NetLab · Rules · Torrent Tracker · Have a problem? · Eng/Rus | Помощь Поиск Участники Галерея Календарь |
Здравствуйте Гость ( Вход | Регистрация | Активация ) | Повторно выслать письмо для активации |
Miles Davis Miles in Berlin Japan Mini-Lp CD, SICP-1214 Last DSD Remasters Serie |
|
Отправлено: 16-04-2007, 11:39
(post 1, #738226)
|
||||||||||||||
Advanced Группа: Members Сообщений: 295 Рейтинг:80% |
Notes -------------------------------------------------------------------------------- EAC extraction logfile from 16. April 2007, 10:07 for CD Miles Davis / Miles In Berlin SICP-1214 Japan CD DSD Remaster 2006 Used drive : _NEC DVD_RW ND-1300A Adapter: 1 ID: 0 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 48 Overread into Lead-In and Lead-Out : No Used output format : Internal WAV Routines 44.100 Hz; 16 Bit; Stereo Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Native Win32 interface for Win NT & 2000 Range status and errors Selected range Filename X:\Releases\Miles Davis Miles in Berlin\Miles Davis - Miles In Berlin SICP-1214 Japan CD DSD Remaster 2006.wav Peak level 100.0 % Range quality 100.0 % CRC 28D32CC4 Copy OK No errors occured End of status report Personnel: Miles Davis (trumpet); Wayne Shorter (tenor saxophone); Herbie Hancock (piano); Ron Carter (bass instrument); Tony Williams (drums). Recording information: Berlin Philharmonie, Germany (9/25/1964). MILES IN BERLIN, recorded in September of 1964, is the first recording trumpeter Miles Davis made with what would be regarded as his "second great quintet." Though Davis had been working with pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams for about a year, the addition of tenor saxophonist Wayne Shorter was the perfect last piece of the puzzle. Shorter built on John Coltrane's innovations from the 1950s, but also brought an abstract, impressionistic sensibility and a sensitivity to the group's unique dynamics. The chemistry worked perfectly, and it is hard to believe--given the rapport the musicians have here--that they had been playing together only a month. The set features gems that had been part of Davis's repertoire since the mid-'50s, including "Autumn Leaves" and the bop staple "Walkin'," yet the quintet's interpretations leave them virtually unrecognizable. Tempos are quickened to a breathless pace, complex cross-rhythms clatter, and solos spin out into the abstract on furious bebop excursions (a racing "Milestones") and gorgeously colored impressionistic ballads ("Stella by Starlight"). This is a landmark recording, both for its historical importance (this ensemble would make some of the most revered albums in jazz), and its stunning music. |
||||||||||||||
|
|||||||||||||||