 |
|
Johann Christoph Pepusch (1667-1752) was probably something of a child prodigy and Ernst Ludwig Gerber records that hereceived an appointment as harpsichordist to the Prussian Court at Berlin by the age of 14.
Regardless of this and other successes inthe theatre, Pepusch was most highly esteemed in his own lifetime as a composer of concertos. Georg Philipp Telemann considered him as one of the best six German composers.
As with Handel, later Germans and Britons both claimed Pepusch as their own.Pepusch is best remembered today for his contribution to The Beggar’s Opera (1728), for which he composed a fine overture. Apartfrom that overture, none of his other pieces had received commercial recordings until today. It is our hope that this CD goes somedistance to remind audiences why Pepusch was once so highly regarded across Europe as a fine composer of inventive and dramatic concertos.
The original Harmonious Society of Tickle-Fiddle Gentlemen was formed in London in 1678 by Roger L'Estrange and Thomas Britton and a group of the same name was still giving concerts in the middle of the eighteenth century. This new ensemble of has been formed under the same name and whose central repertoire is drawn from the collections of manuscripts and prints associated with the original ensemble and London concert life in general, as well as other fascinating corners of baroque repertoire. Typically the ensemble consists of around 4 violins, 1 va, 1 cello, 1 bass, harpsichord/organ and theorbo/lute. We are also sometimes joined by oboes, flutes and even singers.
The Harmononious Society of Tickle-Fiddle Gentlemen 2006 by Robert Rawson, David Wright and Ben Sansom was founded with the intention that forgotten repertoire of public concert life in England in the late 17th and early 18th Exploring century. The ensemble name comes from a description of the musicians in one of the first public concerts in the world by the English author Ned Ward. The on BBC Radio 3 as "mediator uplifting and exhilarating music," lauded ensemble is also devoted to the music of public concerts in the early 18th Century throughout Europe.
Tassilo Erhardt, violin (leader, solo in 6-8 and 14-21)
Kinga Gaborjani, cello (solo in 22-25)
Mark Baigent, oboe (1, 26, solo in 2-5)
Sally Holman, bassoon (1, 26, solo in 22-25)
Crispian Steele-Perkins, trumpet (solo in 9-13)
Ben Sansom, violins
Felicity Broome-Skelton, violins (1, 14-16, 26)
Eleanor Harrison, violins (1, 6-21, 26)
Alexandria Lawrence, Viola (2-5, 14-21)
Dan Shilladay, Viola (6-13)
Joanne Miller, Viola (1, 22-26)
David Wright, harpsichord (1, 26, solo in 2-5)
Belinda Paul, oboe (1, 26)
Robert Rawson, bass & lead
Disc reviews Johan van Veen "Musicweb" (http://www.musicweb-international.com/classrev/2012/Sept12/Pepusch_concertos_RAM1109.htm
Disc reviews Christiane Bayer "magazin.klassik.com" (http://magazin.klassik.com/reviews/reviews.cfm?TASK=REVIEW&RECID=22786&REID=13674
Sound Samples (http://www.qobuz.com/album/the-harmonious-society-of-tickle-fiddle-gentlemen-pepusch-concertos-and-overtures-for-london/4250128511094/www.lesmuffatti.be/disquesgb.html#pez
Regardless of this and other successes inthe theatre, Pepusch was most highly esteemed in his own lifetime as a composer of concertos. Georg Philipp Telemann considered him as one of the best six German composers.
As with Handel, later Germans and Britons both claimed Pepusch as their own.Pepusch is best remembered today for his contribution to The Beggar’s Opera (1728), for which he composed a fine overture. Apartfrom that overture, none of his other pieces had received commercial recordings until today. It is our hope that this CD goes somedistance to remind audiences why Pepusch was once so highly regarded across Europe as a fine composer of inventive and dramatic concertos.
The original Harmonious Society of Tickle-Fiddle Gentlemen was formed in London in 1678 by Roger L'Estrange and Thomas Britton and a group of the same name was still giving concerts in the middle of the eighteenth century. This new ensemble of has been formed under the same name and whose central repertoire is drawn from the collections of manuscripts and prints associated with the original ensemble and London concert life in general, as well as other fascinating corners of baroque repertoire. Typically the ensemble consists of around 4 violins, 1 va, 1 cello, 1 bass, harpsichord/organ and theorbo/lute. We are also sometimes joined by oboes, flutes and even singers.
The Harmononious Society of Tickle-Fiddle Gentlemen 2006 by Robert Rawson, David Wright and Ben Sansom was founded with the intention that forgotten repertoire of public concert life in England in the late 17th and early 18th Exploring century. The ensemble name comes from a description of the musicians in one of the first public concerts in the world by the English author Ned Ward. The on BBC Radio 3 as "mediator uplifting and exhilarating music," lauded ensemble is also devoted to the music of public concerts in the early 18th Century throughout Europe.
Tassilo Erhardt, violin (leader, solo in 6-8 and 14-21)
Kinga Gaborjani, cello (solo in 22-25)
Mark Baigent, oboe (1, 26, solo in 2-5)
Sally Holman, bassoon (1, 26, solo in 22-25)
Crispian Steele-Perkins, trumpet (solo in 9-13)
Ben Sansom, violins
Felicity Broome-Skelton, violins (1, 14-16, 26)
Eleanor Harrison, violins (1, 6-21, 26)
Alexandria Lawrence, Viola (2-5, 14-21)
Dan Shilladay, Viola (6-13)
Joanne Miller, Viola (1, 22-26)
David Wright, harpsichord (1, 26, solo in 2-5)
Belinda Paul, oboe (1, 26)
Robert Rawson, bass & lead
Disc reviews Johan van Veen "Musicweb" (http://www.musicweb-international.com/classrev/2012/Sept12/Pepusch_concertos_RAM1109.htm
Disc reviews Christiane Bayer "magazin.klassik.com" (http://magazin.klassik.com/reviews/reviews.cfm?TASK=REVIEW&RECID=22786&REID=13674
Sound Samples (http://www.qobuz.com/album/the-harmonious-society-of-tickle-fiddle-gentlemen-pepusch-concertos-and-overtures-for-london/4250128511094/www.lesmuffatti.be/disquesgb.html#pez
| SPOILER (Spectrum, DR) |
(