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Артист: Chicago Альбом: Chicago V DVD-Audio, 2003 Издатель: Rhino / 8122 73842-9 Жанр: Rock Формат файла: DVDFab ISO, scans-ini-rar Ссылка 1: CD 1 142 clicks Ссылка 2: CD 2 117 clicks Нахождение: eDonkey/Kademlia Примечание: с водяными маркерами with water markers

спасибо JaggerV за рип
спасибо kokiku и другим друзьякам

TRACKLIST

1. Hit by Varése  2. All Is Well  3. Now That You've Gone  4. Dialogue, Pt. 1  5. Dialogue, Pt. 2  6. While the City Sleeps  7. Saturday in the Park  8. State of the Union  9. Goodbye 10. Alma Mater 11. Dialogue [Live][*]

A new Chicago, November 10, 2002
By Brian Christie (Montreal, Canada)
This review is from: Chicago V (Audio CD)
CHICAGO V marked the beginning of a new incarnation of the Chicago sound. After 1971's double CHICAGO III (which depleted their reserves of songs) and the quadruple set CHICAGO AT CARNEGIE HALL, the band decided it was time for a change. Recorded in a mere few days in September 1971, CHICAGO V was released the following July featuring just one disc and ten relatively-shortened tracks. Of course "Saturday In The Park" and "Dialogue (Parts 1 & 2)" are well-known to Chicago aficionados, but what about the rest? Chicago basically merged their freewheeling avant-garde and melodic tendencies together to create classics like "A Hit By Varese", "All Is Well", "Now That You're Gone" and "Goodbye". Robert Lamm hit his peak on this album, authoring a staggering 8 of the 10 tracks. The album's enormous acceptance was evidenced by its incredible NINE weeks at # 1, making it the biggest album of 1972. Now, CHICAGO V is fleshed out with an early take of Terry Kath's fine "Mississippi Delta Blues", a backing track for "A Song For Richard And His Friends" (which appeared on the live CHICAGO AT CARNEGIE HALL) and the single version of "Dialogue". And take it from me, it all sounds GREAT. A well-done reissue.

A new Chicago, November 10, 2002
By Brian Christie (Montreal, Canada)
This review is from: Chicago V (Audio CD)
CHICAGO V marked the beginning of a new incarnation of the Chicago sound. After 1971's double CHICAGO III (which depleted their reserves of songs) and the quadruple set CHICAGO AT CARNEGIE HALL, the band decided it was time for a change. Recorded in a mere few days in September 1971, CHICAGO V was released the following July featuring just one disc and ten relatively-shortened tracks. Of course "Saturday In The Park" and "Dialogue (Parts 1 & 2)" are well-known to Chicago aficionados, but what about the rest? Chicago basically merged their freewheeling avant-garde and melodic tendencies together to create classics like "A Hit By Varese", "All Is Well", "Now That You're Gone" and "Goodbye". Robert Lamm hit his peak on this album, authoring a staggering 8 of the 10 tracks. The album's enormous acceptance was evidenced by its incredible NINE weeks at # 1, making it the biggest album of 1972. Now, CHICAGO V is fleshed out with an early take of Terry Kath's fine "Mississippi Delta Blues", a backing track for "A Song For Richard And His Friends" (which appeared on the live CHICAGO AT CARNEGIE HALL) and the single version of "Dialogue". And take it from me, it all sounds GREAT. A well-done reissue.

Excellent Transitional Album, May 23, 2005
By Jeffrey J.Park (Massachusetts, USA)
This review is from: Chicago V (Audio CD)
Given the transitional nature of Chicago V, I can't imagine that all diehard fans of the more poppy Chicago material and all diehard fans of the first three recordings would like it, although there must be some overlap. As a huge fan of the first three recordings (and as a bassist), I feel that Chicago V (1972) along with their 1969 debut (Chicago Transit Authority), II, III, and the live recording IV, defines a period where the band was at a creative peak. Although there are the (so-called) "pop" hits "Saturday in the Park", "Dialogue Pts I and II", and I suppose to some extent "All is Well", Chicago V is far from being a pop vehicle. Instead, the music seamlessly bridges the gap between their smash hits and the wild, full-throttle acid jazz-rock of 69-71. Specifically, the "big band" type arrangements on V (nearly all of which were written by Robert Lamm) sacrifice none of the instrumental virtuosity or experimentation of earlier works, although the pieces are somewhat shorter and presented in a tighter, more cohesive format. For example, there are no lengthy song-cycle suites or extended guitar solos. It does not however, take a careful listener to appreciate the sheer complexity of the arrangements on V, which emphasize dense ensemble work, odd time signatures (the waltzy 3/4 and 6/8 are used quite a lot, amongst others), and unusual chord voicings, in addition to the wide stylistic range of the music, which runs the gamut from the gospel-ish vocal parts on Alma Mater, to the awesome jazz-rock of "State of the Union" and "Goodbye". All of the musicians are absolutely top shelf and Peter Cetera is unquestionably the most under-rated bass player in all of rock. In fact, he is one of the few rock bassists that can play a convincing walking bass line. All in all, this recording (including the bonus tracks) makes a nice bookend at the conclusion of a five-album sequence of incredible music written during 1969-1972 that is also indicative of future trends. As a fan of both jazz-rock and progressive rock, Chicago V works for me on a number of levels and is highly recommended along with CTA, II, III, and IV.



This post has been edited by OlCh on 04-01-2008, 01:39

а в результате дело пошло от совсем не иже подобных... как обычно и бывало

а в результате дело пошло от совсем не иже подобных... как обычно и бывало

по техническим причинам

Спасибо, всем, не иже подобным!

magnet:?xt=urn:btih:FE00938829EDEBFF62F7B38F24CC24B2BA4973A8&dn=Chicago%20-%20Chicago%20V%20%281972%29%20%5bSACD%5d%20%282011%20Japan%20Remaster%20ISO%29&tr=udp%3a//tracker.openbittorrent.com%3a80/announce

SACD-R ISO 2011-japan-remaster

This post has been edited by Arzy on 06-03-2012, 23:48