NL -> King Crimson ProjeKct Six (2006) East Coast Live (pg.1)

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NetLab -> Forums -> Music -> Rock & Prog -> Topic: King Crimson ProjeKct Six (2006) East Coast Live

King Crimson ProjeKct Six (2006) East Coast Live, Robert Fripp & Adrian Belew • download-only (NON-CD) release - NO LOG

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bubamara

Posted: 30-04-2008, 09:36 (post 1, #835523)

Ваня Б. Коровкин

Group: News makers
Posts: 3654
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Robert Fripp & Adrian Belew (ProjeKct Six) - East Coast Live

Артист:	Robert Fripp & Adrian Belew (ProjeKct Six)
Альбом:	East Coast Live, 2006
Издатель:	DGMLive.com
Жанр:	Progressive Rock
Формат файла:	per-track flacs > wavpack image + pdf covers > iso
Ссылка:	CD 70 clicks
Нахождение:	eDonkey/Kademlia
Примечание:	NON-CD RELEASE (NO LOG)

01. Threshold Knock Knock Who's There Boston (0:28)
02. Time Groove Boston (6:23)
03. Queer Jazz Boston (7:56)
04. Threshold P6 Boston (1:36)
05. Berklee Strut Boston (2:28)
06. End Time Boston (4:46)
07. Threshold Knock Knock Who's There NYC (1:05)
08. Time Groove NYC (7:55)
09. Mission Possible NYC (3:30)
10. Space Threshold NYC (0:56)
11. Queer Jazz NYC (7:49)
12. Threshold Knock Knock Who's There Keswick (1:25)
13. Persian E Keswick (6:58)
14. Time Groove Keswick (7:47)

Альбом не для аудиофилов, а для меломанов, фанов и коллекционеров. Существует только в сети, на DGMLive.com. Ed2k-релиз изготовил droman42 :hi:

QUOTE (readme.txt)

Compiled from the Porcupine Tree support slot in October 2006, this is a snapshot
of the duo grappling with the task of combining the harmonic ambiguity of
Soundscapes with some straight ahead rock grooves. With so much of Robert’s
public work being taken up with ‘scaping in recent times, it’s almost a novelty
to hear him rocking it up like he does on Time Groove from Boston and Queer Jazz
NYC.

Despite all the technology involved this is a pared-back sound compared to
previous projeKcts, and there's a tentative, exploratory quality about much of
the music; two players in search of that often elusive moment, an intriguing
aspect which provides much of the tension and appeal.

As well as the big set pieces there are some little jewels to be found in small
places; the Frippertronics-like ending of Berklee Strut and the beginning of End
Time Boston. Of this gig the Boston Herald commented "With Belew pounding on an
electronic drum kit, Fripp tore into a set of improvised sound sketches, mixing
in hints of electronic programming under his searing guitar explorations."

To these ears the pick of the bunch though comes from the Keswick gigs which push
some of the ideas and themes investigated in the P6 series a little further. As
ever Fripp’s own commentary on the performance is more circumspect. "An enjoyable
performance. Probably, we played well, but I have no idea."

THIS RELEASE WAS DOWNLOADED FROM DGMLIVE.COM AS A SET OF FLAC FILES AND MERGED
INTO THE SINGLE IMAGE USING CUETOOLS