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Djubei

@ 07-02-2008, 23:00

Артист:	Verdi
Альбом:	Otello, 1998
Издатель:	RCA / 09026 63180 2
Жанр:	classical
Формат файла:	eac.wv.cue.log.covers.tags.iso.
Ссылка 1:	CD 1
Ссылка 2:	CD 2
Ссылка 3:	torrent
Нахождение:	eDonkey/Kademlia
Примечание:	Stereo-orthophonic Hogh fidelity Recording

:)

DISC 1

TRACKLIST

1. Giuseppe Verdi Otello, opera Act I: Una Vela!. . .04:13
2. " Act I: Esultate!. . . . . . . . . . . . . . . . .05:06
3. " Act I: Fuoco Di Gioia!. . . . . . . . . . . . . .02:51
4. " Act I: Roderigo, Beviam!. . . . . . . . . . . . .01:34
5. " Act I: Inaffia L'Ugola! . . . . . . . . . . . . .03:58
6. " Act I: Capitano, V'Attende. . . . . . . . . . . .01:29
7. " Act I: Olа! Che Avvien? . . . . . . . . . . . . .04:18
8. " Act I: Giа Nelle Notte. . . . . . . . . . . . . .02:05
9. " Act I: Quando Narravi . . . . . . . . . . . . . .03:29
10. " Act I: Venga La Morte!. . . . . . . . . . . . . .04:51
11. " Act II: Non Ti Cruciar. . . . . . . . . . . . . .02:46
12. " Act II: Credo in un Dio Crudel (Iago's Credo) . .05:14
13. " Act II: Eccola. . . . . . . . . . . . . . . . . .01:22
14. " Act II: Ciт M'Accora. . . . . . . . . . . . . . .04:31
15. " Act II: Dove Guardi Splendono . . . . . . . . . .05:00
16. " Act II: D'un Uom Che Geme . . . . . . . . . . . .05:38
17. " Act II: Desdemona Rea!. . . . . . . . . . . . . .01:32
18. " Act II: Ora E Per Sempre Addio. . . . . . . . . .03:51
19. " Act II: Era La Notte. . . . . . . . . . . . . . .04:24
20. " Act II: Sм, Pel Ciel. . . . . . . . . . . . . . .02:59

DISC 2

TRACKLIST

1. " Act III: Introduction. . . . . . . . . . . . . . . . . . . .01:27
2. " Act III: La Vedetta Del Porto. . . . . . . . . . . . . . . .01:21
3. " Act III: Dio Ti Fiocondi, O Sposo. . . . . . . . . . . . . .10:18
4. " Act III: Dio! Mi Potevi Scagliar . . . . . . . . . . . . . .05:19
5. " Act III: Vieni, L'Aula и Deserta . . . . . . . . . . . . . .03:48
6. " Act III: Questa и una Ragna. . . . . . . . . . . . . . . . .01:49
7. " Act III: Come La Ucciderт. . . . . . . . . . . . . . . . . .01:19
8. " Act III: Viva Il Leon Di San Marco!. . . . . . . . . . . . .06:00
9. " Act III: A Terra!...Sм...Nel Livido Fango. . . . . . . . . .09:54
10. " Act IV: Era Piщ Calma? . . . . . . . . . . . . . . . . . . .03:46
11. " Act IV: Mia Madre Aveva Una Povera Ancella (Willow Song) . .08:17
12. " Act IV: Ave Maria. . . . . . . . . . . . . . . . . . . . . .07:42
13. " Act IV: Chi и Lа?. . . . . . . . . . . . . . . . . . . . . .03:31
14. " Act IV: Calma Come La Tomba. . . . . . . . . . . . . . . . .03:34
15. " Act IV: Nium Mi Tema . . . . . . . . . . . . . . . . . . . .05:43

Djubei

@ 07-02-2008, 23:01

CODE

EAC extraction logfile from 7. February 2008, 22:50 for CD
Verdi - Serafin, Vickers, Rysanek, Gobbi / Otello - Disc 1

Used drive : ASUS DRW-1814BL   Adapter: 4 ID: 0
Read mode   : Secure with NO C2, accurate stream, disable cache
Read offset correction : 6
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
   44.100 Hz; 16 Bit; Stereo

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface

Range status and errors
Selected range
   Filename C:\Documents and Settings\Master\Desktop\Для работы с музыкой\Новая папка\Verdi - Serafin, Vickers, Rysanek, Gobbi - Otello - Disc 1.wav

   Peak level 100.0 %
   Range quality 100.0 %
   CRC 1706D12C
   Copy OK

No errors occured

End of status report

CODE

EAC extraction logfile from 8. February 2008, 8:13 for CD
Verdi - Serafin, Vickers, Rysanek, Gobbi / Otello - Disc 2

Used drive : ASUS DRW-1814BL Adapter: 4 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 6
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface

Range status and errors
Selected range
Filename C:\Documents and Settings\Master\Desktop\Для работы с музыкой\Новая папка\Verdi - Serafin, Vickers, Rysanek, Gobbi - Otello - Disc 2.wav

Peak level 89.1 %
Range quality 100.0 %
CRC 32D5C667
Copy OK

No errors occured

End of status report

Djubei

@ 07-02-2008, 23:02

QUOTE

Composition Description by Richard LeSueur

Verdi's second Shakespearean opera was to be his last dramatic (in the descriptive sense) work, followed only by his sublimely comedic Falstaff. He began to think about an operatic setting of Otello in 1879, and he asked Arrigo Boito to draft a libretto. However, Verdi was not sure that he had the energy to work and fight for what he felt was needed to bring this tragedy to the stage. Boito and Ricordi, Verdi's publisher, gently prodded the composer, and finally, in 1886, Verdi completed the score. Except for the omission of the first act of the play, the libretto follows very closely the plot of Shakepeare's play. The only major addition is the "Credo" for Iago in Act Two. There is no equivalent passage in the original and yet this aria sums up Iago's philosophy. Boito and Verdi considered using the title "Iago" instead of "Otello," but in time felt that the change would not be for the best. The premiere was a great success not only for Verdi and Boito, but also for the entire cast. For the first performances in France, Verdi rewrote part of Act Three, adding a ballet and condensing the finale of the act. The ballet music is played on concerts occasionally, but the other changes are forgotten.

The score to Otello is extremely dramatic and complex. The curtain rises to a tremendous storm, and Otello's entrance, though less than a minute long, sets the tone for this dramatic role. Otello is the heaviest role Verdi wrote, and only in the love duet is he allowed a chance to show his tender side. The second act duet with Iago has the excitement found in the cabalettas of Verdi's earlier operas, but remains an integral part of the dramatic context. Although Iago has several important solo scenes, it is as the manipulator of others that he is most important. He has no extended scene with long lyric phrases with which to show off his vocal talents. He is almost like a narrator keeping the action moving. Desdemona is one of the most placid of Verdi's heroines, but she does try to stand up to Otello in Act Three. The "Willow song" and "Ave Maria" in Act Four are part of one of the great lyric scenes for soprano. The choral and orchestral writing is among of the most complex that Verdi had yet composed. The repeated use of the "kiss motif" to bind together the opera has been likened to a Wagnerian Leitmotiv, but Verdi uses this device only when Otello is thinking of the kiss, not to foreshadow what will be happening. Otello will continue to be a popular opera as long as a great dramatic tenor is available to sing Otello and a great baritone singing-actor is available to portray Iago.

P.S. В торренте сам раздам, но попозже

Djubei

@ 08-02-2008, 08:19

второй в пути

Djubei

@ 10-02-2008, 00:14

добавлена торрент ссылка