad from Birmingham do with his millions? Elsewhere, John Paul Jones is a demented Phantom of the Opera with an unfeasibly large organ ("No Quarter"); Robert Plant is a quasi-Arthurian knight errant rescuing a suitable rock-chick damsel in distress ("The Song Remains the Same/Rain Song"); while Aleister Crowley acolyte Jimmy Page goes in for sorcery and mysticism as he encounters the wizard from the cover of Led Zep IV ("Dazed & Confused"). But the real magic is the onstage footage: Page wields his Gibson Les Paul as if he is indeed enchanted (the violin bow becomes his magician's wand in "Dazed & Confused"), while Plant preens and prowls his way around the stage, the very image of the rock idol; and quite how Jones and Bonham managed to be such a behemoth of a rhythm section is still a mystery. For all its many faults, this remains an essential document of an era when rock dinosaurs still walked the earth.
On the DVD: No extra features to speak of at all, which is extremely disappointing given the wealth of archive material concerning the band and this movie that must be available. The picture and sound are respectable without being exceptional
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U2: Rattle and Hum [Widescreen]
This excellent documentary follows the Irish group U2 on their concert tour of the United States in support of their seventh album ^Joshua Tree. The politically involved rock quartet sets their sights on American musical influences, previously ignored. They quickly immerse themselves in the musical culture with a recording session at the legendary @Sun Studios in Memphis. Four tracks were recorded that ended up on their next record appropriately called ^Rattle And Hum. Blues Legend B.B.King adds his vocals and guitar work to &Love Comes To Town, and &Angel Of Harlem is a passionate tribute to the late Billie Holiday. In addition to their original material, the band covers gems from The Beatles, Bob Dylan, and Jimi Hendrix. Director Phil Joanou combines black-and-white with color photography to capture the band on and off the stage. Only the band's visit to Elvis Presley's Graceland seems out of context with the rest of the feature. Although the band's reverence for Elvis and his music is evident, they are merely tourists standing on the other side of a velvet rope. Spinal Tap had a more poignant visit to the king's palace, but Rattle And Hum is still one of the best musical documentaries of all time. Both the musical and political passion of U2 is evident in every frame. ~ Dan Pavlides, All Movie Guide
Chapter Listing
Side #1 --
0. Scene Selection
1. Helter Skelter [3:10]
2. Van Diemen's Land [2:14]
3. Desire [4:51]
4. Exit [4:21]
5. I Still Haven't Found What I'm Looking For [4:39]
6. Freedom For My People/Silver And Gold [6:44]
7. Angel Of Harlem [3:41]
8. All Along the Watchtower [4:54]
9. In God's Country [2:43]
10. When Love Comes To Town [5:50]
11. Heartland [4:05]
12. Bad [8:14]
13. Where The Streets Have No Name [6:27]
14. Mlk [2:02]
15. With Or Without You [5:23]
16. Star Spangled Banner/Bullet The Blue Sky [5:51]
17. Running To Stand Still [4:20]
18. Sunday Bloody Sunday [7:48]
19. Pride (In The Name Of Love) [4:47]
20. All I Want Is You [6:34]
