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Track List:
01. Speed King (Kneel & Pray) (5:54)
02. Hush (6:55)
03. Child In Time (12:44)
04. Wring That Neck (20:33)
05. Paint it Black (13:53)
06. Mandrake Root (24:43)
07. Kentucky Woman (5:27)
Review:
But what's this, it says Kentucky Woman is the encore. Nah?? Bloody hell, it really IS Kentucky Woman! Close to the original album version, the vocals here are particularly overloaded, and instrumentally Jon is all over his keyboard as everyone else pounds away relentlessly. Ritchie's solo is an especially fine example of guitar strangulation, not quite the bizarrely off-kilter affair of the studio take, but sticking to the spirit. Jon's keyboard solo has, I'm quite sure, been used by him to introduce Lazy on their more recent tours, where it comes from I cannot claim to know, but the musical familiarity doesn't last long as his hands slide ever onward up the keys to give the familiar swell before we're back into the final verse and chorus. Fun, interesting and historically important, the first (and probably last) known take of this song featuring Roger and Ian G.
01. Speed King (Kneel & Pray) (5:54)
02. Hush (6:55)
03. Child In Time (12:44)
04. Wring That Neck (20:33)
05. Paint it Black (13:53)
06. Mandrake Root (24:43)
07. Kentucky Woman (5:27)
Review:
But what's this, it says Kentucky Woman is the encore. Nah?? Bloody hell, it really IS Kentucky Woman! Close to the original album version, the vocals here are particularly overloaded, and instrumentally Jon is all over his keyboard as everyone else pounds away relentlessly. Ritchie's solo is an especially fine example of guitar strangulation, not quite the bizarrely off-kilter affair of the studio take, but sticking to the spirit. Jon's keyboard solo has, I'm quite sure, been used by him to introduce Lazy on their more recent tours, where it comes from I cannot claim to know, but the musical familiarity doesn't last long as his hands slide ever onward up the keys to give the familiar swell before we're back into the final verse and chorus. Fun, interesting and historically important, the first (and probably last) known take of this song featuring Roger and Ian G.
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