Ya-Sou feat. Tomasz Stanko, Osjan - Tribute To Don Cherry (1997), EAC-APE-CUE-LOG-HQCovers | CDG 40
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 Posted: 25-05-2008, 14:48 (post 1, #839640)

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Ya-Sou feat. Tomasz Stanko, Osjan - Tribute To Don Cherry
Артист: Ya-Sou feat. Tomasz Stanko, Osjan
Альбом: Tribute To Don Cherry, 1997
Издатель: Gowi Records / CDG 40
Жанр: Ethnic, Jazz, Contemporary, Folk
Формат файла: EAC-APE-CUE-LOG-HQCovers
Ссылка: CD 18 clicks
Нахождение: eDonkey/Kademlia
Примечание: Produced by Milo Kurtis
Tracklist:
1. Ya-Sou Suite - Tribute To Don Cherry (Ya-Sou) [26:42]
2. Rumba Multi-Kulti (Don Cherry) [9:16]
3. Malinye (Don Cherry) [9:00]

Recorded at Teatr Maly, Warsaw, Poland, 20.02.1996 by Wlodzimierz Chamarczuk, Andrzej Hamerski
Mixed at Big Hut Studio, Berkeley, California, USA
Produced by Milo Kurtis

Personnel:
Peter Apfelbaum - saxophones, flutes, percussion, vocal
Jai Uttal - dotar, guitar, charango, percussion, vocal
Horatio Altan - prercussion
Milo Kurtis - percussion, vocal
Tomasz Stanko - trumpet
Jacek Ostaszewski - recorders, kaya-kum, vocal, percussion
Wojtek Waglewski - guitar, vocal, percussion
Radoslaw Nowakowski - percussion

SPOILER (EAC_Log)

Some people call Yá-sou's music "ethnic jazz", some call it "avant-garde". And some simply refuse to categorize the unique sound of this remarkable band.

Music belongs to all of us. Music has no borders, and the Earth should have no borders, because were made by people and not by nature.
The band Yá-sou was founded and created with these ideas in mind.
In 1973, Dimitrios Milo Kurtis formed Yá-sou to play and make music based on different cultures from all over the world. Its music is a mixture of jazz, contemporary, classical, folk and ethnic music as well as being influences by music from continents of Asia, Africa, North and South America. Indeed, a performance by Yá-sou is like a trip around the world. Many times we visit a region for a while, sometimes we pass quickly through. We meditate somewhere, dance in the mountains, get thirsty in the desert, float like a leaf on the ocean wave and arrive happily back home.
Furthermore, Yá-sou’s sound is natural. The band uses only acoustic instruments including dotar, acoustic guitar, charango, mandolin, saxophones, flutes digirdu, congas, Arabic percussion, gongs, kalimbas, talking drum and many others. Some people call Yá-sou’s music "ethnic jazz", some call it "avant-garde". And some simply refuse to categorize the unique sounds of this remarkable band.
Yá-sou stopped performing when Mr. Kurtis became a member of the legendary Polish band OSJAN. This band, like, Yá-sou, created the music influenced by different ethnic cultures and had already established a position within the Europe market, as well as collaborating with the famous trumpet player Don Cherry, sadly recently deceased.
Milo traveled with OSJAN allover the Europe performing with other bands and musicians and resided in Switzerland from 1985-87, than moved to the Francisco Bay Area. Deciding to come back to his musical roots, he re-established Yá-sou in 1994. Milo, on various percussion instruments and vocal is joined by fellow percussionist Horatio Altan from Guatemala, a student and researcher of Pre-Columbian and Native American people’s musical forms. Horatio also performs with jazz groups and collaborates with dance and theatre companies. The other members of Yá-sou are: on saxophones, flutes, percussion and vocals, the Grammy Award nominee, Peter Apfelbaum; on dotar, guitar, charango, percussion and vocals, Jai Uyttal. Both musicians play in Jai’s Pagan Love Orchestra and Peter’s Hieroglyphics Ensemble, as well as having performed with Don Cherry’s Multi-Kulti and one or another of Don’s musical configurations. The members of Yá-sou are hoping you will be joining then soon on a musical journey. (text from original line notes)

Extractor: Exact Audio Copy v0.99pb3
Codec: Monkey's Audio 3.97
Compression: High Lossless
Total Time: 44:58
Ripper: SurowyTato
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 borisrad Member is Offline
 Posted: 27-05-2008, 22:45 (post 2, #839960)

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