Tracklist:
01. Song For Sarah [5:33]
02. Suspended Variation I [8:52]
03. Suspended Variation II [8:24]
04. Suspended Variation III [7:13]
05. Suspended Variation IV [7:04]
06. Suspended Variation V [4:23]
07. Suspended Variation VI [8:58]
08. Suspended Variation VII [3:26]
09. Suspended Variation VIII [4:24]
10. Suspended Variation IX [5:56]
11. Suspended Variation X [4:47]

Music by Tomasz Stanko, except Suspended Variations VIII and X by Stanko, Wasilewski, Kurkiewicz, Miskiewicz
Recorded July 2003, Rainbow Studio, Oslo
Engineer: Jan Erik Kongshaug
Cover: Still from "Histoire(s) du cinema" by Jean-Luc Godard
Photos: Andrzej Tyszko
Design: Sascha Kleis
Produced by Manfred Eicher

Personnel:
Tomasz Stanko - trumpet
Marcin Wasilewski - piano
Slawomir Kurkiewicz - double-bass
Michal Miskiewicz - drums

QUOTE

In the two years since Tomasz Stanko’s much-loved "Soul of Things", both the trumpeter and his young Polish band have continued to make their mark. Many miles of touring, on both sides of the Atlantic, have honed their already exceptional group understanding. "Suspended Night" builds upon the conceptual framework established by its predecessor – the bulk of the album is devoted to a series of haunting and soulful "Suspended Variations" - but the improvisational quotient is expanded, as all participants take more solo space, and more chances. (ecmrecords.com) When Tomasz Stanko first started working with a trio of Polish teenagers in 1994 - Marcin Wasilewski, piano; Slawomir Kurkiewicz, bass; Michal Miskiewicz, drums - on film projects and live gigs inside his native land, he might have glimpsed, but surely never fully conceived of, the sound that the quartet's relationship would offer a decade later. Suspended Night, on ECM, follows the hugely successful Soul of Things on the same label. It is only the second international offering from this group, but the flowering and maturation of this creative relationship are nothing if not utterly stunning. This ensemble has developed its own bravely compelling yet tonally accessible voice in articulating Stanko's unique compositional language; it is one that opens up the jazz tradition from the inside in startling and wonderful new directions. Suspended Night opens with "Song for Sarah," a ballad that stresses the harmonic language utilized so wonderfully on Soul of Things. Wasilewski's intensely lyrical, Bill Evans-influenced style is the perfect complement to the languid tempo and moving melody of Stanko's balladic utterance. Stanko's playing of the melody moves directly in concert with his pianist's chromatic subtleties, with unhurried, emotional nuance as the rhythm section punctuates his lines with shimmering, dancing colorations and whispers. The rest of the disc is made up of ten "Suspended Variations." They are compositions that offer enough skeletal direction and structure to allow a spacious inner freedom; improvisation feels effortless, innovative in terms of dynamic, tone, and harmonic invention as an exploration of tonal color is combined with space and melodic inquiry that is holistic and open-ended. The dynamic range here is also compelling as it seems to flow and extend rather than explode for the sake of releasing tensions. Where Soul of Things concentrated on intimate dialogue, Suspended Night uses that exchange and extends both subtleties and vagaries while keeping the major tenets of its subject in full view, always with grace and a poetic elegance. This a major new lyric statement that actually looks at jazz as a future music of unfolding investigation rather than as merely a historic tradition celebrating itself. Suspended Night is essential for any serious jazz fan and a wonderful introduction to Stanko's music as well. (by Thom Jurek, AMG)

SPOILER!

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Extractor: Exact Audio Copy v0.99pb5
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Total Time: 69:05
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