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NetLab -> Forums -> Music -> Super Sound -> Topic: Pergolesi - Stabat Mater, Laudate pueri & Confitebor (2013) Pergolesi - Stabat Mater, Laudate pueri & Confitebor (2013), Julia Lezhneva, Philippe Jaroussky, I Barocchisti, Diego Fasolis; Erato, Studio Master 24bit 44.1kHz |
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Posted: 25-01-2014, 14:14
(post 1, #1087065)
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Pro Member Group: News makers Posts: 979 Warn:0% 
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Tracklist: Stabat Mater 01 - Stabat mater; I. Stabat mater dolorosa 02 - II. Cujus animam gementem 03 - III. O quam tristis et afflicta 04 - IV. Quae moerebat et dolebat 05 - V. Quis est homo qui non fleret 06 - VI. Vidit suum dulcem natum 07 - VII. Eja Mater, fons amoris 08 - VIII. Fac ut ardeat cor meum 09 - IX. Sancta Mater, istud agas 10 - X. Fac ut portem Christi mortem 11 - XI. Inflammatus et accensus 12 - XII. Quando corpus morietur Laudate pueri Dominum 13 - Laudate pueri Dominum; I. Laudate pueri Dominum 14 - II. A solis ortu 15 - III. Excelsus super omnes 16 - IV. Quis sicut Dominus 17 - V. Suscitans a terra 18 - VI. Gloria Patri 19 - VII. Sicut erat in principio Confitebor tibi Domine 20 - Confitebor tibi, Domine; I. Confitebor tibi Domine 21 - II. Confessio et magnificentia opus ejus 22 - III. Fidelia omnia mandata ejus 23 - IV. Redemptionem misit populo suo 24 - V. Sanctum et terribile nomen ejus 25 - VI. Gloria Patri 26 - VII. Sicut erat in principio Personnel: Philippe Jaroussky (countertenor) Julia Lezhneva (soprano) Coro della Radiotelevisione Svizzera I Barocchisti Diego Fasolis (conductor) Disc reviews by James Manheim "AMG" Russian Julia Lezhneva here shows an admirably gutsy attitude toward developing her repertory, avoiding familiar milestones in favor of an original project. Here she is paired with French countertenor Philippe Jaroussky in a program of works by Pergolesi for two high voices, strings, and continuo: the Stabat mater, for which there are plenty of other recordings, and the less-common Laudate pueri dominum and Confitebor tibi Domine. The distinctive feature here -- which might tempt some to use the word "gimmick," but listen before doing so -- is that Lezhneva fashions her voice into a very close copy of Jaroussky's, which is not at all an easy thing to do. Put this together with the precise, rather edgy playing of I Barocchisti under Diego Fasolis, and the result is a rather otherworldly Stabat mater. The tragic quality of the work and its association with Pergolesi's short life are played down (probably a good thing, for Pergolesi wasn't planning to die at age 26) in favor of creating a hypnotic globe of sound from which the two singers' voices emerge as flashing accents along with the punchy sound of Fasolis' strings. It may not be to everyone's taste, but it's quite an accomplishment, and the album continues to serve notice of Lezhneva's emergence as a major star in Baroque singing. |
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