Forums -> Rock & Prog -> Emmylou Harris - Blue Kentucky Girl (1979)
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yury_usa
@ 18-03-2008, 20:35
Emmylou Harris - Blue Kentucky Girl
Àðòèñò: Emmylou Harris
Àëüáîì: Blue Kentucky Girl, 1979
Èçäàòåëü: Rhino / R2 78112
Æàíð: Country-Rock, Country-Folk, Traditional, Bluegrass
Ôîðìàò ôàéëà: EAC, WAV Pack, CUE, LOG, Covers, Embedded album art, ISO
Ññûëêà 1: ed2k
Ññûëêà 2: torrent
Íàõîæäåíèå: eDonkey/Torrent
many thanks to KillerRips, ïðîñòàÿ äåâ÷åíêà èç Êåíòóêêè çàæèãàåò :punk: :music:

TRACKLIST
 1. "Sister's Coming Home" [with Tanya Tucker] (Willie Nelson) –. . . . . . . . . . . . . . . . . . .2:52
 2. "Beneath Still Waters" (Dallas Frazier) – . . . . . . . . . . . . . . . . . . . . . . . . . . . .3:41
 3. "Rough and Rocky" (Charles Justice/Shoji Tabuchi) – . . . . . . . . . . . . . . . . . . . . . . .3:50
 4. "Hickory Wind" (Gram Parsons/Bob Buchanan) –. . . . . . . . . . . . . . . . . . . . . . . . . . .4:01
 5. "Save the Last Dance for Me" (Doc Pomus/Mort Shuman) –. . . . . . . . . . . . . . . . . . . . . .3:30
 6. "Sorrow in the Wind" (Jean Ritchie) – . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3:28
 7. "They'll Never Take His Love From Me" (Leon Payne) –. . . . . . . . . . . . . . . . . . . . . . .2:34
 8. "Everytime You Leave" [with Don Everly] (Charlie Louvin/Ira Louvin) – . . . . . . . . . . . . . .2:58
 9. "Blue Kentucky Girl" (Johnny Mullins) – . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3:17
10. "Even Cowgirls Get the Blues" [harmony by Linda Ronstadt and Dolly Parton] (Rodney Crowell) – . .3:56
11. "Cheatin' Is" [with Glen Campbell] (Rafe VanHoy) [bonus track] –. . . . . . . . . . . . . . . . .2:28
12. "I Know an Ending When it Comes" (Hank Cochran) [bonus track] – . . . . . . . . . . . . . . . . .2:52

SPOILER (EAC Log)

yury_usa
@ 18-03-2008, 20:35
user posted image

Review (AMG)
1979's Blue Kentucky Girl was the first pure country record Emmylou Harris ever recorded. It has a stripped-down sound that is as close to the country bone as anything issued by Nash Vegas in the 1960s. Harris made the record this way for two reasons: she had involved herself deeply in the studio mixing of Quarter Moon in a Ten Cent Town and found it too glossy, and she was responding to the country purists who claimed the only reason she hit the charts so heavily with her albums was that she saturated them with pop songs. This is just crazy, but it was a gauntlet she chose to pick up. As was customary, husband Brian Ahern produced the ten-song set, and Harris played acoustic guitar on all but two of the album's ten tracks while fronting the Hot Band. The material ranged from "Sister's Coming Home," a duet with Tanya Tucker written by Willie Nelson, to Dallas Frazier's stellar nugget "Beneath Still Waters," to Gram Parsons and Chris Hillman's "Hickory Wind," from the Byrds' Sweetheart of the Rodeo album, Leon Payne's amazing "They'll Never Take His Love From Me," the Louvin Brothers' "Every Time You Leave," with Don Everly singing duet, to a serious country read of Doc Pomus' "Save the Last Dance for Me." Honky tonk songwriter Johnny Mullins wrote the title cut, and Harris took country back to its British Isles roots with a reading of Jean Ritchie's "Sorrow in the Wind," accompanied by the first family of bluegrass, the Whites. The set closes with Rodney Crowell's "Even Cowgirls Get the Blues," and takes it out with a shuffling sneer. [The remastered edition by Rhino contains another pair of period tunes: Hank Cochran's "I Know an Ending When It Comes" and Rafe VanHoy's "Cheatin' Is," where Harris and Glen Campbell pair off and bet it.]