 |
|
:)
| TRACKLIST |
| 1. Gustav Mahler Das Lied von der Erde, for alto (or baritone), tenor & orchestra 1959 . .63:07 |
|
|
| TRACKLIST |
| 1. Gustav Mahler Das Lied von der Erde, for alto (or baritone), tenor & orchestra 1959 . .63:07 |
| CODE |
| EAC extraction logfile from 2. December 2007, 21:06 for CD Mahler / Das Lied von der Erde Used drive : ASUS DRW-1814BL Adapter: 4 ID: 0 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 6 Overread into Lead-In and Lead-Out : No Used output format : Internal WAV Routines 44.100 Hz; 16 Bit; Stereo Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface Range status and errors Selected range Filename C:\Documents and Settings\Master\Desktop\Для работы с музыкой\Новая папка\Mahler - Das Lied von der Erde.wav Peak level 95.7 % Range quality 99.9 % CRC BCCC14E2 Copy OK No errors occured End of status report |
| CODE |
| REM GENRE Symphonie REM DATE 2007 REM DISCID 3B0ECE06 REM COMMENT ExactAudioCopy v0.95b4 PERFORMER "Mahler" TITLE "Das Lied von der Erde" FILE "Mahler - Das Lied von der Erde.wv" WAVE TRACK 01 AUDIO TITLE "Das Trinklied vom Jammer der Erde" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Der Einsame im Herbst" INDEX 01 08:36:21 TRACK 03 AUDIO TITLE "Von der Jugend" INDEX 01 18:47:66 TRACK 04 AUDIO TITLE "Von der Schцnheit" INDEX 01 22:10:20 TRACK 05 AUDIO TITLE "Der Trunkene im Frьhling" INDEX 01 28:53:07 TRACK 06 AUDIO TITLE "Der Abschied" INDEX 01 33:21:68 |
| QUOTE |
| Review by James Leonard Never has Mahler's symphonic song cycle Das Lied von der Erde seemed so operatic as it does in this 1959 RCA recording by Fritz Reiner and the Chicago Symphony Orchestra with tenor Richard Lewis and alto Maureen Forrester. Lewis sounds heroically defiant in the opening Das Trinklied vom Jammer der Erde and brashly amusing in Der Trunkene im Früling, while Forrester sounds heartbreakingly lonely in Der Einsame im Herbst and radiantly transcendent in the closing Der Abschied; both singers sound like characters in an imaginary opera belting out arias to shake the rafters and rattle the last row of the balcony. The strong-willed Reiner and the big-toned Chicago Symphony accompany Lewis and Forrester only in the sense that the focus is always on the singers, but Reiner's accompaniment is itself highly dramatic in that it progresses through a series of emotional set pieces to an overwhelming climax. Recorded in stunningly immediate stereo sound in the days just before the so-called Mahler Revolution of the '60s, Lewis, Forrester, and Reiner's Das Lied sounds much less like Beethoven meets Wagner and more like Verdi meets Puccini. If the idea of Lewis as a German Pinkerton and Forrester as an Austrian Cio-cio san sounds appealing, this is the performance for you. Das Lied neophytes might consider Walter's lyrically impassioned 1937 recording with Thorborg, Kullman, and the Vienna Philharmonic or, if sound is an issue, Klemperer's symphonically stoic 1964-1966 recording with Wunderlich, Ludwig, and the Philharmonia. |
| QUOTE (Djubei @ 02-12-2007, 19:25) |
| ...мрачно, мы все умрем и все такое ...for alto (or baritone), tenor & orchestra |
| QUOTE (OlCh @ 02-12-2007, 13:43) | ||
неее, я такое не выдержу... пассс... а то не то шо прослезюсь, а зарыдаю... :fear2: |
| QUOTE (OlCh @ 02-12-2007, 21:43) | ||
неее, я такое не выдержу... пассс... а то не то шо прослезюсь, а зарыдаю... :fear2: |
| QUOTE (Djubei @ 02-12-2007, 21:49) | ||||
да не, не надо так буквально понимать :D: но мрачновато, это да, Mahler все таки, поют по немецки чего-то. на мой взгляд все что по немецки мрачно, даже Августин, который ах мой милый :laugh: |
| QUOTE (Djubei @ 02-12-2007, 19:49) |
| да не, не надо так буквально понимать :D: |
| QUOTE (OlCh @ 03-12-2007, 09:06) | ||
дык слышали мы вашу песню... эт же реквиема еще хуже :laugh: |