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Артист: Sonny Rollins Альбом: The Sound Of Sonny, 1957 Издатель: DCC Gold Disc / GZS-1092 Жанр: Jazz, Hard Bop Формат файла: EAC, WAV Pack, CUE, LOG, Covers, Embedded album art, ISO Ссылка 1: CD 1 187 clicks Ссылка 2: CD 2 Нахождение: eDonkey/Torrent Примечание: по просьбе runo ;)

TRACKLIST

1. The Last Time I Saw Paris. . . .2:58  2. Just in Time . . . . . . . . . .4:00  3. Toot, Toot, Tootsie, Goodbye . .4:24  4. What Is There to Say?. . . . . .4:56  5. Dearly Beloved . . . . . . . . .3:07  6. Ev'ry Time We Say Goodbye. . . .3:22  7. Cutie. . . . . . . . . . . . . .5:56  8. It Could Happen to You . . . . .3:46  9. Mangoes. . . . . . . . . . . . .5:35 10. Funky Hotel Blues. . . . . . . .6:00

SPOILER (EAC Log)

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 EAC extraction logfile from 7. March 2008, 1:35 Sonny Rollins / The Sound Of Sonny [DCC Gold Disc GZS-1092] Used drive : PLEXTOR DVDR PX-755A Adapter: 3 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 30 Overread into Lead-In and Lead-Out : Yes Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.32 | 2:57.45 | 32 | 13351 2 | 2:58.02 | 3:58.58 | 13352 | 31259 3 | 6:56.60 | 4:24.00 | 31260 | 51059 4 | 11:20.60 | 4:54.60 | 51060 | 73169 5 | 16:15.45 | 3:05.47 | 73170 | 87091 6 | 19:21.17 | 3:23.20 | 87092 | 102336 7 | 22:44.37 | 5:54.05 | 102337 | 128891 8 | 28:38.42 | 3:45.65 | 128892 | 145831 9 | 32:24.32 | 5:33.43 | 145832 | 170849 10 | 37:58.00 | 6:04.45 | 170850 | 198194 Range status and errors Selected range Filename C:\_NEW\Sonny Rollins - The Sound Of Sonny [DCC Gold Disc GZS-1092].wav Peak level 98.2 % Range quality 100.0 % Test CRC A75443A3 Copy CRC A75443A3 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 2) [940550A2] Track 2 accurately ripped (confidence 2) [543FC714] Track 3 accurately ripped (confidence 2) [C8B10248] Track 4 accurately ripped (confidence 2) [DBA65349] Track 5 accurately ripped (confidence 2) [470F9F48] Track 6 accurately ripped (confidence 2) [7018779A] Track 7 accurately ripped (confidence 2) [F2CF5512] Track 8 accurately ripped (confidence 2) [294C4175] Track 9 accurately ripped (confidence 2) [E6341946] Track 10 not present in database 9 track(s) accurately ripped 1 track(s) not present in the AccurateRip database Some tracks could not be verified as accurate End of status report

Review (AMG)
A new phase in Sonny Rollins' career began in 1957. He started what was at the time an almost blasphemous trend of recording for a number of different labels. His pioneering spirit yielded a few genre-defining albums, including this disc. His performances were also at a peak during 1957 as Down Beat magazine proclaimed him the Critics' Poll winner under the category of "New Star" of the tenor saxophone. This newfound freedom can be heard throughout the innovations on The Sound of Sonny. Not only are Rollins' fluid solos reaching newly obtained zeniths of melodic brilliance, but he has also begun experimenting with alterations in the personnel from tune to tune. Most evident on this platter is "The Last Time I Saw Paris" -- which is piano-less -- and most stunning of all is Rollins' unaccompanied tenor solo performance on "It Could Happen to You." Indeed, this rendering of the Jimmy Van Heusen standard is the highlight of the disc. That isn't to say that the interaction between Sonny Clark (piano), Roy Haynes (drums), and bassists Percy Heath and Paul Chambers -- who is featured on "The Last Time I Saw Paris" and "What Is There to Say" -- is not top-shelf. Arguably, it is Rollins and Heath -- the latter, incidentally, makes his East Coast debut on this album -- who set the ambience for The Sound of Sonny. There is an instinctually pervasive nature as they weave into and back out of each others' melody lines, only to emerge with a solo that liberates the structure of the mostly pop standards. This is a key component in understanding the multiplicities beginning to surface in Rollins' highly underappreciated smooth bop style.

Народ, кто-нить послушать то успел?

Я вчера кайфовал, весь диск прослушал, особенно понравилась композиция Just In Time. Удивительно, как Роллинз способен варьировать темп и громкость инструментов. Ну и конечно качество звука! Такое ощущение, что играют у тебя в комнате, живой звук

Кто еще не слушал, послушайте, сравните с золотым "Tenor Madness" и mfsl "Way Out West" - эти две вещи мне очень нравятся, особенно "Way Out West"