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Артист: Chuck Prophet Альбом: Temple Beautiful, 2012 Издатель: Yep Roc Records / YEP-2255 Жанр: Rock, Country-Rock, Classic-Rock Формат файла: VNL Ссылка: CD 23 clicks Нахождение: eDonkey/Kademlia Релиз-группа: Примечание: Обещаю не делать рипов пластинок Флойдов, Битлов, Зепелинов и других старичкофф... )))

TRACKLIST

1. Play That Song Again (2:46)  2. Castro Halloween (4:12)  3. Temple Beautiful (3:35)  4. Museum Of Broken Hearts (3:57)  5. Willie Is Up At Bat (4:59)  6. The Left Hand And The Right Hand (3:44)  7. I Felt Like Jesus (2:58)  8. Who Shot John (3:50)  9. He Came From So Far Away (Red Man Speaks) (3:29) 10. Little Girl, Little Boy (2:08) 11. White Night, Big City (3:23) 12. Emperor Norton In The Last Year Of His Life (1880) (3:43)

Review: by Hal Horowitz
Theme projects can be dicey propositions. For every successful one that examines a subject in a song cycle, many more fail miserably as performers strain and stretch lyrics to fit the matter at hand. Leave it to San Francisco's Chuck Prophet to turn that generalization upside-down on his twelfth studio release since the 1990 dissolution of Green on Red. This concept set centers on his San Francisco hometown. The 12 tunes on Temple Beautiful, named after an influential and long defunct S.F. punk club, sometimes only obliquely reference the city. In fact, without Prophet's song-by-song explanations in the press notes, it's often impossible to place this rootsy, melodic rock & roll to any particular location. Still, Prophet proudly declares that the album was "made in San Francisco, by San Franciscans about San Francisco." Regardless, this is another in a remarkably consistent series of terrific Prophet discs, filled with tightly wound blues-based rock, driven by his unassuming talk-sung vocals and ever-present, always imaginative Telecaster riffs. The dreamy trip-hop beats that once played a distinctive part in Prophet's sound have been replaced by a tough four-piece augmented by occasional horns, keyboards from producer Brad Jones, violin and cello, and even a guest vocal from San Francisco's Roy Loney, founding member of, and frontman for, the legendary Flamin' Groovies. The rather open-ended theme namechecks everyone from world-renowned S. F. figures such as Willie Mays to the far more obscure Emperor Norton, a British eccentric who moved there and a figure only those from the area would likely recognize. The 1978 Harvey Milk/George Moscone double homicide by Dan White is referenced in "White Night, Big City," but even those lyrics are obtuse with neither of the protagonist's names mentioned, although what sounds like found audio footage from the subsequent White Night Riots is a subtle addition. Some of the material least connected to the S.F. topic is the most successful. The lonely souls that populate "The Museum of Broken Hearts" have only a tangential relationship to AIDs, but the result is one of Prophet's most beautiful, moving, and mournful ballads, helped enormously by a simple, somewhat psychedelic elegiac violin that weaves throughout the chorus. The short '50s pastiche with Stax-styled soul sax and wife Stephanie Finch (oddly M.I.A. on many of these songs), "Little Girl, Little Boy" is a frisky antidote to some of the songwriter's darker, skewed visions. The latter is exemplified by the rocking and murderous "Who Shot John," another seemingly non-S.F. related item. Ultimately, despite his loftier intentions, this works perfectly well as another excellent Chuck Prophet collection that for most listeners only marginally adheres to its stated concept but is no less impressive because of that.

SPOILER (Технические данные)

Pro-Ject2 Xperience Acryl Pro-Ject2 Xperience Classic SuperPack Ortofon2M Bronze Pro-Ject Phono Box II ESI Dr. DAC prime Audacity 2.0 Record WAVE64 32bit float / 96kHz Adobe Audition CS5.5 transfer to WAVE 24bit / 96kHz

SPOILER (DR)

foobar2000 1.1.12 beta 3 / Dynamic Range Meter 1.1.1 log date: 2012-04-28 21:12:46 -------------------------------------------------------------------------------- Analyzed: Chuck Prophet / Temple Beautiful -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR11 -0.89 dB -14.08 dB 2:46 01-Play That Song Again DR11 -1.12 dB -15.25 dB 4:12 02-Castro Halloween DR11 0.00 dB -12.59 dB 3:35 03-Temple Beautiful DR10 -2.94 dB -16.50 dB 3:57 04-Museum Of Broken Hearts DR12 -0.61 dB -15.34 dB 4:59 05-Willie Is Up At Bat DR11 -1.85 dB -14.98 dB 3:44 06-The Left Hand And The Right Hand DR11 -0.65 dB -13.91 dB 2:58 07-I Felt like Jesus DR11 0.00 dB -13.77 dB 3:50 08-Who Shot John DR11 -2.79 dB -16.95 dB 3:29 09-He Came From So Far Away (Red Man Speaks) DR12 -2.42 dB -16.87 dB 2:08 10-Little Girl, Little Boy DR11 -1.23 dB -15.40 dB 3:23 11-White Night, Big City DR11 -1.71 dB -17.05 dB 3:43 12-Emperor Norton In The Last Year of His Life (1880) -------------------------------------------------------------------------------- Number of tracks: 12 Official DR value: DR11 Samplerate: 96000 Hz Channels: 2 Bits per sample: 24 Bitrate: 4608 kbps Codec: PCM ================================================================================

QUOTE

Обещаю не делать рипов пластинок Флойдов, Битлов, Зепелинов и других старичкофф... )))

И правильно , у нас все это уже есть. А ты нас поведешь в путешествие в неизведанное

Хотя это мы уже как раз изведали

QUOTE (taurus66 @ 30-04-2012, 10:21)

Хотя это мы уже как раз изведали

Когда успел? Альбом очень понравится тем, кто уважает и любит творчество Tom Petty.


А вообще-то у меня много всякой фигни, но часто качество пластинок не очень (запилил), часто есть уже лучше рип. А вот хорошей и качественной классики у меня много! Вот сделаю ещё пару блюз-роковых рипов и перейду к классике!

QUOTE (Гордый @ 30-04-2012, 12:24)

Когда успел? Альбом очень понравится тем, кто уважает и любит творчество Tom Petty.

Этот не успел, я о предидущем твоём рипе

Хотел предупредить. Я слушал рип через разные усилители, через наушники и колонки. Но лучше всего альбом звучит, если пустить через фубар аналоговый звук на аналоговый усилок и на большие колонки. Даже не знаю, но пускал по цифре - не то. Хуже всего звучит, если слушать через наушники. Чем это объяснить не знаю... может динамика звука такая, частотная характеристика или когда сводили звук подгоняли на колонках и по-этому на них звучит лучше!