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Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 5. November 2010, 22:26

After Dinner / Editions

Used drive : SONY DVD RW DRU-830A Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\wavpack.exe
Additional command line options : -hlm %s

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 5:23.45 | 0 | 24269
2 | 5:23.45 | 1:41.58 | 24270 | 31902
3 | 7:05.28 | 4:15.32 | 31903 | 51059
4 | 11:20.60 | 3:06.15 | 51060 | 65024
5 | 14:27.00 | 2:36.25 | 65025 | 76749
6 | 17:03.25 | 4:29.70 | 76750 | 96994
7 | 21:33.20 | 5:57.23 | 96995 | 123792
8 | 27:30.43 | 3:37.10 | 123793 | 140077
9 | 31:07.53 | 2:36.15 | 140078 | 151792
10 | 33:43.68 | 4:05.20 | 151793 | 170187
11 | 37:49.13 | 3:48.52 | 170188 | 187339
12 | 41:37.65 | 4:03.35 | 187340 | 205599
13 | 45:41.25 | 3:32.55 | 205600 | 221554
14 | 49:14.05 | 4:13.55 | 221555 | 240584
15 | 53:27.60 | 3:47.65 | 240585 | 257674
16 | 57:15.50 | 4:13.58 | 257675 | 276707
17 | 61:29.33 | 5:07.32 | 276708 | 299764
18 | 66:36.65 | 5:30.30 | 299765 | 324544

Range status and errors

Selected range

Filename C:\_NL+_\WV.ISO\After Dinner - Editions.wav

Peak level 100.0 %
Range quality 100.0 %
Copy CRC A219F792
Copy OK

No errors occurred

AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database
Track 13 not present in database
Track 14 not present in database
Track 15 not present in database
Track 16 not present in database
Track 17 not present in database
Track 18 not present in database

None of the tracks are present in the AccurateRip database

End of status report

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REM GENRE "Progressive Rock"
REM DATE 1990
REM DISCID 2210E712
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "After Dinner"
TITLE "Editions"
FILE "After Dinner - Editions.wv" WAVE
TRACK 01 AUDIO
TITLE "After Dinner"
PERFORMER "After Dinner"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Sepia-Ture"
PERFORMER "After Dinner"
INDEX 00 05:23:20
INDEX 01 05:23:45
TRACK 03 AUDIO
TITLE "An Accelerating Etude"
PERFORMER "After Dinner"
INDEX 01 07:05:28
TRACK 04 AUDIO
TITLE "Soknya-Doll"
PERFORMER "After Dinner"
INDEX 00 11:19:28
INDEX 01 11:20:60
TRACK 05 AUDIO
TITLE "Shovel & Little Lady"
PERFORMER "After Dinner"
INDEX 00 14:23:68
INDEX 01 14:27:00
TRACK 06 AUDIO
TITLE "Cymbals At Dawn"
PERFORMER "After Dinner"
INDEX 00 16:59:68
INDEX 01 17:03:25
TRACK 07 AUDIO
TITLE "Glass Tube"
PERFORMER "After Dinner"
INDEX 00 21:31:25
INDEX 01 21:33:20
TRACK 08 AUDIO
TITLE "Dessert"
PERFORMER "After Dinner"
INDEX 00 27:28:63
INDEX 01 27:30:43
TRACK 09 AUDIO
TITLE "Sepia-Ture Il"
PERFORMER "After Dinner"
INDEX 00 31:06:05
INDEX 01 31:07:53
TRACK 10 AUDIO
TITLE "A Walnut"
PERFORMER "After Dinner"
INDEX 00 33:29:28
INDEX 01 33:43:68
TRACK 11 AUDIO
TITLE "Cymbals At Dawn"
PERFORMER "After Dinner"
INDEX 01 37:49:13
TRACK 12 AUDIO
TITLE "Re"
PERFORMER "After Dinner"
INDEX 01 41:37:65
TRACK 13 AUDIO
TITLE "Kitchen Life"
PERFORMER "After Dinner"
INDEX 00 45:38:35
INDEX 01 45:41:25
TRACK 14 AUDIO
TITLE "Glass Tube"
PERFORMER "After Dinner"
INDEX 01 49:14:05
TRACK 15 AUDIO
TITLE "The Variation Of Would You Like Some Mushrooms?"
PERFORMER "After Dinner"
INDEX 01 53:27:60
TRACK 16 AUDIO
TITLE "Ironclad Mermaid"
PERFORMER "After Dinner"
INDEX 00 57:13:53
INDEX 01 57:15:50
TRACK 17 AUDIO
TITLE "After Dinner"
PERFORMER "After Dinner"
INDEX 00 61:28:58
INDEX 01 61:29:33
TRACK 18 AUDIO
TITLE "The Room Of Hair-Mobile"
PERFORMER "After Dinner"
INDEX 00 66:36:53
INDEX 01 66:36:65

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яю- - - - - - - - - - - - - - - - - - - - - - -

D O N ' T M O D I F Y T H I S F I L E

- - - - - - - - - - - - - - - - - - - - - - -

P E R F O R M E R : a u C D t e c t T a s k M a n a g e r , v e r . 1 . 5 . 1 R C 3 b u i l d 1 . 5 . 1 . 4

C o p y r i g h t ( c ) 2 0 0 8 - 2 0 1 0 y - s o f t . A l l r i g h t s r e s e r v e d

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A N A L Y Z E R : a u C D t e c t : C D r e c o r d s a u t h e n t i c i t y d e t e c t o r , v e r s i o n 0 . 8 . 2

C o p y r i g h t ( c ) 2 0 0 4 O l e g B e r n g a r d t . A l l r i g h t s r e s e r v e d .

C o p y r i g h t ( c ) 2 0 0 4 A l e x a n d e r D j o u r i k . A l l r i g h t s r e s e r v e d .

F I L E : A f t e r D i n n e r - E d i t i o n s . w v

S i z e : 3 8 1 8 8 1 5 8 2 H a s h : E 7 6 2 2 C 9 9 C E F 6 C 7 D B B 5 B 7 4 1 1 7 6 0 5 2 5 B 0 3 A c c u r a c y : - m 0

C o n c l u s i o n : C D D A 1 0 0 %

S i g n a t u r e : 4 6 6 9 A 6 D 4 1 2 4 1 E B F A B 1 A 4 3 E 7 9 D C C 5 0 8 C 4 B 2 5 4 1 7 7 7

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After Dinner - Editions.log
After Dinner - Editions.wv
After Dinner - Editions.wv.cue
artist.jpg
back.jpg
disk.jpg
front.jpg
ReR ADCD 1 (MORPH-12230).sig
checkers\After Dinner - Editions.wv.auCDtect.txt
checkers\cueb.accurip
checkers\EAC.jpg
checkers\matrix.jpg
checkers\spectral.jpg
checkers\wave.jpg
misc\info.txt
readme\[ENG] README No unpacking needed to play or burn this release.txt
readme\[RUS] README No unpacking needed to play or burn this release.txt
scans\back.png
scans\booklet02-03.png
scans\booklet04-05.png
scans\booklet06-07.png
scans\booklet08-09.png
scans\booklet10-11.png
scans\CD.png
scans\front.png

After Dinner can produce both incredibly fragile and awesomely strident musical passages. In their quietest compositions one gets a sense of ancient Japanese musical "styles" (as in Shakuhaci or solo Koto), though with a thoroughly modern tonality. Of their more strident pieces, Rick Brown of V-Effect/Fish & Roses/Timber/etc. described them as one of the more controversial bands to have performed at the Mimi festval in France. As this seemed entirely improbable, I asked him why. His response was that they were a "guitar band". IMHO this does a great disservice to their creativity, though they can produce some scorching guitar work. On Paradise Of Replica, instrumentation includes vocals, percussion, indian harp, chinese dulcimer, glockenspiel, various keyboards, sorobatone (?!), guitar, toms, tung-siao (?), japanese oboe, charango (?), cello, tenor sax, violin, and volleyball. There is a WONDERFUL picture on the back of the CD of Haco (photo) sitting at a piano (drawing) that is pouring forth music pages that form a dragon. On Editions, the combo of Recommended studio/live releases, the bands are made up as follows: studio: 17 people; live: 11 people. The prime instigators seem to be Haco (Vox, keyboards & volleyball) and Tadahiko Yokogawa (bass, violin, mandolin, vox). After Dinner also generate very strong moods in their music, and I have been told they have a fairly theatrical presence onstage.

An extemporaneous description of the song "Re": The music rises slowly, sparsely. A man's voice very haltingly, almost sadly, attempts to define a space within this sparseness. Suddenly the music changes. Violin comes in almost folklike, and triangles start surrounding its repeated melody. Then the violin starts to improvise. There is still a sadness underlying the somewhat happy surface of the music. The male voice seems to be trying to describe a place which cannot really be described. "Soon I will tell you all of this, all for you." The song ends. The song after "Re" is called "Kitchen Life." After the sparse elegance of "Re," it just sort of staggers in and never really gains a (physical) sense of balance. This "lack of balance" is an excellent example of After Dinner's ability to create the different moods I mentioned.

After Dinner are a difficult band to describe because their music covers stylistically such a wide range. One might be tempted to call them classical, while definitions like sparse, loud, dynamic, mysterious, enchanting, minimal, or even orchestral come to mind. They are a quite unique band in my opinion, and while their music could be used for background, I inevitably find myself drawn away from whatever I was doing to end up simply listening.
-- David Bryant

- Haco / vocals, keyboards, tapes (3,4)
- Miyuki Komori / guitar (1,6-8), drums (1,2,6,7,9), bass (2,7,9)
- Yasushi Utsunomiya / synthesizer, voice (1,6), glass tube, bass (7)
- Tadahiko Yokogawa / bass (2,7,9,11,14,16-18), violin (2,9,12), mandolin (10,13), vocal (12)
- Chaka / bass, percussion (1,6)
- Manabu Shimura / piano (1,6)
- Kogaibou-Senkyu Okuda / tabla (8), yan-ch'in (15)
- Masaaki Kawaguchi / snare drum (2,9), surumondal (8)
- Teppu Maeda / Indian pipe, voice (8)
- Masaharu Ito / marching drums (6), soprano sax (9)
- Seiichi Kuroda / tenor sax (9), bass (10,11,14,17)
- Kaname Nakagawa / alto sax (9)
- Yukio Fujimoto / field work (5)
- Toru Simura / field work (5)
- Yoko Inui / field work (5)
- Ayami Torii / field work (5)
- Shinichiro Taniguchi / narration of B.B.R system
- Ichiro Inoue / percussion (10,11,13,14,16,17), taiko (13,16)
- Mutsuhiko Izumi / guitar (10,11,14,17)
- Hideyuki Yamagata / drums (10,11,14,17)
- Yosuke Isshiki / piano (13,16,18), percussion (17)
- Takumi Fukushima / violin (13,16,18)
- Masahiro Kitada / steel drum (15)
- Naoki Yamada / prepared guitar (15)