Tracklist: CD01 - Day One: Monday, March 15, 2004, Set One1. Telefon (Vandermark) [8:31]
2. Other Cuts (Vandermark) [12:54]
3. Staircase (Vandermark) [10:41]
4. Strata (Vandermark) [13:40]
5. Free King's Suite (Roland Kirk) [12:07]
01 MW 750-2, Total Time: 57:59
CD02 - Day One: Monday, March 15, 2004, Set Two1. Outside Ticket (Vandermark) [10:58]
2. Money Down (Vandermark) [6:30]
3. Camera [FIRST PERFORMANCE] (Vandermark) [16:50]
4. Roulette (Vandermark) [4:29]
5. Cruz Campo (Vandermark) [10:28]
6. The Black And Crazy Blues (Roland Kirk) [8:34]
02 MW 750-2, Total Time: 57:55
CD03 - Day Two: Tuesday, March 16, 2004, Set One1. Confluence (Vandermark) [8:12]
2. Rip Rig And Panic Suite (Roland Kirk) [14:11]
3. Camera (Vandermark) [18:48]
4. Both Sides (Vandermark) [9:07]
5. Knock Yourself Out (Vandermark) [7:17]
03 MW 750-2, Total Time: 57:40
CD04 - Day Two: Tuesday, March 16, 2004, Set Two1. The Cooler (Vandermark) [9:14]
2. That Was Now [FIRST PERFORMANCE] (Vandermark) [11:28]
3. Six Of One (Vandermark) [22:45]
4. Silverlization/Volunteered Slavery (Roland Kirk) [10:39]
5. There Is The Bomb (Don Cherry) [11:02]
04 MW 750-2, Total Time: 65:14
CD05 - Day Three: Wednesday, March 17, 2004, Set One1. That Was Now (Vandermark) [10:41]
2. Seven Puls Five (Vandermark) [8:09]
3. The Bridge (Sonny Rollins) [6:51]
4. Gyllene (Vandermark) [9:30]
5. Auto Topography (Vandermark) [12:57]
05 MW 750-2, Total Time: 48:14
CD06 - Day Three: Wednesday, March 17, 2004, Set Two1. The Freedom Suite, Part 2 (Sonny Rollins) [6:15]
2. Telefon (Vandermark) [11:19]
3. Initials (Vandermark) [7:08]
4. Camera (Vandermark) [18:00]
5. Other Cuts (Vandermark) [13:32]
6. The Black And Crazy Blues (Roland Kirk) [9:00]
7. Knock Yourself Out (Vandermark) [6:45]
06 MW 750-2, Total Time: 72:08
CD07 - Day Four: Thursday, March 18, 2004, Set One1. Money Down (Vandermark) [5:31]
2. The Inflated Tear (Roland Kirk) [6:51]
3. Wherever June Bugs Go (Archie Shepp) [12:20]
4. Camera (Vandermark) [15:39]
5. Cruz Campo (Vandermark) [9:26]
07 MW 750-2, Total Time: 49:54
CD08 - Day Four: Thursday, March 18, 2004, Set Two1. Pieces Of The Past [FIRST PERFORMANCE] (Vandermark) [9:42]
2. That Was Now (Vandermark) [11:50]
3. Long Term Fool (Vandermark) [9:53]
4. Strata (Vandermark) [11:21]
5. Silverlization/Volunteered Slavery (Roland Kirk) [11:41]
6. The Bridge (Sonny Rollins) [7:36]
08 MW 750-2, Total Time: 62:10
CD09 - Day Five: Friday, March 19, 2004, Set One1. Conquistador, Part 2 (Cecil Taylor) [8:21]
2. Knock Yourself Out (Vandermark) [7:18]
3. Pieces Of The Past (Vandermark) [9:43]
4. Camera (Vandermark) [17:59]
5. Cruz Campo (Vandermark) [10:15]
09 MW 750-2, Total Time: 53:42
CD10 - Day Five: Friday, March 19, 2004, Set Two1. That Was Now (Vandermark) [11:33]
2. Gyllene (Vandermark) [10:52]
3. Telefon (Vandermark) [9:45]
4. Ken's Final Speach [2:00]
5. Six Of One (Vandermark) [22:45]
6. Other Cuts (Vandermark) [13:39]
7. The Black And Crazy Blues (Roland Kirk) [8:18]
10 MW 750-2, Total Time: 78:59
CD11 - Jam Session One, Wednesday, March 17, 20041. Free Jam 1 (Vandermark/Bishop/M.Oles/B.B.Oles) [11:30]
2. Free Jam 2 (Vandermark/Bishop/M.Oles/B.B.Oles) [5:13]
3. Free Jam 3 (Vandermark/Rempis/Daisy/Bishop/M.Oles) [12:24]
4. East Broadway Run Down (Sonny Rollins), Elephantasy/Complete Communion (Don Cherry) [11:14]
5. Theme For Alchemia (Vandermark/Rempis/Daisy/Kessler) [8:51]
6. Bemsha Swing (Thelonious Monk & Denzil Best) [10:52]
11 MW 750-2, Total Time: 60:11
CD12 - Jam Session Two, Thursday, March 18, 20041. Round Trip (Ornette Coleman) [22:45]
2. Free Jam 4 (Vandermark/Bishop/Kessler/M.Oles) [17:35]
3. Free Jam 5 (Vandermark/Bishop/M.Oles/B.B.Oles) [12:22]
4. Togo (based on a Ghanese traditional, Ed Blackwell) [4:05]
5. Lonely Woman (Ornette Coleman) [8:51]
12 MW 750-2, Total Time: 65:45
----------------------------
Recorded March 15, 16, 17, 18 and 19, 2004 at the Alchemia, Cracow, Poland
Recorded by Michal Rosicki
Mixed and mastered by Michal Rosicki, Marcin Oles and Bartlomiej Brat Oles at MAQ Studio Poland
Produced by Marek Winiarski
Photography by Bartosz Winiarski and Ewelina Niemczura
Liner notes by Ken Vandermark
Texts by Janusz Jablonski and Tomasz Gregorczyk (Ken Vandermark interview), Maciej Karlowski (The Vandermark Five at Alchemia), Pawel Baranowski (Day by Day at Alchemia)
Graphic design by Bartosz Winiarski & Marek Winiarski
Personnel:Jeb Bishop - trombone
Tim Daisy - drums
Kent Kessler - double bass
Dave Rempis - saxophones
Ken Vandermark - reeds
Marcin Oles - double bass (11,12)
Bartlomiej Brat Oles - drums (11,12)
| CODE |
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
EAC extraction logfile from 16. August 2008, 10:27
The Vandermark 5 / Alchemia (CD01 - Day One: Monday, March 15, 2004, Set One)
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Test CRC 449B5387
Copy CRC 449B5387
Copy OK
No errors occurred
End of status report
--------------------
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
EAC extraction logfile from 16. August 2008, 10:44
The Vandermark 5 / Alchemia (CD02 - Day One: Monday, March 15, 2004, Set Two)
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Copy CRC 81C62EE4
Copy OK
No errors occurred
End of status report
--------------------
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
EAC extraction logfile from 16. August 2008, 11:05
The Vandermark 5 / Alchemia (CD03 - Day Two: Tuesday, March 16, 2004, Set One)
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Copy CRC B7005332
Copy OK
No errors occurred
End of status report
--------------------
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
EAC extraction logfile from 16. August 2008, 11:23
The Vandermark 5 / Alchemia (CD04 - Day Two: Tuesday, March 16, 2004, Set Two)
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Copy CRC E4D256F0
Copy OK
No errors occurred
End of status report
--------------------
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
EAC extraction logfile from 16. August 2008, 11:44
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Copy CRC A14C7961
Copy OK
No errors occurred
End of status report
--------------------
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
EAC extraction logfile from 16. August 2008, 12:03
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Copy CRC 89C443EB
Copy OK
No errors occurred
End of status report
--------------------
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
EAC extraction logfile from 16. August 2008, 12:19
The Vandermark 5 / Alchemia (CD07 - Day Four: Thursday, March 18, 2004, Set One)
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Copy CRC 2F244CED
Copy OK
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End of status report
--------------------
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
EAC extraction logfile from 16. August 2008, 12:38
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Copy OK
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--------------------
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
EAC extraction logfile from 16. August 2008, 12:55
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Copy OK
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--------------------
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
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--------------------
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
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--------------------
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
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No errors occurred
End of status report |
Live document of the extraordinary musical event during five nights stand at Alchemia club in Cracow, Poland in March 2004. Limited edition release: all box sets are individually numbered. Each box set includes 12 CD's and booklet with comprehensive essays, interviews and reviews in Polish and English languages. Exquisite packaging includes 3 x 4-disc units, each housed in a different 4-color folio. Absolutely unique design, five different covers and more!I consider the five night stand by the Vandermark 5 at Alchemia in Krakow, Poland from March 15 -19, 2004, to be one of the highlights of my career. The fact that record producer / presenter, Marek Winiarski, documented the series and is now releasing the material as a box set is truly remarkable, and I am very thankful to him and everyone who was involved in realizing this project; particularly the musicians, Jeb Bishop, Tim Daisy, Kent Kessler, and Dave Rempis. As always, they worked extremely hard during this residency, which came at the end of a three week European tour.
During our concerts at Alchemia, the Vandermark 5 performed 2 different sets of music with at least one encore every night, a total of 55 pieces: 32 compositions from 8 different albums, including 3 world premiers - "Camera", "That Was Now" and "Pieces Of The Past". What you hear on this collection of recordings is the best available representation of how the band actually sounded and worked in this period, with one marked difference. For the first time we were able to live and play in one city for 5 days, which meant I was afforded the opportunity to compose in the morning and rehearse material with the band in the afternoon, then play this material at the evening concert, each and every day. As someone who has always idolized Duke Ellington's methods of creativity, I conceived of the Vandermark 5 from the beginning as an attempt to develop, as close as I could, a working band based on Ellington's example. The quintet was formed in the spring of 1996, and by the time these concerts occurred four of the members had been working together since 1997, and the fifth, Tim Daisy, had been with the band for more than 2 years. Over that stretch of time, the Vandermark 5 went from being a workshopping unit that performed every week during the late 1990's at the Empty Bottle in Chicago, to becoming an international touring ensemble whose concerts most often occurred on the road in North America or Europe. During its entire existence, however, the group has always focused on creating new material through consistent rehearsal and performance. The shifts in the aesthetics of the band caused by this work are well documented through the studio and live recordings available on Atavistic records.
This is the first occasion, however, where the quintet has been represented in the way it actually played - night after night. In most cases, the only people who really experience the ongoing process and creativity of a working improvised music ensemble are its members. At best, most listeners hear but one concert on a tour because the group will likely move onto another city or town the next day. One of my personal goals is to bring the music to clubs and smaller venues on a regular basis, for a series of concerts during several nights at the same location. The Vandermark 5 residency in Krakow at Alchemia is proof that the idea can work - we played to packed houses every single night, and the energy coming to and from the stage on those evenings is something I will never forget.
When Marek originally proposed the idea of recording these concerts the intention was not to release everything as a box set, something that would have clearly been considered economically insane, but to select the strongest performances for use as a double cd co-production with Atavistic. After the series ended, however, Marek fought for the idea to release all of the material in this production, and I am thankful for it. There are a few problematic moments on these recordings: such as the end of "Gyllene" from the third night, a screw on my baritone came loose during the final theme which made it impossible for me to play; and some sections of the new pieces are faulty, we were literally learning as we went along. (Note: "Camera", "That Was Now", and "Pieces Of The Past", were further developed and refined during work in Chicago and on the road in North America with the Scandinavian group, Atomic, during June and July of 2004. They are included in the Vandermark 5's upcoming double cd on Atavistic, "The Color Of Memory"). These awkward moments don't make me proud, but Marek's argument for including everything as it happened is a sound one - the music on these cds represents who we were and how we really played on those 5 nights in March, right or wrong. I feel very fortunate to have a document of these concerts, and to have been able to work with Jeb, Tim, Kent, and Dave for such a long and creative time. Here's to the memory of those nights, what they represent, and to those countless glasses of buffalo grass vodka...
Ken Vandermark, Chicago, February 1, 2005 (kenvandermark.com)
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