We know very little about Joseph Touchemoulin, a renowned violinist and chapel master to the princely courts of Bonn and Regensburg for more than 50 years, and one of the few 18th-century French composers to have enjoyed a career outside France. Touchemoulin's apprenticeship was largely accomplished at Padua, where he became a pupil of the great violinist and composer Giuseppe Tartini. This is the source of the exuberant Italian idiom which characterises his work, and which he would later combine with the delicacy and ease of the German tradition. This first recording of Touchemoulin on period instruments, or on authentic copies, presents three of the composer's concertos and two of his symphonies - a charming, finely made music, combining Italian influences with the current tastes of the Mannheim school with its conventions of galant style and sensitive style (Empfindsamkeit).
Patrick Ayrton, harpsichord, direction Alexis Kossenko, traverso, flute Daniel Sepec, violin
Les Inventions: Stéphan Dudermel (KM), Joanna Huszcza, Tuomo Suni, Anne-Catherine Fargeix, Mieko Tsubaki, violin I Lilia Slavny, Satomi Watanabe, Stéphanie Erös, Matthieu Camilleri, violin II Gudrun Hardardottir, Samantha Montgomery, Céline Cavagnac, viola Marion Middenway, Blandine Odin, cello Thomas de Pierrefeu, violone Judith Farey, flute Pierre-Yves Madeuf, Emma Cottet, horn Raphaël Collignon, harpsichord
EAC extraction logfile from 7. October 2012, 19:48
Alexis Kossenko, Les Inventions / Joseph Touchemoulin - Concertos & Symphonies
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Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo
EAC extraction logfile from 7. October 2012, 19:02
Alexis Kossenko, Les Inventions / Joseph Touchemoulin - Concertos & Symphonies
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Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
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