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![Crucis - Crucis + Los Delirios del Mariscal (2 LPs in 1 CD twofer)]() |
| Артист: |
Crucis |
| Альбом: |
Crucis + Los Delirios del Mariscal (2 LPs in 1 CD twofer), 1976 |
| Издатель: |
RCA-BMG / ECD 1044 |
| Жанр: |
Prog |
| Формат файла: |
ISO-WV tagged-Cue-Log-600dpi Full Scans- 496MB |
| Ссылка: |
CD |
| Нахождение: |
eDonkey/Kademlia |
| Примечание: |
Best Latin Prog ;) |
|
| TRACKLIST | 1. Todo tiempo posible. . . . . . . . . . . . . .4:10
2. Mes. . . . . . . . . . . . . . . . . . . . . .4:57
3. Corto amanecer . . . . . . . . . . . . . . . .2:58
4. La triste visión del entierro propio. . .4:58
5. Irónico ser . . . . . . . . . . . . . . .4:11
6. Determinados espejos . . . . . . . . . . . . .6:57
7. Recluso artista. . . . . . . . . . . . . . . .6:48
8. No me separen de mi. . . . . . . . . . . . . .6:09
9. Los delirios del mariscal . . . . . . . . . .10:07
10. Pollo frito. . . . . . . . . . . . . . . . . .5:45
11. Abismo terrenal . . . . . . . . . . . . . . .12:31
|
 | SPOILER (Reviews) | Reviews:This Argentinian band from Buenos Aires featured Gustavo Montesano (bass/vocals), Anibel Kerpel (keyboards), Pino Marrone (guitar/vocals) and a drummer from Uruguay named Gonzalo Farrugia (from the known progrock band Psiglo). They existed from ’74 until ’77 and made two records: "Crusis" from ’76 and "Los Delirios Del Mariscal" from ’77. The music has a typical Seventies sound with echoes from THE NICE and FOCUS.  Both LP’s were released as separate CD’s but finally re-released on a 1-CD entitled "Kronologia". The music is half instrumental/half with strong Spanish vocals and the emphasis is on the keyboards (organ, string-ensemble, synthesizers, Steinway - and Fender Rhodes piano), the rhythm-section sounds powerful and adventurous. The compositions are strong and dynamic with surprising breaks and the interplay between the electric guitar (often spectacular wah-wah) and keyboards is captivating. On their second album the tracks are longer with more solos and a stronger influence from jazzrock and Dutch masters FOCUS. http://www.progarchives.com/artist.asp?id=488---------------------------------------------------------------------------------- Crucis is my first try at Argentina's prog rock scene and I am not disappointed. Let's say this is my first try at Argentina's prog scene, I am aware of several other acts worth trying, like Invisible, Espiritu, Ave Rock, and Pablo "El Enterrador" (sp?). Crucis only managed two albums, but I am actually surprised how well produced their music is compared to many other Latin American prog acts (like Mexico's Iconoclasta who gave us great music, but suck-ass production). With the exception of vocals in Spanish, Crucis actually have a lot more in common with Dutch acts like Focus and Finch than I could ever imagine. Although the vocals are in Spanish, I am really surprised there really isn't any Spanish/Latin/South American influences or vibe in the music. When listening to the music, expect lots of Akkerman/van Nimwegen-style guitar work from Pino Marrone and various keyboards (Hammond organ, Moog, clavinet, string synth) from Anibal Kerpel, with complex passages and the occasional jazzy/fusion-influenced passages.  The rest of the band consisted of Gustavo Montesano on bass and Gonzalo Farrugia (who was born in Uruguay) on drums. Both Montesano and Marrone handle the vocal duties. On their debut, you might notice a little hard rock influences in the Deep Purple or Atomic Rooster vein (especially on "Mes" where Anibal Kerpal played organ in the Vincent Crane/Jon Lord vein, but in a more progressive setting), and the occasional heavy progressive passage that bring to mind certain Italian prog bands. Each of these cuts demonstrate what the band could be capable of, but because none of the cuts are over seven minutes long, it really doesn't give the band the chance to really soar (exception given to "Determinados Espejos"), but they obviously solved that problem when their following album, Los Delirios del Mariscal featured only four cuts, two of them over 10 minutes. Regardless of the faults of their debut, it still proves that Crucis is one of the best Latin American prog bands I've heard so far.  (band first LP poster) As excellent as their debut is, that album proved the band needed lengthier compositions to allow the band to stretch out, and with Los Delirios del Mariscal, this band out of Argentina delivers just that. This time around, Anibal Kerpel purchased a Fender Rhodes electric piano, giving the band a bit more of a fusion slant than their previous offering. What little Deep Purple/Atomic Rooster influences had been thrown out the window here, instead a stronger Focus/Finch sound is more present, with more of a Pink Floyd or Camel feel. The vocals are now confined to only one cut, "No Me Separen de Mí", probably realizing vocals aren't their strong point, and it allows them to do what they do best: concentrate on instrumentals. And contrary to what some might say, I think this is an improvement over their debut. The production, for one thing, is even better (although recorded at RCA Studios, presumably in Buenos Aires, it was mixed in Criteria Studios in Miami, yes the same studio well known acts like the Bee Gees and the Eagles had recorded at). The opening cut, as mention, the only one with vocals, has more than a passing resemblance to Italian prog acts, like Corte dei Miracoli or New Trolls. The vocal style reminds me a bit of PFM. The next cut is the title track, dominated by guitar and string synths, played in that Finch (circa Beyond Expression) and Camel manner. For some reason I am also reminded of Eloy's Power of the Passion (specifically "The Bells of Notre Dame"). The next two are the album's climax, that is "Pollo Frito" and "Abismo Terrenal". The former tends to be more fusion oriented, with Anabel Kerpel's electric piano dominating, and Pino Marrone playing guitar in a more fusion manner, but instead of a boring wankfest that I often level at fusion (I'm not big on fusion), it turns out to be an intense piece. And if that's not enough, the last piece harkens to the most intense moments of Finch's Glory of the Inner Force. Pino Marrone just goes overboard on his guitar, almost like if he never plays another note again... When the music calms down, it's more in that Pink Floyd, Camel, and Focus manner. "Abismo Terranal" is without a doubt the greatest piece of music I've heard from a Latin American country. And there is no Spanish/Latin/South American influences to be found in their music. If it wasn't for the vocals (in Spanish) on one cut, you'd might think they were a Dutch band. The band broke up after this album (probably realizing they couldn't top Los Delirios del Mariscal), but apparently their bassist Gustavo Montesano released a solo album with Crucis members helping. http://rateyourmusic.com/release/album/crucis/crucis/ |
| SPOILER (Notes) | Notes:The screaming voice at the 16th second on song nº2 intro (Mes) said (in spanish): 'están todos locos acá..', which means (in english): 'they're all crazy here..'   |
| SPOILER (Anecdote) | Anecdote: I knew the guy who appears in the Booklet 1st page, Juan Manuel Fahey. This guy did make the customized equipment and amplifiers for the band members, cause' in those years, there wasn't Marshalls or Fenders around here, the 'third' world in the mid of a Dictatorial Government... ...in fact, he was an electronic engineer, and made me too a copy of the best guitar amplifier of the history: Marshall JTM-45.  The thing is: he, who was practically a band member, told me that the composer/arranger/guitarist/bassist Gustavo Montesano was a person really arrogant and Haughty..  -------------------------------------------- well.., don't matter for me.., or.., well.., his music is reeeeally superb...  |
| SPOILER (EAC LOG) | Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 25. November 2008, 8:54
Crucis / Crucis + Los Delirios del Mariscal
Used drive : PHILIPS SPD2513P Adapter: 3 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.32 | 4:09.45 | 32 | 18751
2 | 4:10.02 | 4:57.30 | 18752 | 41056
3 | 9:07.32 | 2:58.20 | 41057 | 54426
4 | 12:05.52 | 4:57.38 | 54427 | 76739
5 | 17:03.15 | 4:10.45 | 76740 | 95534
6 | 21:13.60 | 6:57.10 | 95535 | 126819
7 | 28:10.70 | 6:48.35 | 126820 | 157454
8 | 34:59.30 | 6:08.55 | 157455 | 185109
9 | 41:08.10 | 10:06.72 | 185110 | 230631
10 | 51:15.07 | 5:44.60 | 230632 | 256491
11 | 56:59.67 | 12:30.65 | 256492 | 312806
Range status and errors
Selected range
Filename C:\TORRENT\PRUEBAS PARA SUBIR\Crucis\Crucis - Crucis + Los Delirios del Mariscal.wav
Peak level 100.0 %
Range quality 100.0 %
Test CRC 3BB8F13B
Copy CRC 3BB8F13B
Copy OK
No errors occurred
End of status report |
| SPOILER (CUE) | REM GENRE "Progressive Rock"
REM DATE 1976
REM DISCID 82104A0B
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Crucis"
TITLE "Crucis + Los Delirios del Mariscal"
FILE "Crucis - Crucis + Los Delirios del Mariscal.wav" WAVE
TRACK 01 AUDIO
TITLE "Todo Tiempo Posible"
PERFORMER "Crucis"
INDEX 00 00:00:00
INDEX 01 00:00:32
TRACK 02 AUDIO
TITLE "Mes"
PERFORMER "Crucis"
INDEX 00 04:07:40
INDEX 01 04:10:02
TRACK 03 AUDIO
TITLE "Corto Amanecer"
PERFORMER "Crucis"
INDEX 00 09:04:50
INDEX 01 09:07:32
TRACK 04 AUDIO
TITLE "La Triste Visión del Entierro Propio"
PERFORMER "Crucis"
INDEX 00 12:02:72
INDEX 01 12:05:52
TRACK 05 AUDIO
TITLE "Irónico Ser"
PERFORMER "Crucis"
INDEX 00 17:00:57
INDEX 01 17:03:15
TRACK 06 AUDIO
TITLE "Determinados Espejos"
PERFORMER "Crucis"
INDEX 00 21:10:42
INDEX 01 21:13:60
TRACK 07 AUDIO
TITLE "Recluso Artista"
PERFORMER "Crucis"
INDEX 00 28:07:60
INDEX 01 28:10:70
TRACK 08 AUDIO
TITLE "No Me Separen de Mi"
PERFORMER "Crucis"
INDEX 00 34:55:40
INDEX 01 34:59:30
TRACK 09 AUDIO
TITLE "Los Delirios del Mariscal"
PERFORMER "Crucis"
INDEX 00 41:06:12
INDEX 01 41:08:10
TRACK 10 AUDIO
TITLE "Pollo Frito"
PERFORMER "Crucis"
INDEX 00 51:12:40
INDEX 01 51:15:07
TRACK 11 AUDIO
TITLE "Abismo Terrenal"
PERFORMER "Crucis"
INDEX 01 56:59:67 |
The other rip around there have serious problems (was ripped from MP3 by a thief Label called 'Sunny Pierrot'..  )..., ..this is the PROPER one.  | SPOILER (MP3 vs CD screenshots) | |
----------- It's the best Latin American progressive sound that you can get by far.., enchantment guaranteed... 
Enjoy!  ······· (my upload bandwidth is really poor..., leave it shared!!!) -------------------------------------------If you are looking for more Latin Prog, don't forget ' ALAS' (full enjoyable prog @ la Emerson with a little of jazz/fusion and ethnics.., -100% Quality, fully recommended- ), and ' La Máquina de Hacer Pájaros' (just a legendary rock-prog band, with the opponimus Charly García as HeadMaster..). All from my country, Argentine. (Thanks to the Releasers..  ) 
This post has been edited by bertox on 09-12-2008, 20:46 |
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NetLab -> Forums -> Music -> Rock & Prog -> Topic: Crucis - Crucis + Los Delirios del Mariscal (1976) -PROPER-
Crucis - Crucis + Los Delirios del Mariscal (1976) -PROPER-, The Best Latin Prog by Far... ;)
