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Brad Mehldau and Renee Fleming - Love Sublime (2006)

QUOTE |
If you think jazz is becoming an endangered art form chained to its past, that's nothing compared to the present condition of classical art song, which is almost extinct in concert halls, sustained mostly by star singers taking a break from opera. Nevertheless, pianist/composer Brad Mehldau treads where very, very few jazzmen have bothered to go before, composing a pair of classical song cycles for the esteemed, front-rank soprano Renée Fleming. No kidding. And he does it strictly in European classical terms; with no jazz, no hints of improvisation except in the title song, everything written out just as Schubert, Schumann, Mahler, Mehldau's idol Brahms, and other classical masters did before him. Rainer Maria Rilke's philosophical poems form the texts for Mehldau's "Songs from The Book of Hours: Love Poems to God," a grand seven-song cycle lasting over a half-hour. It speaks well for Mehldau's taste that these are far better texts than you often encounter in lieder, rooted in solitude, questioning man's relationship to God. His responses to the texts are thoughtful and varied in texture, ranging from the daringly simple, spare, stabbing progression of chords as an accompaniment to "Your First Word Was Light" to quasi-symphonic passages in others. The shorter, three-song "Songs from The Blue Estuaries," with texts by Louise Bogan, has a more ambiguous, turbulent texture, just teetering on this side of tonality. Oddly enough, the only piece that does not use a completely written-out score, "Love Sublime" (a reworking of Mehldau's instrumental "Paris"), is the song that pays closest homage to Mehldau's classical heroes, Wagner's modulations in particular, and Fleming is given the most latitude in phrasing here as well. Fleming's voice seems to have thickened as of this session, and her overall interpretive outlook remains cool, dignified and detached, while pouring forth seamless streams of polished, steady sound. "I Love You, Gentlest of Ways" (from "First Word") contains long passages of sustained, exposed vocal lines with no place to hide, which doesn't bother Fleming in the least. Throughout Love Sublime, Mehldau aims high -- he takes his task very seriously, and he has the tools for it -- although you don' quite hear a striking individual signature yet. |
Brad Mehldau, piano
Renée Fleming, vocals
Songs from The Book of Hours: Love Poems to God
Brad Mehldau / Words by Rainer Maria Rilke
1. Your first word was light
2. The hour is striking so close above me
3. I love the dark hours of my being
4. I love you, gentlest of Ways
5. No one lives his life
6. His caring is a nightmare to us
7. Extinguish my eyes, I'll go on seeing you
Songs from The Blue Estuaries
Brad Mehldau / Words by Louise Bogan
8. Tears in Sleep
9. Memory
10. A Tale
11. Love Sublime
Brad Mehldau / Words by Fleurine
*EAC (secure mode / offset correction)
*FLAC 1.1.2
*402 MB
*high quality covers
*another chapter of my exceptional life
CODE |
EAC extraction logfile from 27. October 2006, 19:43 for CD Brad Mehldau and Renee Fleming / Love Sublime Used drive : ASUS DRW-1608P2S Adapter: 0 ID: 3 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 48 Overread into Lead-In and Lead-Out : Yes Used output format : C:\Program Files\Exact Audio Copy\Plugins\flac.exe (User Defined Encoder) 320 kBit/s Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" -T "comment=EAC 095pb5 / Flac 1.1.2 -8" %s Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Native Win32 interface for Win NT & 2000 Track 1 Filename D:\Audio\lossless\Brad Mehldau and Renee Fleming - Love Sublime (2006) [FLAC]\01 - Your first word was light.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Track quality 100.0 % Test CRC 65C4AEA7 Copy CRC 65C4AEA7 Copy OK Track 2 Filename D:\Audio\lossless\Brad Mehldau and Renee Fleming - Love Sublime (2006) [FLAC]\02 - The hour is striking so close above me.wav Peak level 91.0 % Track quality 99.9 % Test CRC 77D8E25D Copy CRC 77D8E25D Copy OK Track 3 Filename D:\Audio\lossless\Brad Mehldau and Renee Fleming - Love Sublime (2006) [FLAC]\03 - I love the dark hours of my being.wav Peak level 98.7 % Track quality 100.0 % Test CRC 6DB8E3AC Copy CRC 6DB8E3AC Copy OK Track 4 Filename D:\Audio\lossless\Brad Mehldau and Renee Fleming - Love Sublime (2006) [FLAC]\04 - I love you, gentlest of Ways.wav Peak level 100.0 % Track quality 100.0 % Test CRC 93455B19 Copy CRC 93455B19 Copy OK Track 5 Filename D:\Audio\lossless\Brad Mehldau and Renee Fleming - Love Sublime (2006) [FLAC]\05 - No one lives his life.wav Peak level 91.6 % Track quality 100.0 % Test CRC E5EAF18F Copy CRC E5EAF18F Copy OK Track 6 Filename D:\Audio\lossless\Brad Mehldau and Renee Fleming - Love Sublime (2006) [FLAC]\06 - His caring is a nightmare to us.wav Peak level 100.0 % Track quality 100.0 % Test CRC 84266CE9 Copy CRC 84266CE9 Copy OK Track 7 Filename D:\Audio\lossless\Brad Mehldau and Renee Fleming - Love Sublime (2006) [FLAC]\07 - Extinguish my eyes, I'll go on seeing you.wav Peak level 100.0 % Track quality 100.0 % Test CRC 7F6DFEBC Copy CRC 7F6DFEBC Copy OK Track 8 Filename D:\Audio\lossless\Brad Mehldau and Renee Fleming - Love Sublime (2006) [FLAC]\08 - Tears in sleep.wav Peak level 97.2 % Track quality 100.0 % Test CRC 031515D6 Copy CRC 031515D6 Copy OK Track 9 Filename D:\Audio\lossless\Brad Mehldau and Renee Fleming - Love Sublime (2006) [FLAC]\09 - Memory.wav Peak level 100.0 % Track quality 100.0 % Test CRC 9E580A50 Copy CRC 9E580A50 Copy OK Track 10 Filename D:\Audio\lossless\Brad Mehldau and Renee Fleming - Love Sublime (2006) [FLAC]\10 - A Tale.wav Peak level 92.0 % Track quality 100.0 % Test CRC 3CF7C7BF Copy CRC 3CF7C7BF Copy OK Track 11 Filename D:\Audio\lossless\Brad Mehldau and Renee Fleming - Love Sublime (2006) [FLAC]\11 - Love Sublime.wav Pre-gap length 0:00:07.22 Peak level 83.9 % Track quality 100.0 % Test CRC 9A7668F2 Copy CRC 9A7668F2 Copy OK No errors occured End of status report |