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| TRACKLIST |
| 1. Concerto Primo En Sol Majeur TWV43-G1: I Grave-Allegro-Grave-Allegro [0:02:49.29] 2. Concerto Primo En Sol Majeur TWV43-G1: II Largo [0:00:41.50] 3. Concerto Primo En Sol Majeur TWV43-G1: III Presto [0:02:29.24] 4. Concerto Primo En Sol Majeur TWV43-G1: IV Largo [0:00:34.23] 5. Concerto Primo En Sol Majeur TWV43-G1: V Allegro [0:03:38.44] 6. Concerto Secondo En Re Majeur TWV43-D1: I Allegro [0:03:29.03] 7. Concerto Secondo En Re Majeur TWV43-D1: II Affettuoso [0:03:29.27] 8. Concerto Secondo En Re Majeur TWV43-D1: III Vivace [0:03:41.05] 9. Sonata Prima En La Majeur TWV43-A1: I Soave [0:03:27.21] 10. Sonata Prima En La Majeur TWV43-A1: II Allegro [0:02:02.15] 11. Sonata Prima En La Majeur TWV43-A1: III Andante [0:03:44.21] 12. Sonata Prima En La Majeur TWV43-A1: IV Vivace [0:02:24.66] 13. Sonata Seconda En Sol Mineur TWV43-g1: I Andante [0:03:03.31] 14. Sonata Seconda En Sol Mineur TWV43-g1: II Allegro [0:02:32.59] 15. Sonata Seconda En Sol Mineur TWV43-g1: III Largo [0:02:42.23] 16. Sonata Seconda En Sol Mineur TWV43-g1: IV Allegro [0:02:43.55] 17. Premiere Suite En Mi Mineur TWV43-e1: I Prelude-Vitement [0:01:35.04] 18. Premiere Suite En Mi Mineur TWV43-e1: II Rigaudon [0:02:30.68] 19. Premiere Suite En Mi Mineur TWV43-e1: III Air [0:03:01.62] 20. Premiere Suite En Mi Mineur TWV43-e1: IV Replique [0:02:35.71] 21. Premiere Suite En Mi Mineur TWV43-e1: V Menuet I [0:02:04.08] 22. Premiere Suite En Mi Mineur TWV43-e1: VI Menuet Il [0:03:26.20] 23. Premiere Suite En Mi Mineur TWV43-e1: VII Gigue [0:02:56.64] 24. Deuxieme Suite En Si Mineur TWV43-h1: I Prelude-Gaiement [0:01:19.56] 25. Deuxieme Suite En Si Mineur TWV43-h1: II Air-Moderement [0:02:26.24] 26. Deuxieme Suite En Si Mineur TWV43-h1: III Rejouissance [0:01:52.27] 27. Deuxieme Suite En Si Mineur TWV43-h1: IV Courante [0:02:02.59] 28. Deuxieme Suite En Si Mineur TWV43-h1: V Passepied [0:02:07.14] |
Review:
Works for three solo instruments and basso continuo were extremely unusual in the early eighteenth century, and Telemann here shows himself to be a past master of this texture. Whether or not these 'Quadri' were in fact written for a journey to Paris, it is clear that they quickly became especially popular in France. Telemann wrote that 'they made the ears of the court and the city exceptionally attentive, and won me, in a very short time, almost universal honour, which was accompanied by a high degree of politeness.' Here is an ideal opportunity for the soloists of the Freiburger Barockorchester to give free rein to their shared peasure in music-making.
| SPOILER (EAC LOG) |