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Артист: |
Soft Works |
Альбом: |
Abracadabra, 2003 |
Издатель: |
Tone Center / TC-4029 2 |
Жанр: |
Canterbury Scene/Jazz-Rock/Fusion/Prog Rock |
Формат файла: |
NL+ |
Ссылка: |
CD |
Нахождение: |
eDonkey/Kademlia |
Примечание: |
Pелиз AD's |
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TRACKLIST |
1. Seven Formerly . .10:21 2. First Trane. . . .11:35 3. Elsewhere . . . . .8:01 4. K Licks . . . . . .6:50 5. Bakers Treat. . . .5:40 6. Willie's Knee . . .5:17 7. Abracadabra . . . .7:35 8. Madame Vintage. . .4:55
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SPOILER (log) |
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 2. August 2012, 19:41
Soft Works / Abracadabra
Used drive : HL-DT-STBDDVDRW GBC-H20N Adapter: 1 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\wavpack.exe Additional command line options : -hm %source% %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 10:21.30 | 0 | 46604 2 | 10:21.30 | 11:35.33 | 46605 | 98762 3 | 21:56.63 | 8:01.23 | 98763 | 134860 4 | 29:58.11 | 6:50.32 | 134861 | 165642 5 | 36:48.43 | 5:40.28 | 165643 | 191170 6 | 42:28.71 | 5:16.47 | 191171 | 214917 7 | 47:45.43 | 7:34.64 | 214918 | 249031 8 | 55:20.32 | 4:55.04 | 249032 | 271160
Range status and errors
Selected range
Filename I:\Music\Canterbury scene\Soft Machine\Soft.Machine-Discography.1968-2010.FLAC.CUE.Lossless\3 - Soft Works - Soft Machine Legacy\1 - Soft Works - Abracadabra\Soft Works - Abracadabra.wav
Peak level 98.8 % Extraction speed 6.3 X Range quality 99.9 % Test CRC DB0F2EE1 Copy CRC DB0F2EE1 Copy OK
No errors occurred
AccurateRip summary Track 1 not present in database Track 2 not present in database Track 3 not present in database Track 4 not present in database Track 5 not present in database Track 6 not present in database Track 7 not present in database Track 8 not present in database None of the tracks are present in the AccurateRip database
End of status report
---- CUETools DB Plugin V2.1.3
[CTDB TOCID: tlbZSSAKxBoNwa4IVL_HbWwD9x0-] found, Submit result: tlbZSSAKxBoNwa4IVL_HbWwD9x0- has been confirmed [38c2dfa3] (1/1) Accurately ripped
==== Log checksum DF5A77BDEC28E6533ABA9EFD29AF1899EAA8EB764E25BEAF342D31276709F0D3 ==== |
ELTON DEAN saxello, alto sax, Fender Rhodes
ALLAN HOLDSWORTH electric guitar and Synthaxe
HUGH HOPPER electric bass
JOHN MARSHALL drums
CODE |
Four legendary old friends reunite here to dig deeply into new material. On first listen it seems the energy level doesn't rise about a simmer much of the time, though Allan Holdsworth does kick things up a notch now and then. But repeated listens reveal the multiple layers of what is going on here, reminding us of what Soft Machine was once all about. The four men are older, wiser, more thoughtful and perhaps more analytical than when they first set to breaking ground in the 1960s. After a while it becomes evident that Soft Works is more than the sum of the four old men in the booklet photo. Elton Dean remains his sinuous self for the most part, wrapping his alto and saxello around the rhythmic matrix like a python. On Hugh Hopper's "First Trane" the bassist and drummer John Marshall set up a slow, stalking riff over which Dean slithers deliciously. Holdsworth emerges later, interjecting pads from the Synthaxe like pieces of a puzzle which Dean must solve. On "K Licks" the guitarist, turned acidic this time, and Dean twist and parry through dense unison lines, and the band gets downright funky on "Willie's Knee" with Dean switching to the electric piano. Holdsworth gets to shred big-time on the closer, "Madame Vintage," and Marshall easily keeps pace with him with a ip-roaring sidelong improvisation. Soft Works is, by and large, a different animal from Soft Machine and its other predecessors. That aside, it's an exceptionally well thought out project featuring four veterans who know each other's moods and expectations intuitively. It should be especially appealing to Holdsworth's current fans, given the prevalence of the Synthaxe as a coloring tool. Recommended. – Todd Jenkins, All About Jazz (2003) |
Topic Link: Soft Machine - Volume Two (1969)Topic Link: Soft Machine - The Original Album Classics 5xCD