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:freu:
thanks to my friends :beer:
thanks to my friends :beer:
| TRACKLIST |
| 1. Praeludium in C . . . . . . . . . . . .05:46 2. Praeludium in g . . . . . . . . . . . .09:15 3. Praeambulum in F. . . . . . . . . . . .02:59 4. Lob Gott, ihr Christen, allzugleich . .01:32 5. Praeambulum in E. . . . . . . . . . . .06:40 6. Praeludium in d . . . . . . . . . . . .08:15 7. Nun lasst uns Gott, dem Herren. . . . .05:35 8. Praeambulum in c. . . . . . . . . . . .05:00 9. Praeambulum in G. . . . . . . . . . . .05:39 10. Ich ruf zu dir, Herr Jesu Christ. . . .13:19 11. In dulci jubilo . . . . . . . . . . . .02:58 |
| QUOTE |
| CPO's magnificent SACD edition featuring complete recordings of the great organ masters of the North German baroque on historical instruments now turns to the Padingbttel native Vincent Luebeck and his son. At the age of twenty Vincent the Elder became the organist at the Church of Sts. Cosmas and Damian and beginning in 1690 he also served as titular organist at the Swedish St. Mary's Church in Stade. After his death his son, also named Vincent, became his successor. The present recording brings together the complete extant organ works of father and son, with most of them going back to before 1710. The concertante passages, catchy melodies, and often clear harmonies reflect a turning to the style galant. It is with a sound marked by gravity and fundamental tones that Friedhelm Flamme interprets these works on the Treutmann organ, the only extant organ by Christoph Treutmann and thus one of the most important instruments from the first half of the eighteenth century and an organ representing a synthesis of Northern and Central German building styles. |
