Close Topic Options |
| NetLab · Rules · Torrent Tracker · Have a problem? · Eng/Rus |
 Help
 Search
 Members
 Gallery
 Calendar
|
| Welcome Guest ( Log In | Register | Validation ) | Resend Validation Email |
 Leslie West - As Phat as It Gets, Гитарные Истории, часть 3 |
|
Posted: 07-12-2003, 16:32
(post 1, #202796)
|
||||||||||||
|
Гитараст Group: News makers Posts: 503 Warn:0% 
|
Продолжаем раздачу гитаристов известных и не очень. В сегодняшнем меню - предпоследняя работа гитариста-виртуоза Leslie West'а. Этот музыкант более известен как участник группы Mountain, которая также будет освещена в рамках этого долгосрочного проекта. По версии слушателей российских радиопрограмм "Блюзология" и "Доктор Блюз" в списке лучших гитаристов блюз-рока Leslie West находится на почетном 15 месте, обойдя таких монстров блюз-гитары, как Gary Moore, Jimi Hendrix и Eric Clapton. Спасибы за релиз снова уходят двум коллегам, пожелавшим остаться неизвестными  . Удачной закачки. |
||||||||||||
   
|
|
Posted: 08-12-2003, 23:54
(post 2, #203759)
|
||
|
риполов-любитель Group: News makers Posts: 12604 Warn:0%
|
я тут инфы маленько нашел: о самом гитаристе  by William RuhlmannLeslie West first gained recognition as the lead guitarist for the Vagrants, a locally popular 1960s Long Island group. One of that group's singles was produced by Felix Pappalardi, a bass player who also produced Cream. After the Vagrants and Cream split up, Pappalardi played bass on and produced West's debut solo album, Mountain (July 1969). Following its release, the two teamed up with drummer Norman Smart (soon replaced by Corky Laing) and keyboard player Steve Knight to form the band Mountain, which cut the albums Mountain Climbing! (February 1970) (a gold-selling LP featuring the Top 40 single "Mississippi Queen"), Nantucket Sleighride (January 1971) (which also went gold), and Flowers of Evil (November 1971). In 1972, Pappalardi left Mountain to return to being a producer. (Posthumous record releases included Mountain Live (The Road Goes Ever On) [April 1972] and The Best of Mountain [February 1973].) West and Laing joined with former Cream bassist Jack Bruce to form West, Bruce & Laing. The trio recorded two studio albums, Why Dontcha (October 1972) and Whatever Turns You On (July 1973). (A live album, Live 'N' Kickin', was released in April 1974.) Bruce quit in the summer of 1973, and West and Laing briefly formed Leslie West's Wild West Show. Then West, Pappalardi, Alan Schwartherg (drums), and Bob Mann (keyboards) reformed Mountain, recording a double live album, Twin Peaks (February 1974), in Osaka, Japan, in August 1973. This was followed by a Mountain studio album, Avalanche (July 1974) made by West, Pappalardi, Laing, and Knight. Then Mountain split again, and West formed the Leslie West Band, releasing The Great Fatsby (April 1975) (which featured Mick Jagger) and The Leslie West Band (1976) (which featured Mick Jones, later of Foreigner). Bedeviled by substance abuse problems, West retired from music for a time, then cleared up and again reformed Mountain with Laing and bassist Mark Clarke (Pappalardi had died in 1983) for Go for Your Life (March 1985). The group broke up again, and West made Theme (1988), again teaming with Jack Bruce. West then participated in the Guitar Speaks (1988) and Night of the Guitars recordings of legendary rock guitarists for I.R.S. Records' Illegal subsidiary. His next solo album was Alligator (August 1989), followed by Dodgin' the Dirt (1994). In 1994, West and Laing teamed with ex-Jimi Hendrix Experience bassist Noel Redding in another edition of Mountain, recording two tracks for the compilation Over the Top (1995). The solo As Phat as It Gets followed in 1999. и об этом альбоме He's half the man he used to be in terms of mass, but when it comes to rock & roll, just stand back and listen as the master holds court. The man who once recorded an album called The Great Fatsby is back, slimmed down and kicking as hard as ever on tracks like "Palace of the King" and "Allergic." West comes out jamming, backed by some pretty familiar names from the lexicon of classic rock, including Joe Lynn Turner, Kim Simmonds of Savoy Brown, Popa Chubby, and a little band called the Destroyers, who take time away from their day job playing with a fella named George Thorogood. When West rips into the old blues standard "Stormy Monday," it's take-no-prisoners electric blues, and his covers of "Tequila" and Otis Redding's "Respect" are Mountain-ized. (Speaking of "Respect," it's a little-known fact that West's first group, the Vagrants, had a version of that very same song out on a single in 1969 that was meant to be their key to the big time, but when Atco issued Aretha Franklin's now-legendary version, the Vagrants' record was blasted into obscurity.) "Raw Nerve" rocks with a real Billy Gibbons influence, and "The Cell" is an infectious life-in-prison tune that's meant to be played loud. Actually, the whole album sounds best with the volume knob set at 11. Oh, and if you're looking for blues, there's a ripsnorter penned by Leon Russell called "Me and My Guitar." "As Phat as It Gets" mixes the best elements of Frank Zappa, Black Sabbath, and Mountain into one smoldering tune about weight loss. If you like your rock & roll heavy, this one's for you. — Michael B. Smith |
||
|
|
|
Posted: 19-07-2007, 22:29
(post 3, #765981)
|
||
|
Newbie Group: Members Posts: 20 Warn:0%
|
Mr. OLCH & other friends! Please share or re-share this CD-s: (no complete seeders) LeslieWest.AsPhatAsItGets.99.rar Thank you! Gyula |
||
|
|
|
Powered by Invision Power Board v1.3.1 Final.