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thanks to my friends :)
и опять из коллекции runo :w00t:
изумительный альбом, советую всем послушать! :D:
with Kathleen Battle, James Carter, Chick Corea, Kenny Garrett, Eddie Henderson, Joni Mitchell, Orpheus Chamber Orchestra, Wayne Shorter, Steve Wonder...
Mastered by Doug Sax :punk:
Amazon.com
Perhaps the most ambitious of album tributes to George Gershwin on the occasion of the 100th anniversary of his birth, Gershwin's World earns its title by encompassing not only jazz versions of key pop songs from his catalog and a version (with the Orpheus Chamber Orchestra) of his Prelude in C-Sharp Minor but also reminding us of the composer's sources in everything from Ellington, W.C. Handy, and stride pianist James P. Johnson to Ravel. Those four are represented by versions of key pieces that affected Gershwin, in a bid to place his achievement in a context that is often discussed but perhaps too little listened to. This is an album that could have been a massive, pretentious failure; instead, with the likes of Wayne Shorter and a nearly unrecognizably torchy Joni Mitchell on hand, it's as close to a triumph as this type of thing reaches. --Rickey Wright
Herbie Hancock's striking tribute runs deeper and wider than most, clearly revealing Gershwin's cross-stylistic imprint, from jazz to pop to classical...
Review by Jim Newsom
Gershwin's World is a tour de force for Herbie Hancock, transcending genre and label, and ranking among the finest recordings of his lengthy career. Released to coincide with the 100th anniversary of George Gershwin's birth, this disc features jazzman Hancock with a classy collection of special guests. The most surprising of Hancock's guest stars is Joni Mitchell, who delivers a gorgeously sensual vocal on "The Man I Love," then provides an airy, worldly take on "Summertime." On these two tracks, she shows she has come a long way from her folksinger beginnings to become a first-class jazz singer in her own right. Stevie Wonder's unmistakable harmonica complements Mitchell's singing on "Summertime" and shares lead instrument space with his own voice on the W.C. Handy classic "St. Louis Blues." Jazzman extraordinaire Wayne Shorter smokes a solo spot on Duke Ellington's "Cotton Tail" and carves out some space for his soprano saxophone in the midst of "Summertime." A number of the young lions of jazz are featured on various cuts, and Herbie's old pal Chick Corea joins the leader for a piano duet of James P. Johnson's "Blueberry Rhyme." Gershwin's wonderful, extended "Lullaby" finds Hancock teamed with the Orpheus Chamber Orchestra, as does an attractive arrangement of a "Concerto for Piano and Orchestra" by Maurice Ravel, whose jazz influence can be heard on the piece. In addition, one of the most beautiful tracks on the album places star soprano Kathleen Battle's voice at the forefront of Gershwin's own "Prelude in C# Minor." Yet with all the fine performances by his guests, Gershwin's World remains Hancock's show, and he plays magnificently throughout. From beautiful to funky, percussive to melodic, improvisational to tightly arranged, Hancock and cohorts take a wondrous journey through the music and world of Gershwin.
и опять из коллекции runo :w00t:
изумительный альбом, советую всем послушать! :D:
with Kathleen Battle, James Carter, Chick Corea, Kenny Garrett, Eddie Henderson, Joni Mitchell, Orpheus Chamber Orchestra, Wayne Shorter, Steve Wonder...
Mastered by Doug Sax :punk:
Amazon.com
Perhaps the most ambitious of album tributes to George Gershwin on the occasion of the 100th anniversary of his birth, Gershwin's World earns its title by encompassing not only jazz versions of key pop songs from his catalog and a version (with the Orpheus Chamber Orchestra) of his Prelude in C-Sharp Minor but also reminding us of the composer's sources in everything from Ellington, W.C. Handy, and stride pianist James P. Johnson to Ravel. Those four are represented by versions of key pieces that affected Gershwin, in a bid to place his achievement in a context that is often discussed but perhaps too little listened to. This is an album that could have been a massive, pretentious failure; instead, with the likes of Wayne Shorter and a nearly unrecognizably torchy Joni Mitchell on hand, it's as close to a triumph as this type of thing reaches. --Rickey Wright
Herbie Hancock's striking tribute runs deeper and wider than most, clearly revealing Gershwin's cross-stylistic imprint, from jazz to pop to classical...
Review by Jim Newsom
Gershwin's World is a tour de force for Herbie Hancock, transcending genre and label, and ranking among the finest recordings of his lengthy career. Released to coincide with the 100th anniversary of George Gershwin's birth, this disc features jazzman Hancock with a classy collection of special guests. The most surprising of Hancock's guest stars is Joni Mitchell, who delivers a gorgeously sensual vocal on "The Man I Love," then provides an airy, worldly take on "Summertime." On these two tracks, she shows she has come a long way from her folksinger beginnings to become a first-class jazz singer in her own right. Stevie Wonder's unmistakable harmonica complements Mitchell's singing on "Summertime" and shares lead instrument space with his own voice on the W.C. Handy classic "St. Louis Blues." Jazzman extraordinaire Wayne Shorter smokes a solo spot on Duke Ellington's "Cotton Tail" and carves out some space for his soprano saxophone in the midst of "Summertime." A number of the young lions of jazz are featured on various cuts, and Herbie's old pal Chick Corea joins the leader for a piano duet of James P. Johnson's "Blueberry Rhyme." Gershwin's wonderful, extended "Lullaby" finds Hancock teamed with the Orpheus Chamber Orchestra, as does an attractive arrangement of a "Concerto for Piano and Orchestra" by Maurice Ravel, whose jazz influence can be heard on the piece. In addition, one of the most beautiful tracks on the album places star soprano Kathleen Battle's voice at the forefront of Gershwin's own "Prelude in C# Minor." Yet with all the fine performances by his guests, Gershwin's World remains Hancock's show, and he plays magnificently throughout. From beautiful to funky, percussive to melodic, improvisational to tightly arranged, Hancock and cohorts take a wondrous journey through the music and world of Gershwin.