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Bill Evans Trio - 1962 Waltz For Debby
Analogue Productions 24 Karat Gold Limited Edition
mastered by Doug Sax with tube equipment :w00t:
by server_alliance
Review
Thom Jurek
Recorded at the Village Vanguard in 1961, shortly before Scott LaFaro's death, Waltz for Debby is the second album issued from that historic session, and the final one from that legendary trio that also contained drummer Paul Motian. While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates. Evans chose the material here, and, possibly, in some unconscious way, revealed on these sessions -- and the two following LaFaro's death (Moonbeams and How My Heart Sings) -- a different side of his musical personality that had never been displayed on his earlier solo recordings or during his tenures with Miles Davis and George Russell: Evans was an intensely romantic player, flagrantly emotional, and that is revealed here in spades on tunes such as "My Foolish Heart" and "Detour Ahead." There is a kind of impressionistic construction to his harmonic architecture that plays off the middle registers and goes deeper into its sonances in order to set into motion numerous melodic fragments simultaneously. The rhythmic intensity that he displayed as a sideman is evident here in "Milestones," with its muscular shifting time signature and those large, flatted ninths with the right hand. The trio's most impressive interplay is in "My Romance," after Evans' opening moments introducing the changes. Here Motian's brushwork is delicate, flighty and elegant, and LaFaro controls the dynamic of the tune with his light as a feather pizzicato work and makes Evans' deeply emotional statements swing effortlessly. Of the many recordings Evans issued, the two Vanguard dates and Explorations are the ultimate expressions of his legendary trio.
Jeff Day
One of my favorite jazz recordings is the Bill Evans Trio Waltz for Debby [Analogue Productions CAPJ 009] recorded live at The Village Vanguard in New York City on June 25, 1961. Bill Evans on piano, Scott LaFaro on bass and Paul Motian on drums perform for an appreciative crowd instead of a studio microphone. A terrific performance with an intimate atmosphere results. On the Naim 112/150, Scott's bass line is terrifically rhythmic and highly virtuous, with all kinds of amazing high-speed bass runs. You enjoy all the micro-dynamics of the individual accents in Bill's piano and Scott's bass playing. The sound of the cymbals is extraordinary, with just the right amount of metallic shimmer and sparkle. The tinkle of glasses, the chit-chat of voices, the joyous laughter and all the other little sonic cues of a live venue make it feel as though you were there. Waiter, bring me a glass of Pinot, please!
Bill Evans Trio - 1962 Waltz For Debby
Analogue Productions 24 Karat Gold Limited Edition
mastered by Doug Sax with tube equipment :w00t:
by server_alliance
Review
Thom Jurek
Recorded at the Village Vanguard in 1961, shortly before Scott LaFaro's death, Waltz for Debby is the second album issued from that historic session, and the final one from that legendary trio that also contained drummer Paul Motian. While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates. Evans chose the material here, and, possibly, in some unconscious way, revealed on these sessions -- and the two following LaFaro's death (Moonbeams and How My Heart Sings) -- a different side of his musical personality that had never been displayed on his earlier solo recordings or during his tenures with Miles Davis and George Russell: Evans was an intensely romantic player, flagrantly emotional, and that is revealed here in spades on tunes such as "My Foolish Heart" and "Detour Ahead." There is a kind of impressionistic construction to his harmonic architecture that plays off the middle registers and goes deeper into its sonances in order to set into motion numerous melodic fragments simultaneously. The rhythmic intensity that he displayed as a sideman is evident here in "Milestones," with its muscular shifting time signature and those large, flatted ninths with the right hand. The trio's most impressive interplay is in "My Romance," after Evans' opening moments introducing the changes. Here Motian's brushwork is delicate, flighty and elegant, and LaFaro controls the dynamic of the tune with his light as a feather pizzicato work and makes Evans' deeply emotional statements swing effortlessly. Of the many recordings Evans issued, the two Vanguard dates and Explorations are the ultimate expressions of his legendary trio.
Jeff Day
One of my favorite jazz recordings is the Bill Evans Trio Waltz for Debby [Analogue Productions CAPJ 009] recorded live at The Village Vanguard in New York City on June 25, 1961. Bill Evans on piano, Scott LaFaro on bass and Paul Motian on drums perform for an appreciative crowd instead of a studio microphone. A terrific performance with an intimate atmosphere results. On the Naim 112/150, Scott's bass line is terrifically rhythmic and highly virtuous, with all kinds of amazing high-speed bass runs. You enjoy all the micro-dynamics of the individual accents in Bill's piano and Scott's bass playing. The sound of the cymbals is extraordinary, with just the right amount of metallic shimmer and sparkle. The tinkle of glasses, the chit-chat of voices, the joyous laughter and all the other little sonic cues of a live venue make it feel as though you were there. Waiter, bring me a glass of Pinot, please!
Ой, Юр, спасибо! Это шикарный диск! Говорят даже лучше чем SACD! :-)
Огромное спасибо!
Огромное спасибо!
| QUOTE (runo @ 03-11-2006, 06:50) |
| Говорят даже лучше чем SACD! :-) |
брешут :p: но вещь! :punk:
Диск звучит просто фантастически!!!!
Юра - огромное спасибо!
Даешь еще золота от Analogue Productions и DCC! :band:
Юра - огромное спасибо!
Даешь еще золота от Analogue Productions и DCC! :band:
великолепная музыка, суууууперный звук! :wub:
Похоже у нас тут "правильная" версия этого диска! :p:
WALTZ FOR DEBBY:
The XRCD sux (at least it does to me).
Did Doug Sax master an Analogue Productions GOLD CD? My brain sez yes. If so, that would be the one. The SACD has issues.
The OJC folds in the channels, naughty.
Was there an early JVC from the 1980's? Pre XRCD? That would be good as well.
__________________
SH
http://www.stevehoffman.tv/forums/showthread.php?t=150930&highlight=Waltz+for+Debby
WALTZ FOR DEBBY:
The XRCD sux (at least it does to me).
Did Doug Sax master an Analogue Productions GOLD CD? My brain sez yes. If so, that would be the one. The SACD has issues.
The OJC folds in the channels, naughty.
Was there an early JVC from the 1980's? Pre XRCD? That would be good as well.
__________________
SH
http://www.stevehoffman.tv/forums/showthread.php?t=150930&highlight=Waltz+for+Debby
Thanks
Thanks