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The Butts Band: The Butts Band
The 1973 debut of Butts Band, produced by Doors engineer turned producer Bruce Botnick, is - along with Ray Manzarek's 1974 release, The Golden Scarab (also produced by Botnick) - the true fulfillment of what Other Voices and Full Circle initiated. A release of Golden Scarab and The Butts Band on one CD would be a good companion piece to the aforementioned post-Morrison Doors releases; it's most likely what would have evolved had the Doors' trio given us a third album in the early '70s. Make no mistake, this is very musical and great stuff, it just had no image, introduced us to new personalities, and was saddled with a terrible name (c'mon, the Butts Band? What was Jimmy Castor's line in "Troglodyte"? "Bertha Butt, one of the Butt sisters." It's just plain silly with the world watching the Doors' legacy). Before Robbie Krieger went on his jazz tangent, this folky blues group may have been a necessary diversion. There's none of the Doors' darkness or Ray Manzarek's manic intensity here. It's laid-back, well-played, perfectly recorded music on the Blue Thumb label. What is surprising is that Robbie Krieger was an integral part of the Doors' hit singles. He seems to have put that in the past on these compositions. "Baja Bus," with conga by Larry McDonald, might as well be the Allman Brothers. Side one was recorded in Kingston, Jamaica, with Botnick as engineer, while in London for side two at Olympic Studios they used Keith Harwood on the boards, though Bruce Botnick is the producer of the entire package. More of what you'd expect than the follow-up, Hear and Now, which changes all the musicians save the two Doors and completely reshuffles the sound. Gotta hand it to Krieger and Densmore; they can be as proud of this as Ten Wheel Drive's Zager and Schefrin can be of their post-Genya Ravan disc on EMI. That record wasn't Ten Wheel Drive with Genya Ravan, but it was competent and worth a listen, as is The Butts Band.
by Joe Viglione
All Music Guide.
The Butts Band: Hear & Now
John Densmore and Robbie Krieger put together a second version of Butts Band for Hear & Now, which is really bizarre because Roy Davies, Phillip Chen, and vocalist Jess Roden did an admirable job on the first disc's folky blues sound. With Mike Berkowitz brought in as a second drummer, Karl Rucker on bass, and Bobbi Hall on congas, the band is expanded and substantially changed. Add Michael Stull and Alex Richman, both on keyboards and vocals, with Stull on guitar as well, and you may think you have what the Doors were up to on Other Voices. Almost, but not quite. The jazz element is definitely there, but subdued, for this is a soul record, an honest to God soul record by two of the guys who backed up Jim Morrison. Krieger and Densmore sound like they are sponsoring Barry White doing the songs of Percy Sledge. "If You Gotta Make a Fool of Somebody" is pure rhythm & blues, as is "Livin' and Dyin'," but it is not Butts Band that producer Bruce Botnick worked with. Sure it is dynamite stuff, but as the first go round for Butts Band had no image, this must have confused the hell out of radio programmers, retail workers, critics, and fans of the Doors. Botnick has been replaced by Jerry Fuller and is truly is the anomaly when it comes to Doors spin-off projects. Heck, even Ray Manzarek's work with poet Michael McClure contains Jim Morrison American Prayer elements, but the quasi-Steely Dan sound of "Caught in the Middle" could be early Lou Rawls cutting his teeth backed by a pseudo-pop band. It's commendable that Blue Thumb allowed rock stars to stretch like this, but no one familiar with Densmore and Krieger could get a handle on where Hear & Now was going. What might have been a nice calling card would be to take the Doors' "Touch Me" and let this crew send it up the R&B charts. For two members of a totally established group to create a new entity then switch genres is totally original and quite obscure. Butts Band would have been better off trying to get Tower of Power to do this arrangement of Bob Marley and Peter Tosh's "Get up, Stand Up." Robbie Krieger writes a majority of the songs, and female vocalist Alex Richman has a bit of Kathi McDonald in her for her composition "Everybody's Fool," but it is territory not embraced by most Doors aficionados. Labelmates with the Four Tops, this was moved to the Blue Thumb/ABC imprint (the Four Tops were on sister label Dunhill for their "Keeper of the Castle" phase). Gotta have it for the collection, but Manzarek's The Golden Scarab will get more spins.
by Joe Viglione
All Music Guide.
The debut of The Butts Band provides many pleasurable moments with its economical medium-tempo rock. Roy Davies jazzy electric piano coupled with Kriegers tenuously blended guitar recalls The Doors 'Riders on The Storm'. Jess Roden sings wildly in a style reminiscent of Burton Cummings and some will find his harshness repelling. Theres plenty of variety. They go from conga-addled soul rythms to floating synthisized rveries but the album coheres well. The band shows further promise in elevating mediocre songs into listenable cuts through creative arranging.
Harold Bronson
Rolling Stone, May 9th 1974
"The Butts Band" 1974
1. I Won't Be Alone Anymore
2. Baja Bus
3. Sweet Danger
4. Pop-A-Top
5. Be With Me
6. New Ways
7. Love Your Brother
8. Kansas City
"Here & Now" 1975
9. Get Up, Stand Up
10. Corner Of My Mind
11. Caught In The Middle
12. Everybody's Fool
13. Livin' And Dyin'
14. Don't Wake Up
15. If You Gotta Make A Fool Of Somebody
16. Feelin' So Bad
17. White House
18. Act Of Love
19. That's All Right
20. Lovin' You For All The Right Reasons
The Butts Band: The Butts Band
The 1973 debut of Butts Band, produced by Doors engineer turned producer Bruce Botnick, is - along with Ray Manzarek's 1974 release, The Golden Scarab (also produced by Botnick) - the true fulfillment of what Other Voices and Full Circle initiated. A release of Golden Scarab and The Butts Band on one CD would be a good companion piece to the aforementioned post-Morrison Doors releases; it's most likely what would have evolved had the Doors' trio given us a third album in the early '70s. Make no mistake, this is very musical and great stuff, it just had no image, introduced us to new personalities, and was saddled with a terrible name (c'mon, the Butts Band? What was Jimmy Castor's line in "Troglodyte"? "Bertha Butt, one of the Butt sisters." It's just plain silly with the world watching the Doors' legacy). Before Robbie Krieger went on his jazz tangent, this folky blues group may have been a necessary diversion. There's none of the Doors' darkness or Ray Manzarek's manic intensity here. It's laid-back, well-played, perfectly recorded music on the Blue Thumb label. What is surprising is that Robbie Krieger was an integral part of the Doors' hit singles. He seems to have put that in the past on these compositions. "Baja Bus," with conga by Larry McDonald, might as well be the Allman Brothers. Side one was recorded in Kingston, Jamaica, with Botnick as engineer, while in London for side two at Olympic Studios they used Keith Harwood on the boards, though Bruce Botnick is the producer of the entire package. More of what you'd expect than the follow-up, Hear and Now, which changes all the musicians save the two Doors and completely reshuffles the sound. Gotta hand it to Krieger and Densmore; they can be as proud of this as Ten Wheel Drive's Zager and Schefrin can be of their post-Genya Ravan disc on EMI. That record wasn't Ten Wheel Drive with Genya Ravan, but it was competent and worth a listen, as is The Butts Band.
by Joe Viglione
All Music Guide.
The Butts Band: Hear & Now
John Densmore and Robbie Krieger put together a second version of Butts Band for Hear & Now, which is really bizarre because Roy Davies, Phillip Chen, and vocalist Jess Roden did an admirable job on the first disc's folky blues sound. With Mike Berkowitz brought in as a second drummer, Karl Rucker on bass, and Bobbi Hall on congas, the band is expanded and substantially changed. Add Michael Stull and Alex Richman, both on keyboards and vocals, with Stull on guitar as well, and you may think you have what the Doors were up to on Other Voices. Almost, but not quite. The jazz element is definitely there, but subdued, for this is a soul record, an honest to God soul record by two of the guys who backed up Jim Morrison. Krieger and Densmore sound like they are sponsoring Barry White doing the songs of Percy Sledge. "If You Gotta Make a Fool of Somebody" is pure rhythm & blues, as is "Livin' and Dyin'," but it is not Butts Band that producer Bruce Botnick worked with. Sure it is dynamite stuff, but as the first go round for Butts Band had no image, this must have confused the hell out of radio programmers, retail workers, critics, and fans of the Doors. Botnick has been replaced by Jerry Fuller and is truly is the anomaly when it comes to Doors spin-off projects. Heck, even Ray Manzarek's work with poet Michael McClure contains Jim Morrison American Prayer elements, but the quasi-Steely Dan sound of "Caught in the Middle" could be early Lou Rawls cutting his teeth backed by a pseudo-pop band. It's commendable that Blue Thumb allowed rock stars to stretch like this, but no one familiar with Densmore and Krieger could get a handle on where Hear & Now was going. What might have been a nice calling card would be to take the Doors' "Touch Me" and let this crew send it up the R&B charts. For two members of a totally established group to create a new entity then switch genres is totally original and quite obscure. Butts Band would have been better off trying to get Tower of Power to do this arrangement of Bob Marley and Peter Tosh's "Get up, Stand Up." Robbie Krieger writes a majority of the songs, and female vocalist Alex Richman has a bit of Kathi McDonald in her for her composition "Everybody's Fool," but it is territory not embraced by most Doors aficionados. Labelmates with the Four Tops, this was moved to the Blue Thumb/ABC imprint (the Four Tops were on sister label Dunhill for their "Keeper of the Castle" phase). Gotta have it for the collection, but Manzarek's The Golden Scarab will get more spins.
by Joe Viglione
All Music Guide.
The debut of The Butts Band provides many pleasurable moments with its economical medium-tempo rock. Roy Davies jazzy electric piano coupled with Kriegers tenuously blended guitar recalls The Doors 'Riders on The Storm'. Jess Roden sings wildly in a style reminiscent of Burton Cummings and some will find his harshness repelling. Theres plenty of variety. They go from conga-addled soul rythms to floating synthisized rveries but the album coheres well. The band shows further promise in elevating mediocre songs into listenable cuts through creative arranging.
Harold Bronson
Rolling Stone, May 9th 1974
"The Butts Band" 1974
1. I Won't Be Alone Anymore
2. Baja Bus
3. Sweet Danger
4. Pop-A-Top
5. Be With Me
6. New Ways
7. Love Your Brother
8. Kansas City
"Here & Now" 1975
9. Get Up, Stand Up
10. Corner Of My Mind
11. Caught In The Middle
12. Everybody's Fool
13. Livin' And Dyin'
14. Don't Wake Up
15. If You Gotta Make A Fool Of Somebody
16. Feelin' So Bad
17. White House
18. Act Of Love
19. That's All Right
20. Lovin' You For All The Right Reasons
