NL -> Robert Fripp - Exposures (pg.1)

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Robert Fripp - Exposures, Remasterd (OMT), expanded to 2 discs, 3 unreleased tracks

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Djubei

Posted: 27-08-2007, 19:54 (post 1, #774871)

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Артист:	Robert Fripp
Альбом:	Exposures, 2006
Издатель:	DGM / DGM0601/DGM0602
Жанр:	Avant punk
Формат файла:	eac.log.wv.tags.iso
Ссылка 1:	CD 1 15 clicks
Ссылка 2:	CD 2 13 clicks
Нахождение:	eDonkey/Kademlia
Примечание:	да в принципе чего тут говорить

TRACKLIST

1. Preface Fripp. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1:15
2. You Burn Me Up I'm a Cigarette Fripp, Hall . . . . . . . . . . . . . . . . .2:23
3. Breathless Fripp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4:45
4. Disengage Fripp, Hammill, Walton . . . . . . . . . . . . . . . . . . . . . .2:46
5. North Star Fripp, Hall, Walton . . . . . . . . . . . . . . . . . . . . . . .3:06
6. Chicago Fripp, Hall, Walton. . . . . . . . . . . . . . . . . . . . . . . . .2:12
7. NY3 Fripp. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2:24
8. Mary Fripp, Hall, Walton . . . . . . . . . . . . . . . . . . . . . . . . . .2:08
9. Exposure Fripp, Gabriel. . . . . . . . . . . . . . . . . . . . . . . . . . .4:26
10. Häaden Two Fripp. . . . . . . . . . . . . . . . . . . . . . . . . . . .2:53
11. Urban Landscape Fripp. . . . . . . . . . . . . . . . . . . . . . . . . . . .2:34
12. I May Not Have Had Enough of Me But I've Had Enough of You Fripp, Walton . .3:44
13. First Inaugural Address to the I.A.C.E. Sherborne House Bennett. . . . . . .0:04
14. Water Music I Bennett, Fripp . . . . . . . . . . . . . . . . . . . . . . . .1:27
15. Here Comes the Flood Gabriel . . . . . . . . . . . . . . . . . . . . . . . .4:07
16. Water Music II Fripp . . . . . . . . . . . . . . . . . . . . . . . . . . . .4:28
17. Postscript Fripp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .0:37

DISC 2

TRACKLIST

1. Preface [Third Edition] Fripp. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1:15
2. You Burn Me Up I'm a Cigarette [Third Edition] Fripp, Hall . . . . . . . . . . . . . . .2:24
3. Breathless [Third Edition] Fripp . . . . . . . . . . . . . . . . . . . . . . . . . . . .4:42
4. Disengage II [Third Edition] Fripp, Hall, Hammill, Walton. . . . . . . . . . . . . . . .2:43
5. North Star [Third Edition] Fripp, Hall, Walton . . . . . . . . . . . . . . . . . . . . .3:12
6. Chicago [Third Edition] Fripp, Hall, Walton. . . . . . . . . . . . . . . . . . . . . . .2:17
7. New York, New York, New York [Third Edition] Fripp, Hall, Walton . . . . . . . . . . . .2:17
8. Mary [Third Edition] Fripp, Hall, Walton . . . . . . . . . . . . . . . . . . . . . . . .2:08
9. Esposure [Third Edition] Fripp, Gabriel. . . . . . . . . . . . . . . . . . . . . . . . .4:25
10. Häaden Two [Third Edition] Fripp. . . . . . . . . . . . . . . . . . . . . . . . . .1:57
11. Urban Landscape [Third Edition] Fripp. . . . . . . . . . . . . . . . . . . . . . . . . .2:34
12. I May Not Have Enough of Me But I've Had Enough of You [Third Edition] Fripp, Walton . .3:37
13. First Inaugural Address to the I.A.C.E. Sherborne House [Third Edition] Bennett. . . . .0:07
14. Water Music I [Third Edition] Bennett, Fripp . . . . . . . . . . . . . . . . . . . . . .1:18
15. Here Comes the Flood [Third Edition] Gabriel . . . . . . . . . . . . . . . . . . . . . .3:55
16. Water Music II [Third Edition] Fripp . . . . . . . . . . . . . . . . . . . . . . . . . .3:53
17. Postscript [Third Edition] Fripp . . . . . . . . . . . . . . . . . . . . . . . . . . . .0:55
18. Exposure [alternate take/*] Fripp, Gabriel . . . . . . . . . . . . . . . . . . . . . . .4:28
19. Mary [alternate take/*] Fripp, Hall, Walton. . . . . . . . . . . . . . . . . . . . . . .2:06
20. Disengage [alternate take/*] Fripp, Hammill, Walton. . . . . . . . . . . . . . . . . . .2:49
21. Chicago [alternate take/*] Fripp, Hall, Walton . . . . . . . . . . . . . . . . . . . . .2:02
22. NY3 [alternate take/*] Fripp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2:15

This post has been edited by Djubei on 28-08-2007, 21:07

Please take a second to encourage releaser for all his hard work, press 'Thanks' button

The following members said 'Спасибо!':

yury_usa, runo, LF_, MAN71, alex27, OlCh, soxatyi, temk0t, Arzy, minios

Djubei

Posted: 27-08-2007, 19:59 (post 2, #774873)

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CODE

EAC extraction logfile from 27. August 2007, 20:07 for CD
Robert Fripp / Exposure (First Edition)

Used drive : CREATIVEDVD-ROM DVD1610E Adapter: 1 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 594
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface

Range status and errors
Selected range
Filename C:\Documents and Settings\Пользователь\Рабочий стол\cow\Robert Fripp - Exposure (First Edition).wav

Peak level 100.0 %
Range quality 100.0 %
CRC C02C9416
Copy OK

No errors occured

End of status report

QUOTE

Review by Sean Westergaard

Robert Fripp's only proper solo album, Exposure, has a tortured history that reflects everything Fripp loves about the creative process of making music and everything he despises about the music industry in microcosm. Fripp had walked away from music in 1974, following yet another dissolution of King Crimson and the mounting headaches of fame, management, and record companies. He returned to music in 1977 at the request of David Bowie and Brian Eno to play "some hairy rock guitar" on Bowie's Heroes, and these sessions allowed Fripp to regain contact with his creative side and a new album was planned. Working with an incredibly wide range of musicians (including Daryl Hall, Peter Gabriel, Tony Levin, Eno, Terre Roche, and former members of King Crimson), Fripp recorded an album with the working title The Last Great New York Heartthrob. Then, things got ugly. Hall's management (Tommy Mottola) said that Fripp could only use two of the seven tracks with Daryl Hall's vocals unless the album were co-billed to Fripp and Hall and released on Hall's label, RCA. Fripp refused, and decided to use the two allotted Hall vocals and redo the other tracks Hall appeared on. However, rather than simply replace the vocals with another singer, Fripp recut the songs in their entirety using the original musicians if he could, and replaced the original players if he couldn't. Of course, this delayed the intended release of the album and ended up changing the album itself, becoming the original version of Exposure, which was released in 1979. When CDs came along, the album was remixed by Fripp, so the "original" Exposure has never been available on CD until now. That's the first disc of this special edition. The second disc has the remixed versions of the songs, but instead of a straight reissue of the remixed version, three more of the original (and previously unreleased) Hall vocals are substituted back in to the album, and the remaining alternate vocals (some unreleased, some from the remix) are added at the end as "bonus tracks." And that doesn't even go into the debacle with the Fripp-produced Daryl Hall album, Sacred Songs, which is another aspect of the same ugly story. Confused yet?

OK, travails aside, what about the music? Fripp himself introduces the album by saying "Can I play you, um, some of the new things I've been doing which I think could be...commercial?" "Could be" is certainly the operative phrase there (although a few of the songs might have thrived in today's AAA marketplace), but this album is quite amazing in its breadth. From stomping, pounding, nearly punk rock ("You Burn Me Up I'm a Cigarette") to beautiful ballads ("North Star") to avant weirdness ("Disengage," "NY3") to incredibly beautiful, not-quite ambient Frippertronics ("Water Music II") to jagged instrumentals that would point the way toward the re-formation of King Crimson ("Breathless"), Fripp and company cover a ridiculously wide range of material and never miss a step. The album careens back and forth between beauty and power, tied together by Fripp's incredible guitar and Frippertronics. The vocals are uniformly excellent, with Daryl Hall and Terre Roche turning in some surprisingly feral performances alongside their beautifully sung ballads (Peter Hammill's feral vocals are less out of character). It's also interesting to contrast the songs that feature different vocalists in their different incarnations, like "Disengage" and "Exposure." Especially interesting is the previously unreleased Hall version of "NY3" (retitled "New York New York New York"), where the audio vérité of "NY3" is replaced by completely different lyrics and vocals by Hall. The version of Peter Gabriel's "Here Comes the Flood" on Exposure replaces the bombastic orchestrations of Gabriel's version with just synth (Eno), Frippertronics, and Gabriel's piano and vocals, completely transforming the song. Tony Levin's bass playing is fantastic, giving good reason why he's still working with Fripp more than 25 years later. Exposure was an underground masterpiece: there wasn't anything like it before and there hasn't been since. The passage of time has done nothing to dull its luster. Given the album's success on purely creative terms, it's interesting to note the paths here that Fripp didn't really investigate further - i.e., the more pop-oriented stuff (probably induced by the commercial wranglings of management rather than lack of interest in the material). This deluxe reissue not only offers the first digital opportunity to hear the album as it was originally released, it's a boon for the Fripp faithful who finally get to hear what the album might have been as well. It's an amazingly creative burst and a landmark album that sounds just as fresh today as it did decades ago.

CODE

The new 2 CD edition consists of the original 1979 release on CD1 (the first appearance of the original vinyl version on CD), while CD2 presents a version of the 1983 remix/1985 reissue with the inclusion of the three formerly unreleased Daryl Hall vocal tracks and an appendix of bonus tracks. All material re-mastered from the original source tapes by Simon Heyworth & Robert Fripp. The accompanying 24 page booklet features archive photos, the original lyric inserts & sleeve notes along with newly written notes by Robert Fripp. Additionally, the limited edition is packaged in mini-vinyl/card sleeve packaging – allowing the release to fit in with the previously issued limited edition series of King Crimson 30th anniversary re-masters.

Djubei

Posted: 27-08-2007, 20:04 (post 3, #774876)

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На коробке стоит DGM0601
А на дисках DGM0602.

Не боян Topic Link: Robert Fripp (p)1979 <ex King Crimson>

QUOTE

"Meanwhile, 'Exposure' isn't just a title, it's what the record demands."
Nick Kent, NME

Reading through some of the press clippings at the time of Exposure's release in 1979, you can tell how surprised and wrong-footed reviewers of the day were by this album. Anyone expecting it to be an extension of King Crimson was in for a shock and that included fans as well.

Writing in the NME, Nick Kent saw the album as bringing together different components to fashion something genuinely different. "Simply put 'Exposure' approaches alternative musical contexts, pairings and experiments with a maturity and dexterity that only a dedicated musician could display."

Michael Watts for the Melody Maker celebrated Fripp's quirky sense humour as being integral to the record, concluding "Exposure...reveal(s) more of Fripp's personality than any record has achieved before."

Of his time in New York, Fripp told New Hi-Fi Sound's Mark Prendergast: "In America there was no star trip. People would come up to you on the street and ask you if you were working and, if not, invite you to play. It was magic. I had a flat on the Bowery; I'd walk out and Richard Lloyd of Television would generally be staggering by whatever time it was. There was this incredible openness. The Johnny Blitz benefit at CBGB's was a wonderful event. Chris Stein, you know - 'We're doing a benefit for Johnny Blitz; got involved in a knife fight; needs some lawyers' fee; do you want to play with us?' It was as easy as that. It was a remarkable flowering."

It was from this kind of environment that Fripp's first solo album emerged. A stream-of-conscious musical autobiography, Exposure stood out from the prog-rock crowd he'd often been associated with. Bridging the two seemingly irreconcilable worlds of old-school musical technique and post-punk attitude, Exposure is one savagely beautiful blast of an album that sounds as safety-pin sharp now as it did back then.

This post has been edited by Djubei on 27-08-2007, 20:10

Djubei

Posted: 27-08-2007, 20:05 (post 4, #774877)

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так. произошло непоправимое. тьфю поправимое конечно. из первого исошника мистическим образом пропала папка с коврами. Обязуюсь проследить лично, что б была во втором исошнике, а так же обязуюсь отбатрачить на пару релизов в Super sound :hi:

This post has been edited by Djubei on 27-08-2007, 21:18

OlCh

Posted: 27-08-2007, 20:11 (post 5, #774879)

риполов-любитель

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и одно-дисковый рип бы бы не боян ( а шо такое БОЯН, кстати?)

но и сейчас:

QUOTE

признаюсь честно: послушав, наверно, большинство сольников Фриппа ( и его же "симбиозов" :rolleyes:

) так и не понял ничего

runo

Posted: 27-08-2007, 20:13 (post 6, #774881)

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Кстати, думаю 1-й диск - интересней звучит! Посмотрим! Винила у меня никогда не было...

Кстати, только на прошлой неделе был в "ПурЛеге", и крутил в руках этот диск! Но жаба удержала... права была старуха!:-)

This post has been edited by runo on 27-08-2007, 20:15

Гордый

Posted: 27-08-2007, 20:21 (post 7, #774884)

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QUOTE (OlCh @ 28-08-2007, 04:11)

и одно-дисковый рип бы бы не боян ( а шо такое БОЯН, кстати?)

Наверно вот это:

QUOTE

FLAC\Traks Only - No Log

и на главную тогда пошло! :diablo:

Djubei

Posted: 27-08-2007, 20:24 (post 8, #774886)

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QUOTE (runo @ 27-08-2007, 21:13)

Кстати, только на прошлой неделе был в "ПурЛеге", и крутил в руках этот диск! Но жаба удержала... права была старуха!:-)

я как раз на прошлой неделе подхожу к стенду в ПурЛеге, смотрю кто то крутит этот диск в руках, крутит, потом вздохнул и положил его на место.

Ну я такой случай не упустил :p:

, не часто получается у runo релизы перехватывать :D:

This post has been edited by Djubei on 27-08-2007, 20:25

runo

Posted: 27-08-2007, 20:37 (post 9, #774897)

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Да, нет! Это кто-то другой был!
Я несколько раз его брал - и клал обратно!
Потом отходил, опять подбегал, брал и клал обратно с глубоким вздохом облегчения!%-))))))))))))

Djubei

Posted: 27-08-2007, 20:39 (post 10, #774899)

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ну я просто всю сторию не рассказал.
А было так. Стою я у компа и вдруг...чую за спиной какое то движение...как будто кто подбегает отбегает от стендов :laugh:

OlCh

Posted: 27-08-2007, 21:40 (post 11, #774922)

риполов-любитель

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вы уж там жабов своих на здыбанку зашлите - пущай договорятся кому что покупать дабы накладок не было и впредь :D:

Djubei

Posted: 28-08-2007, 21:12 (post 12, #775165)

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кто то боялся Фриппа, кто то Пейджа, а меня боялся сам Фрипп

Второй пошел. Обложки при нем. Первый по звуку все таки лучше, но на втором бонусы вкусные.

P.S. Хочу утолить свое тщеславие

QUOTE

Additionally, the limited edition is packaged in mini-vinyl/card sleeve packaging – allowing the release to fit in with the previously issued limited edition series of King Crimson 30th anniversary re-masters.

У меня как раз такое, но по причине отсутствия японских мастеров, сами понимаете.... :D: