> Progressive Rock Re-Master Project, мега рульный проект yes, genesis, marillion peter gabriel, jethro tull, wakeman, kansas, camel etc
 yury_usa Member is Offline
 Posted: 23-04-2006, 05:55 (post 1, #589879)

меломан

Group: Prestige
Posts: 18021
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http://prrp-music.com/
сабж.

Я уже качнул около 5гиг(!), может у кого весь копмлект имеется :rolleyes:
аздавался на dimeadozen давно :drag:
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 yury_usa Member is Offline
 Posted: 03-05-2006, 07:53 (post 2, #595455)

меломан

Group: Prestige
Posts: 18021
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сейчас слушаю if pigs could fly из флойдовского тура animals в 70х. Офигительно :w00t:

QUOTE
CD1
1-1. Sheep 12:02
1-2. Pigs On The Wing (Part 1) 1:32
1-3. Dogs 18:22
1-4. Pigs On The Wing (Part 2) 2:06
1-5. Pigs (Three Different Ones) 17:42
CD2
2-1. Shine On You Crazy Diamond (1-5) 13:35
2-2. Welcome To The Machine 7:50
2-3. Have A Cigar 5:25
2-4. Wish You Were Here 6:30
2-5. Shine On You Crazy Diamond (6-9) 15:41
2-6. Money 9:31
2-7. Us And Them 7:41

QUOTE
Dortmund, Germany, January 23rd 1977 was to
witness the very first show of the 1977 Animals Tour. The new album was to be released the day
of this performance, therefore no one in the audience was very familiar with the new material.
Saxaphonist Dick Perry joined the band again on this tour, while Terrance "Snowy" White was
asked to provide back-up rhythm guitar. Pink Floyd once more split the show into two sets. The
first set consists of the whole "Animals" album while the second presented -for the first time-
the complete "Wish You Were Here" album. Two encores were also provided, both taken from the
"Dark Side of the Moon" album. The combination provided an excellent chronicle of the Pink Floyd
approach to music at the time and received a warm reception for this very enthusiastic German
crowd.

QUOTE
Notes from the Re-Master

The source for this audience recording is generally good but a number of problems needed
to be fixed. For some reason, many of the songs were spliced together, making an abrupt cut
during the audience applause. We presume this was done to shorten the recording but none the
less we had to smooth these transitions in order to maintain the flow of the concert. The hiss
level was quite high so it was localized and reduced. The sound quality was good with music
signal clearly present up to 11,000 Hz but the tonality needed adjustment. The low treble range
was particularly harsh and piercing during Gilmour’s guitar solos and the saxophone leads.
Selective attenuation of those frequencies reduced this audible annoyance. At rare times the
bass overwhelmed the other instruments and needed to be reduced as well.
During a five minute segment on disc 2 the left channel lost significant treble. This
was restored as well as possible. At the end of "shine on you crazy diamond" the recorder
probably had battery failure since the pitch and tempo fall noticeably. This was adjusted to be
consistent with the rest of the show but brief variations remain. Conversely, during a section
of disc 1 the tempo and pitch are unusually increased. This section was slowed back to the
tempo and pitch of the rest of the show. Many brief dropouts occurred. Some were removed while
others were pasted over to be less noticeable.
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