Close Topic Options

Артист: Michael Jackson Альбом: Bad, 1987 Издатель: EPIC / 32-8P-200 Жанр: Pop Формат файла: NL+0802 Ссылка 1: CD 1 183 clicks Ссылка 2: CD 2 Нахождение: eDonkey/Torrent Примечание: Recorded and mixed by Bruce Swedien using the "Acoustic Recording Process D"

TRACKLIST

1. Bad. . . . . . . . . . . . . . .4:07  2. The Way You Make Me Feel . . . .5:00  3. Speed Demon. . . . . . . . . . .4:01  4. Liberian Girl. . . . . . . . . .3:54  5. Just Good Friends. . . . . . . .4:08  6. Another Part Of Me . . . . . . .3:55  7. Man In The Mirror. . . . . . . .5:19  8. I Just Can't Stop Loving You . .4:25  9. Dirty Diana. . . . . . . . . . .4:52 10. Smooth Criminal. . . . . . . . .4:19 11. Leave Me Alone . . . . . . . . .4:40

SPOILER (EAC Log)

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 EAC extraction logfile from 19. February 2009, 12:09 Michael Jackson / Bad (Japan 1st Press EPIC 328P-200) Used drive : PLEXTOR DVDR PX-755A Adapter: 4 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 30 Overread into Lead-In and Lead-Out : Yes Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:07.37 | 0 | 18561 2 | 4:07.37 | 4:59.38 | 18562 | 41024 3 | 9:07.00 | 4:01.17 | 41025 | 59116 4 | 13:08.17 | 3:53.50 | 59117 | 76641 5 | 17:01.67 | 4:08.15 | 76642 | 95256 6 | 21:10.07 | 3:54.58 | 95257 | 112864 7 | 25:04.65 | 5:19.37 | 112865 | 136826 8 | 30:24.27 | 4:25.23 | 136827 | 156724 9 | 34:49.50 | 4:52.32 | 156725 | 178656 10 | 39:42.07 | 4:19.03 | 178657 | 198084 11 | 44:01.10 | 4:39.65 | 198085 | 219074 Range status and errors Selected range Filename C:\_NETLAB\Michael Jackson - Bad (Japan 1st Press EPIC 328P-200).wav Peak level 91.6 % Range quality 100.0 % Test CRC 20C3F532 Copy CRC 20C3F532 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 45) [AD6EB8B7] Track 2 accurately ripped (confidence 49) [EFDBD584] Track 3 accurately ripped (confidence 47) [30F2F945] Track 4 accurately ripped (confidence 47) [C5534620] Track 5 accurately ripped (confidence 47) [B1B6E591] Track 6 accurately ripped (confidence 47) [F217CB0C] Track 7 accurately ripped (confidence 47) [9CE12F53] Track 8 accurately ripped (confidence 47) [2F52705B] Track 9 accurately ripped (confidence 47) [C7FC9DBE] Track 10 accurately ripped (confidence 47) [99FF21AB] Track 11 accurately ripped (confidence 46) [EF810A48] All tracks accurately ripped End of status report

SPOILER (back cover)

Review (AMG)
The downside to a success like Thriller is that it's nearly impossible to follow, but Michael Jackson approached Bad much the same way he approached Thriller - take the basic formula of the predecessor, expand it slightly, and move it outward. This meant that he moved deeper into hard rock, deeper into schmaltzy adult contemporary, deeper into hard dance - essentially taking each portion of Thriller to an extreme, while increasing the quotient of immaculate studiocraft. He wound up with a sleeker, slicker Thriller, which isn't a bad thing, but it's not a rousing success, either. For one thing, the material just isn't as good. Look at the singles: only three can stand alongside album tracks from its predecessor ("Bad," "The Way You Make Me Feel," "I Just Can't Stop Loving You"), another is simply OK ("Smooth Criminal"), with the other two showcasing Jackson at his worst (the saccharine "Man in the Mirror," the misogynistic "Dirty Diana"). Then, there are the album tracks themselves, something that virtually didn't exist on Thriller but bog down Bad not just because they're bad, but because they reveal that Jackson's state of the art is not hip. And they constitute a near-fatal dead spot on the record - songs three through six, from "Speed Demon" to "Another Part of Me," a sequence that's utterly faceless, lacking memorable hooks and melodies, even when Stevie Wonder steps in for "Just Good Friends," relying on nothing but studiocraft. Part of the joy of Off the Wall and Thriller was that craft was enhanced with tremendous songs, performances, and fresh, vivacious beats. For this dreadful stretch, everything is mechanical, and while the album rebounds with songs that prove mechanical can be tolerable if delivered with hooks and panache, it still makes Bad feel like an artifact of its time instead a piece of music that transcends it. And if that wasn't evident proof that Jackson was losing touch, consider this - the best song on the album is "Leave Me Alone" (why are all of his best songs paranoid anthems?), a tune tacked on to the end of the CD and never released as a single, apart from a weirdly claustrophobic video that, not coincidentally, was the best video from the album.

Когда-то, в 93-94м году, батя привез из Америки кассету этого альбома. Помню, все тащились от него! Примерно тогда я узнал про Джексона, и уже потом слушал альбомы "Thriller" и "Off the Wall"

А Thriller не завалялся японский?

up